The Dead Pit

I saw "The Dead Pit" first time some 15 years ago and since late at night on television. I couldn't remember the title until few years ago, and recently I manage to find it on DVD.

Surprisingly magic is still there. Without getting too much into plot, movie is about doctor who performs illegal brain surgeries until his college kills him for moral reasons, sealing him into his "Dead Pit". Twenty years after, Jane Doe (girl who lost her memories) comes into the very same hospital. Soon after, earthquake crack the wall of "Dead Pit" and good old doctor comes back to life, unleashing his horde of undead.

I don't know why many people complain about this movie, seems they are forgetting that this is '80 low budget movie (times when literally everything you thought of could be put on screen). It's a descent '80 zombie flick, bit unusual because of it's narrative style and nightmarish atmosphere it has. It was a first feature of now well known director Brett Leonard, who manage to capture otherworldly atmosphere in what is now considered cult classic. His obvious influences are Wes Craven and his Elm Street (director acknowledged this in audio commentary for Dead Pit DVD). Story gets bit spread here and there, but it never gets too confusing nor it tries to be more then it actually is - a low budget horror flick.

Altho movie starts bit slow (but it has some nice scenes to keep you interested for the first half of the movie), it really comes to life in second half when all hell breaks lose and zombies start to rampage through asylum. Characters aren't deeply developed, but they are interesting enough to keep you watching at screen (good looking Cheryl Lawson helps in that department. Did I mention she walks around in her underwear most of the time?)

SF goes from terrific to silly, but most of the time, they are looking quite good, especially when it comes to gore scenes. It's bloody and will satisfy every zombie fan, because FX here have all the necessary requirement for good zombie gorefest.

Highlight of this little flick are cinematography, which was really well done and music score, which goes from moody to creepy. (Cheryl Lawson looks are also big highlight of this movie.)

Bad: Some scenes are bit longer then they should be, some plot elements that aren't really needed and bit corny ending, and "innovative" way of killing zombies that might cause laugh for hardcore zombie fans.

Overall, it's a descent flick, worth checking out if you are fan of horror movies and for some reason you haven't seen it already.

Amusingly bad 80's zombie flick in which its main star spends the majority of her time wandering the halls of a mental institution in her underwear.

There is plenty of cheesy gore, nutty dialogue and cartoonish imagery to please fans of the genre.

Best moment: Two cops discussing their favourite donuts, oblivious to an approaching horde of zombies.

Brett Leonard (Lawnmower Man, Hideaway) gives us in his directorial debut a pastiche of De Moro's HELLHOLE and Fulci's CITY OF THE LIVING DEAD, and it holds it's own with those two heavy-weights from opposite poles of the extreme-film spectrum. This movie has raving mental patients, psychotic doctors, people being buried alive, ritual murders in boiler rooms, flesh-hungry zombies, high-quality gore effects, and hot women. Very atmospheric for taking place in a clichéd setting = a mental asylum. Probably the creepiest one caught on film. There are dead bodies all over this movie. Amazing dialog like this doesn't hurt either: -"My God! You're a Doctor! You're supposed to be saving lives!" -"I've done life. Now I'm doing death." Not a disappointment for zombie fans looking for something different, or slasher fans doing the same. Solid. A must see.

It's fair to say I've earned my stripes in regard to zombie movies. Through the course I've taken to delve deep into horror, I've seen countless titles given the highest honors to the lowest scum-of-the- earth production values cinema has ever witnessed. From A to Z grade, however, there stands a few shining stars that are worth discussing. "The Dead Pit" is one of these last glimmers of hope. Brett Leonard, the man responsible for both writing and directing 1992's "The Lawnmower Man," made his directorial debut with this undead feature; he did a fine job in presenting it.

The story begins at a mental hospital in California. Dr. Ramzi, a deranged doctor at the facility, has been murdering and experimenting on patients in the basement. Dr. Gerald Swan learns of his sinister activities; in fear of jeopardizing his career at the hospital, he decides to eliminate Dr. Ramzi and bury the truth for 20 years. Jane Doe, an unidentified woman suffering from amnesia, is admitted to the facility. After an earthquake occurs, visions allow her to slowly uncover the dark secret buried deep beneath.

This movie seems to function greatly for a variety of reasons. Although a few typical 80s production clichés exist they all seem to apply perfectly in the given scenarios the plot uncovers - the use of smoke machines in correlation with intense back lighting are exhausted thoroughly. The bumbling policemen standing outside discussing donuts was also a nice touch. I expect certain predictable elements to exist within the era I'm experiencing. It all works tremendously. The vacant hospital wings that were chosen as set pieces for this film are outstanding. The director clearly knew what he was doing; as a viewer, I felt isolated. The cast of actors/actresses hired to fill the character roles did a decent job - certainly no Emmy nominations to be had, but a solid enough attempt in their own right. As far as the musical score is concerned, expect typical, 80s off-beat harmonics - which, in my opinion, is what I look forward to. Clearly anything with a dark melody is par for the course.

This film can be classified as a zombie flick but it requires a bit of patience from the viewer. The pace seems sluggish for the first 40 minutes of the film but picks up nicely. There is plenty of violence and gore to satiate the blood thirst of any gore hound. The special effects and makeup are worth noting. Although I reserve a special pedestal for Tom Savini, the artists responsible for "The Dead Pit" are truly remarkable and come in a close second - their work displayed here is even a few notches down from , in my humble opinion, the greatest zombie masterpiece of all time, George A. Romero's 1985 feature "Day of the Dead." I consider this a true accomplishment; many Z grade zombie flicks from the 80s, primarily ones with an Italian-schlock quality (I'm not including Lucio Fulci when I speak of schlock, so please don't send a lynch mob to my doorstep!), fail miserably in achieving the same success.

When it comes to zombie movies in general, I think most could agree that Romero was responsible for reinventing and trend-setting a particular brand of undead fiend in 1968's "Night of the Living Dead." I don't consider it a crime if his influence is shared by directors and production teams alike. Although not in the top 5 of classic zombie re- tellings, "The Dead Pit" surely makes the top 10 - give it a try and you won't be disappointed.

This can't be really taken TOO seriously, mostly because of the cliches in, but the atmosfear (in a way, similar to Re-animator) is deadly and creepy. This is quite nice zombie movie. If you are a horror fan, this is definately recommended.