Evil Come Evil Go

One of the better horrible movies I have seen from the 70's. The story line is good and could make a great movie today, but the acting and quality of the picture is poor. Regardless, I was captured by the film and was really wanting to see where it would end.

Unusual, sex/slasher/comedy, with evangelical theme. In truth the sex is fairly well done, let down only by the low lighting (and frequency), the bloody scenes are also not bad and it really is amusing now and again. Sister Sara is a self styled 'anti- pleasurable sex' evangelist who enlists another to help lure men and then do them in, because they are so evil. This is all made watchable though by decent use of original music and hymn singing(!) sometimes accompanied by tambourine thumping. It is particularly impressive at the start and we see the girls on the street but it looses it's way a little two thirds in when we reckon it's all over but it then steps up a gear and finishes with a flourish. If you think this review is a bit muddled, you should see the film. Fun to be had nonetheless.

A religious fanatic teams up with a lesbian and they go on a killing spree offing people who have sex. This is a really terrible film. It's barely over an hour in length, and it feels interminably long. Every single scene plays out at a glacial pace. The one highlight is somebody's cat that enters a scene clearly unexpectedly and commands the frame for a few minutes. Give the cat an Oscar and chuck this flick in the trash.

Sister Sarah is a Bible-thumping evangelist nutcase who dresses like Baby Jane Hudson.

She travels from one rural American ragdump to the next, vociferating the evils of recreational sex. Between her holy-rolling streetcorner castigations, she pacifies crowds with her mellifluous hymns(not only is she the Lord's golden-throated songbird, she also plays the accordion). By night, Sarah frequents bars, intent on luring "sinful" men to their bloody deaths. By-and-by, she takes on a wealthy, brick-ugly lesbian minion...together, these goose-stepping Christian crusaders become a holy force to be reckoned with.

Craggy little exploitation cowplop is too over-the-top to possibly be sincere...I suspect it has tongue lodged firmly in cheek when it's not lodged firmly elsewhere. EVIL COME EVIL GO is neither fish nor fowl...while nothing about it is exactly praiseworthy, it's generally more rounded than the centroid of its kindred contemporaries. And while the film's underpinnings may be of an erotic nature, it certainly won't serve to enhance xerotripsis for most fellows.

4/10

Obviously one of those sleazy films of the 1970's that always read better in a synopsis better than they play out in front of the eyes, "Evil Come, Evil Go" however does stay in the mind for a while after viewing. It's sure not the uninteresting sex scenes full of pasty, unshaven, unattractive people doing their best to try and act out something passionate that does it, or the lackluster "Hold the cue card closer, I can't read my lines off of it!" acting style. The film comes across as more of a pseudo-documentary, simply following the Preacherwoman through her motions as she acts the hypocrite, snorting fire and brimstone on those stupid young lovers, then picking up guys in bars and butchering them in a hotel room. Badly shot, badly acted, but yet plays out in a way that keeps one's attention. Go figure that one, huh?