The Morning Daily newspaper's Mr. Inquisitive column - which has the tagline "I'm Much Obliged" - is holding a contest: tell Mr. Inquisitive what you would like to do, and those stories whic... Read allThe Morning Daily newspaper's Mr. Inquisitive column - which has the tagline "I'm Much Obliged" - is holding a contest: tell Mr. Inquisitive what you would like to do, and those stories which are printed in the newspaper are eligible for a prize. Mr. Inquisitive gets many of thes... Read allThe Morning Daily newspaper's Mr. Inquisitive column - which has the tagline "I'm Much Obliged" - is holding a contest: tell Mr. Inquisitive what you would like to do, and those stories which are printed in the newspaper are eligible for a prize. Mr. Inquisitive gets many of these stories from random telephone calls he makes. Most of those people he happens to call ar... Read all
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Dobbs plays the columnist who writes the Mr. Inquisitor column whose tagline is 'much obliged. He calls around to various entertainers looking for news for his Walter Winchell like column and he gets to hear a bit of everybody's act. The best is singer Vera Van who delivers a rendition of that smoky torch You Let Me Down which Lee Wiley made popular in the Thirties.
I'm Much Obliged is a pleasant 20 minute musical interlude.
In other words, it's another of the variety-show shorts that most of the studios turned out to fill up movie programs. Sometimes they are varied enough to be entertaining. Sometimes the linking material is good. Sometimes the shorts involve talent that are important, or typify a movement in popular entertainment at the time.
This one does none of those. It's a few competent, forgettable acts, linked by uninspired badinage from Roy Mack's Vitagraph shorts unit.
I don't know how the phone calls work. I don't think we're supposed to, but it does bug me. It occurs to me that this should be a magical phone. He can call any random number and the other side would do a song and dance. This needs to do an exposition on that premise. Aside from that, this is a bit of harmless non-sense.
But my romantic entanglements don't end with he... i also fell deeply in love with The Heat Waves right from the start. Rhythm is Our Business is one of my fave tunes & their cover is memorable. Then when they came back for a costumed & orchestra accompanied tap number!?... Well, I was sunk, gate. Now I find myself searching the world wide web for these men's names and have come up completely too short. So, I'll make it a mission to try and remedy that.
This obscure short features two typically obnoxious leads (who can't muster a funny joke between them). Fortunately, though, the musical acts, while not top rank, are good second tier people who keep the short interesting, if you have any liking for the music of the 30s.
Vera Van is a torch singer with a nice alto voice (think Alice Faye with maybe 50% of the talent), who gets in a nice gloom despair and misery number, plus a jazzier tune later on.
Rosita & Fontana do an elegant Latin dance to an elegant Latin number. Nothing terribly interesting, but far better than the comedy from the leads.
Lester Cole (accompanied by a manly male chorus) sings Western tunes in an operetta style. Since the tunes themselves are pretty good, this works OK, though anyone looking for Western Swing will be surprised to find a "hayseed" Nelson Eddy.
The Heat Waves are a little tap dancing/jive singing group. They do rather well with Jimmie Lunceford's Rhythm Is our Business, and the little specialty number they have later on. This a fun group (backed by a decent band) that I wish I knew more about.
This is worth 20 minutes.
Did you know
- TriviaOne in the Vitaphone Corporation's "Broadway Brevities" series of short films, which are short Broadway-styled musicals.
- Quotes
Mr. Inquisitive: Is that a nice way to start off the day? You should begin it with a great big smile. Here, you old dill pickle, have a chocolate.
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- Broadway Brevities (1935-1936 season) #23: I'm Much Obliged
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- Runtime
- 22m
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- Aspect ratio
- 1.37 : 1