Open Your Eyes

Go see this film. Now. I'll wait.

Okay, this film is truly one of the most excellent mixtures of genres I have ever seen. It will leave you truly moved, truly surprised, and truly depressed. That's okay, though, because this is such a wonderful movie. The film centers around the life of a rich and handsome young man after a disfiguring accident. We are taken along as he tries to find a way to grow accustomed to a life without the things he relied on (mainly looks) before. After hitting rock bottom, things start to get better for him, and it is here that the seamless weaving of genres occur. I don't want to give too much away, but the film constantly keeps you on your toes and never grows dull. "Abre los Ojos" is a truly stunning love story, psychological thriller, and science fiction film all rolled into a flawless whole. Do yourself a favor and see it before the Cameron Crowe remake, "Vanilla Sky", does to this film what "City of Angels" did to "Wings of Desire".

Although the plot is confusing at times, a second viewing helps to untangle the convoluted story about dreams and reality. Most of the time we are not sure if what we are watching is really happening or whether it is a profoundly disturbing nightmare. Cesar (Edouardo Noriega) whose head is badly fractured in a high speed car crash quite understandably has blurred recollections of events involving his good buddy Pelayo and his girl friends Sofia and Nuria. As his doctor explains: In dreams characters are often substituted, one for the other.

There is much I like about this film. First of all I like the script. The dialogue between Sofia and Cesar at first meeting and afterwards is so natural, so believable. The four main characters are absolutely charming and have a rapport between each other that is rarely seen in films. This is either good casting or good acting, or maybe a bit of both. As the story unfolds we are completely absorbed. This is true entertainment on the highest level. O.K. we may not be fully cognisant of what is happening at times, but we glue ourselves to the screen expecting that an explanation will come in due course.

There are some chilling lines e.g. Just before Nuria steps on the accelerator: "Do you believe in God?"

There are some mysterious questions put to Cesar e.g. "Who is Eli? You called out 'Eli...Eli' while you were dreaming. Is she a girl?" No such person. What then? The mystery deepens.

There is quality photography in the film. The rain in the park. And before that the reflections of foliage flashing in the car windows with glimpses of tense faces.

The make-up team too does a great job On Cesar's handsome face. What a transformation!

On top of all this we get a lesson on cryonics and the possibility of immortality. What more do you want for your money?

Take it from me. This is a film you must see.

Well, as it is in most 'fights' one has to see both before being able to see who the winner is and in this case it is Abre los Ojos (the original). It is not THAT MUCH better than Vanilla sky, but the ending does the trick. The ending in Abre los ojos, is much better and more comprehensible than the vague and somewhat pointless ending in Vanilla Sky, which makes the film just a notch better than the star-laden Hollywood remake. The other parts of the films are mostly equal to one another or should I say, the rest Cameron Crowe copied from Abre los ojos. If there is one thing that I didn't like about this film, is how it was spoiled for me by having seen Vanilla Sky earlier. Almost everything Crowe copied, which made this film rather boring at times and which also makes it difficult for me to rate this one. I can tell you though, that if could choose again I'd definitely see Abre los Ojos first and not see Vanilla Sky at all.

7,5 out of 10 (for the statistics, with a 7 to be handed out on voting)

Note: this review has been amended to remove some sexist comments I included at the time. Apologies for any offence caused. I was young and stupid at the time, thinking I was being 'cool'.

"Abre Los Ojos" is one of the most astonishing movies I have ever seen. It's so full of astounding twists that it constantly makes you sit up and wonder what the next shot will bring you. At the same time, you keep wondering if a movie with so many twists will be able to tie everything up at the end, but Amenabar and his co-writer manage to do just that, in a reasonably (if not perfectly) satisfying manner. Eduardo Noriega's acting is so good it's beyond belief, and so is the "disfiguring" makeup. Pair this off with "The Game" for a truly mind-bending double feature and see what cinema should be like more often. (***1/2)

César has been left rich by his restaurant owning parents. When he meets the beautiful Sofia at a party he uses her as a way to escape his jealous ex Nuria. After a night of talking with Sofia, César is picked up by Nuria who crashes her car deliberately killing her and horribly disfiguring him. With surgery limited as to what it can achieve César despairs at his loss (his looks, not Nuria) and tries to pick up with Sofia. However when surgery returns his looks he thinks everything is solved – but his dreams become more vivid blurring his sense of reality. He tells his fragmented story to a physiatrist in a mental institution/prison where he waits trail for murder.

Suddenly this little beauty is being sought out – even if Vanilla Sky is mixed, at least it put the original on the bigger stage. The story is magnificently set out – it builds slowly and you never know the full story – even the ending requires you to catch up really quickly. Not knowing what's going on at some points may frustrate some audiences, but it just drives this film on. It is a little far fetched at points but it's handled so well that you don't mind. The story is laced with emotion and passion – the ending is moving for so many reasons that I won't spoil.

Director Amenádar delivers a visually great film – he uses the dream sequences well and regularly contrasts the beauty and the twisted face of César. He delivers a story that is stylish and clever, using his cast to spin out a human drama before launching into the realm of science fiction.

Noriega is great as the conceited César – his character and his fate can both be taken as comments on vanity and the importance of image – and he is more than able to handle all the sides to his character. Cruz is good here too – she is quite attractive and plays well in a smallish role. The most underrated performance is given by the physiatrist – his role becomes bigger at the end and he handles the complexities thrust upon his character well.

Overall this is a superb film that mixes a clever plot, good acting, a great script and stylish direction. It may lose some of it's impact once you know the full story and it should be enjoyed as freshly as possible – but it will stand repeat viewings to get the full picture.