Bruno

Bruno was the kind of movie that I will see over and over. I am not usually a fan of movies starring children, and I generally look for some (intelligent) action. This dreamy story of an angelic, cross-dressing young boy was presented with style and compassion and offered a lesson in respect. Run don't walk to rent it!

I stayed up late last night to watch this movie on the cable. It is a little gem.

The script by David Ciminello was alive. I couldn't stop watching until the conclusion. I'm waiting to see his next one.

As a good Catholic boy I thrilled seeing the reactions of the nuns to the boy and his dress. Kathy Bates as "Mother Superior" was wonderful - in fact the casting was superb.

Some people have thrown negative comments about this film but really it is a fun film with a deep meaning.

Maclaine does as superb job with her first directorial debut: Bruno (The Dress Code DVD title).

This movie pulls at the heart strings at points, and tickles the funny bone at others. All performances were excellent. Alex Linz has come a long way with his acting. He wasn't too great in Home Alone 3, but shines in Bruno.

The story is original and clever. A young boy named Bruno (linz), has a dream/vision that he is being chased by an angel, which is a nightly thing for him. During a hospital visit ( after a car accident), he is at the gates of heaven. Though it is not his time, he is dressed in the robes of an angel.

When he comes out of his slight coma, he besides that wearing dresses is as close to his spiritual gown. Calling them "holy vestments", He goes through his days in "drag".

Also a genius speller, Bruno challenges the Catholic faith and church, focusing his attention on opening peoples eyes to the beauty of Heaven...Through wearing dresses.

Maclaine plays the Bruno's grandmother, who, with her own son, bruno's father, was very dominant and aggressive. Boys didn't listen to Oprea, that was for sissies. Well, I don't like getting into too much detail...

Take heed, the movie is exception...the acting is great...and newcomer, angie, Bruno's obese mother was excellent.

8 out of 10

This funny, quirky, and touching story of individuality and tolerance makes it one of 2000's best films.

David Ciminello's film writing debut and Shirley Maclaine's second directorial opus populates the screen with the most memorable characters since "Matilda," "Gilbert Grape," and "Christmas Story." Bruno Battaglia (expertly played by Alex D. Linz) is an eight-year-old prodigy who aspires to win the National Catholic School Spelling Competition and its grand prize, an all expense paid trip to Rome for a private audience with the Pope. After a near-death experience and encounter with angels, he resolves to compete wearing various dresses (which he insists are "holy vestments"), much to the distress of the Long Island school's nuns (Kathy Bates as Mother Superior, Lainie Kazan and Brett Butler as his teachers) and the ridicule of his classmates.

Bruno's morbidly obese mother (Stacey Halprin), his estranged father who is ashamed of his son (Gary Sinese), his hyper-masculine grandmother (Shirley Maclaine), and his Annie Oakleyesque best friend (Kiami Davael) round out the cast with stellar performances. Watch for cameos by Gwen Verdon and Jennifer Tilly.

Bruno had two ineffectual parents - an intelligent boy who is out of place except in his own world of spelling. The movie allows the viewer to feel the hurt of the various characters without damning any of them. It shows how adults can be so wrapped up in their own turmoil and battling their inner demons and disappointments that they fail to see just how their children are being affected.

Bruno manages to touch your heart on one hand and make you want to shout at the screen characters at the same time.

The mother is so over the top that at times you are waiting for the punch line to come, but it doesn't - and you are left wanting to shake her and say get over yourself - look at your son! The father mopes around and turns to a shallow witch who on one hand you can see that he cringes with her behavior but his own pitifully low self-esteem makes him gravitate right back to her - maybe her being so low makes him feel so much better? Anyway, the film will grab you and at times frustrate you but there is an underlying redeeming message - tolerance, recognition of uniqueness.