Filmed before a live audience at a North London TV studio.Filmed before a live audience at a North London TV studio.Filmed before a live audience at a North London TV studio.
- Self - Jethro Tull
- (archive footage)
- Self - Jethro Tull
- (archive footage)
- Self - Jethro Tull
- (archive footage)
- Self - Jethro Tull
- (archive footage)
- Self - The Who
- (archive footage)
- Self - The Who
- (archive footage)
- Self - The Who
- (archive footage)
- Self - The Who
- (archive footage)
- Self - Taj Mahal's Guitarist
- (archive footage)
- Self - Taj Mahal's Bassist
- (archive footage)
- Self - Taj Mahal's Drummer
- (archive footage)
- Self
- (archive footage)
- Self - The Dirty Mac
- (archive footage)
- Self - The Dirty Mac
- (archive footage)
- Self - The Dirty Mac and The Rolling Stones
- (archive footage)
- Self - The Dirty Mac
- (archive footage)
Featured reviews
Sights and sounds to delight your eyes and ears
Stones fans will dig it.
The standout for me is the reggae-infused "Sympathy for the Devil" which sounds like the drunken plea of society's virus. The original came across as a taunt, and this rendition of the song is helpless and a desperate outcry - in a good way, of course.
Mick Jagger's vocals have been better and his voice is a bit off - I guess the guys were totally wasted and stoned out of their minds around this time. But watching them on stage, it's hard to deny they were one of the great rock n' roll bands. They're really not given enough credit for their fusion of blues and mainstream rock - at the time of their emergence, a lot of critics compared them to The Beatles - a comparison both understandable and equally unfair. They did write a few Britpop songs early on, but they always had a bluesy edge that the Beatles - despite their superiority in musical influence and range - never had.
If you're into the Stones, this is a must-see. If you're *really* into the Stones, it's probably a must-own. And if you aren't into the Stones at all, I'd recommend starting off with their double-album Forty Licks (a Greatest Hits compilation).
underrated and flawed, hard-rocking & blues-filled highlights, and sideshow acts
They're no slackers here either (sans Brian Jones, who was on the decline and except for No Exceptions does nothing significant here with the band), and hearing them perform Jumpin Jack Flash and Parachutte Woman- the latter a fantastic blues tune from Beggars Banquet- is a fine delight from late 60s rock & roll. They also make sure to end the special on two high notes: Sympathy for the Devil makes for a powerful punch of music that rocks the socks off everyone in attendance and without Jagger's preening to the camera (only to the camera is it annoying, everything else is a given with him), it's one of the very best performances of that song, and there's a fine little ending with Salt of the Earth. It's nothing to be ashamed of on their end.
Then again, the acts that surround them both outshine and lack the punch of their performances, so maybe at the time of their heights (and the sentimental factor of Brian Jones's departure and death from the band soon after) contributed to the decision to keep it from the public. As mentioned, the Who are in the great 'maximum R&B' tradition with A Quick One (While He's Away), which has as thunderous momentum matched with a wicked sense of humor. Other notable acts are Jethro Tull (featuring a slightly dazed Tony Iommi on guitar), Taj Mahal (a musician I never heard before but was blown away by), and a one-night-only type of grouping with Lennon, Clapton, Richards and Mitch Mitchell doing Yer Blues, which actually comes very close to topping the Who's performance- it's that awesome a rendition of the song.
Marianne Faithful is not my cup of tea, but is a talented singer here. My kryptonite though is the 2nd song by the Lennon group features one plus (violin) and one heavy minus (Yoko Ono's singing, which is like nails on a chalkboard). There's also the creepy sense that the audience looks like it's awaiting the 2nd coming, so to speak.
But it's always a lot of fun, the circus acts look cool in a kitsch kind of way, and there's a truly lively spirit going through all the performances. It's far from perfect, but it's a lot better than I expected, and will have a good place in my collection.
The Rolling Who?
In my opinion though, The Stones put on quite a show of their own, and its great to see them (and the other bands of that era) in their prime. If you're a fan of rock (especially of the late '60s), you MUST check this one out--you won't regret it.
"You've all been forgiven"--Townsend
Getting' Down And Dirty With The Dirty Mac
Did you know
- TriviaFor a fortnight in 1968, future Black Sabbath founder Tony Iommi briefly joined Jethro Tull as lead guitarist. This was his only public appearance with the band, but the performance was mimed - he never played live with Jethro Tull.
- Quotes
Mick Jagger: John, I want to talk to you about your new group, The Dirty Mac, that you've got together for tonight's show. Comprised of yourself, and...
John Lennon - The Dirty Mac: Myself, that's Winston Legthigh, as you know, and we've got Mitch Mitchell from the Jimi Hendrix Experience... and we've got Eric Clapton, from Cream, the late great Cream...
Mick Jagger: Cream? Fantastic.
John Lennon - The Dirty Mac: And we've got Keith Richards, your own soul brother.
Mick Jagger: Dirty.
John Lennon - The Dirty Mac: I'd like to give you this, Mike.
[Hands Jagger the plate of food he's been eating, walks off to go onstage]
Mick Jagger: Thank you, John. Yer blues, John. Yer blues, John. Yer blues, John.
- Crazy creditsSPECIAL THANKS Everyone's Mum...
- ConnectionsEdited into The Kids Are Alright (1979)
- SoundtracksEntry of the Gladiators
Written by Julius Fucík
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Details
- Release date
- Country of origin
- Language
- Also known as
- Рок-н-ролльный цирк Роллинг Стоунз
- Filming locations
- See more company credits at IMDbPro
- Runtime
- 1h 5m(65 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1







