It Takes a Worried Man

To my mind, Peter Tilbury is one of the unsung heroes of UK TV script writing, His scripts were always funny, erudite, moving and, above all, intelligent. Some of the monologues written for the Shelley series, as well as the characterisations, were stunning. A dry downbeat humour that always hit the spot.

In the "worried man" series I still remember his visits to his psychiatrist where he ended up acting as counsellor rather than the counselled (the psychiatrist was always having problems with his partner Gerald and his love for muesli - "trudging through all those oats").

The very fact that I can remember so much from the series and Shelley pays tribute to the excellence of his writing.

Then of course, a few years later, was the Chef series, with Lenny Henry. Equally stunning. I always wondered if Peter was a genuine foodie or if he carried out meticulous research (e.g looking for the one unpasteurised Stilton still being mad Now, thank heavens, a reality in Stichelton).

Where is he and writers like him these days?

This series was incredibly literate and funny. It's a tragedy that it hasn't been seen since. With so many tired repeats aired, surely it can't be difficult to get the necessary clearances for this to be seen again.

Peter Tilbury is impressive as the intelligent worker who'd rather not (work that is ) and whose intelligence prevents him from taking his desk bound duties seriously, Christopher Benjamin compelling as the boss who's unable to do more than harbour the suspicion that his employee does as little work as possible. A gem of eighties comedy based on disengagement from society.

IMDb rating system is beyond baffling - how can an arithmetic mean of 8.6 and a median of 9 possibly equate to a weighted average of 4.2?!

This was a fantastic series. If any aspiring comedy writers take the trouble to watch this, they will see that Peter Tilbury's technique defies every single piece of received wisdom on sitcom writing. The plots are wafer thin, Philip Roath seldom finds himself up a tree that he has to get down from, there is precious little conflict to be resolved and it is all tell and no show: most of the laughs come from the characters we never see: Gerald, the analyst's boyfriend, the boss's Mohican son-in-law, and Napley's delinquent sprog.

Tilbury's central performance is workmanlike; the comparison with Hywel Bennet who took the part he had written for himself in Shelley, is interesting. ITAWM demonstrates the advantages of having the writer deliver his own lines; Tilbury knows exactly what he is trying to achieve. But Shelley shows how a great actor can lift a script with a performance that exceeds the writer's vision.

The supporting performances, particularly from Benjamin and the wonderful Le Prevost, are excellent.

In reply to another posting, no you are not on your own remembering this series, As well as starring Peter Tilbury, it was written by him as was the dead pan humour of "Shelley" with Hywel Benett.

The last series saw him find a soul mate in Sue Holderness who also fitted just perfectly with the idea that everyday, everything was going to go wrong

Brilliant Sitcom with good old British sense of humour and I wish that someone would release this and the early Shelly on DVD or Video as I would love to see them again, comedies like these were always shown at varying times as sport etc would always take precedence over a good laugh, so much for English producers sense of entertainment.

I certainly remember this series. Though I saw only a few episodes, the series sticks in my mind because in most of them, it was essential to the script that the elegant Sue Holderness strip off to her undies.

Another series, Chance in a Million, with Simon Callow, was memorable for the same reason (as well as for being very funny), though in that one it was the Oscar-winning Brenda Blethyn who couldn't keep her clothes on.

Cheers

Nick