Feature version of the 1936 serial "Shadow of Chinatown."Feature version of the 1936 serial "Shadow of Chinatown."Feature version of the 1936 serial "Shadow of Chinatown."
- Director
- Writers
- Stars
Bela Lugosi
- Victor Poten
- (archive footage)
Bruce Bennett
- Martin Andrews
- (archive footage)
- (as Herman Brix)
Joan Barclay
- Joan Whiting
- (archive footage)
Luana Walters
- Sonya Rokoff
- (archive footage)
Maurice Liu
- Willy Fu
- (archive footage)
Charles King
- Grogan (a thug)
- (archive footage)
William Buchanan
- Healy (a thug)
- (archive footage)
Forrest Taylor
- Police Capt. Waters
- (archive footage)
John Cowell
- Willie
- (archive footage)
James B. Leong
- Wong
- (archive footage)
Henry T. Tung
- Dr. Wu
- (archive footage)
George Chan
- Old Luce
- (archive footage)
Moy Ming
- Wong's Brother
- (archive footage)
John Elliott
- Ship's Captain
- (archive footage)
- (uncredited)
Harrison Greene
- Major Foley
- (uncredited)
Henry Hall
- Dr. Zander
- (uncredited)
Robert F. Hill
- Rooftop Fight Spectator
- (uncredited)
- Director
- Writers
- All cast & crew
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Featured reviews
In this ultra-condensed, 71 minute version of the original 15-part, 440 minute (!) serial, Bela Lugosi plays the maniacal Eurasian mastermind, Victor Poten, who plots to destroy both European and Asian people in Chinatown.
Astonishingly, even after being cut down by 80%, SHADOW OF CHINATOWN is a real chore to watch. Lugosi is his old, reliable self, but there's just not enough plot or action to keep things interesting.
There are other serials starring Lugosi (THE PHANTOM CREEPS, WHISPERING SHADOW) that are far superior to this...
Astonishingly, even after being cut down by 80%, SHADOW OF CHINATOWN is a real chore to watch. Lugosi is his old, reliable self, but there's just not enough plot or action to keep things interesting.
There are other serials starring Lugosi (THE PHANTOM CREEPS, WHISPERING SHADOW) that are far superior to this...
Luana Walters comes to Bela Lugosi with a plan to destroy Chinese merchants and, I guess, take over their businesses. Bruce Bennett -- still called Herman Brix -- and Joan Barclay are their opposition.
The first thing I noticed about this feature version of the serial directed by Robert Hill for Sam Katzman was that the sound seems to have been recorded in an echo chamber by Hans Weeren. His was a name new to me. He was the sound man for 140 movies between 1932 and 1943, when he seems to have died at age 49, or perhaps he was assassinated. If so, I don't approve, but I understand. His list of films is not distinguished by anything except being almost entirely B westerns of which I have never heard.
Given this is Hill directing, I was mildly pleased by the decent movement and speed of editing; even if you could see that the clip of the guy who leaps over a fence begins while he's standing around waiting for his cue, editor Charles Henkel Jr. Seems to have made an effort to cut down the 280 minutes of the serial to a manageable length, and largely succeeded, even though Bennett does not know how to throw a punch. The modern crowd might be pleased that they actually used ethnic Chinese for the appropriate roles. I suspect that is because they were cheaper to hire and make up than otherwise.
The first thing I noticed about this feature version of the serial directed by Robert Hill for Sam Katzman was that the sound seems to have been recorded in an echo chamber by Hans Weeren. His was a name new to me. He was the sound man for 140 movies between 1932 and 1943, when he seems to have died at age 49, or perhaps he was assassinated. If so, I don't approve, but I understand. His list of films is not distinguished by anything except being almost entirely B westerns of which I have never heard.
Given this is Hill directing, I was mildly pleased by the decent movement and speed of editing; even if you could see that the clip of the guy who leaps over a fence begins while he's standing around waiting for his cue, editor Charles Henkel Jr. Seems to have made an effort to cut down the 280 minutes of the serial to a manageable length, and largely succeeded, even though Bennett does not know how to throw a punch. The modern crowd might be pleased that they actually used ethnic Chinese for the appropriate roles. I suspect that is because they were cheaper to hire and make up than otherwise.
Bela Lugosi is one of my favourites of the first stage of horror presences (not including silent cinema), but compared to his contemporaries (Boris Karloff, Vincent Price and Lon Chaney Jr.), he had more than his share of turkeys. The atmospheric, Hungarian-born, quite charismatic actor starred in one of them here, in this 'Charlie Chan'-knockoff serial. I tend to love them, but this is a minor, 70-minute editing of the 15-episode, 281-minute edition. It has decent supporting players, in Joan Barclay and Bruce Bennett, a woman trying to become an exciting news reporter, rather than simply the newspaper's society column editor, and her boss, respectively, who end up, predictably enough, romantically entangled as they try to discover what and who's behind raids threatening competitor merchants in San Francisco's Chinatown from the business interests of Lugosi's employer, the gorgeous Dragon Lady (Luana Walters). Lugosi gives your money's worth as the despicable and ruthless villain.
My copy came from my legendary Mill Creek 50-pack 'Nightmare Worlds', and if you enjoy serials, Lugosi or 30's detective films such as the 'Charlie Chan' series, it's a decent poor-boy's version and worth a watch. I would prefer to see the full version, but that's just me. If you're just marginally interested in them or prefer Lugosi in his more horrific fare, this may prove boring for you, and I would suggest that instead, you stick to his better-known projects with more money behind them and better directors--they offer you much more meat to sink your *ahem* teeth into.
My copy came from my legendary Mill Creek 50-pack 'Nightmare Worlds', and if you enjoy serials, Lugosi or 30's detective films such as the 'Charlie Chan' series, it's a decent poor-boy's version and worth a watch. I would prefer to see the full version, but that's just me. If you're just marginally interested in them or prefer Lugosi in his more horrific fare, this may prove boring for you, and I would suggest that instead, you stick to his better-known projects with more money behind them and better directors--they offer you much more meat to sink your *ahem* teeth into.
Merchants in the Chinatown district are targeted by evil European business people intent on taking over their territory. The obvious answer? To hire a mad scientist of course! An inquisitive male/female duo investigates and try to thwart the dastardly plan.
Shadow of Chinatown was edited into feature length from a fifteen part serial of the same name. It's only real selling point nowadays is its star actor Bela Lugosi. But before anyone gets too excited about this, it has to be said that it's a very lacklustre performance from the Hungarian star. Even by 1936 he was slumming it in cheap undistinguished b-pictures like this one. I've seen a few films from various eras that were made from editing episodes of serials together and, with few exceptions, they usually end up being really poor. This one is no exception to this general rule and ultimately is a pretty forgettable viewing experience.
Shadow of Chinatown was edited into feature length from a fifteen part serial of the same name. It's only real selling point nowadays is its star actor Bela Lugosi. But before anyone gets too excited about this, it has to be said that it's a very lacklustre performance from the Hungarian star. Even by 1936 he was slumming it in cheap undistinguished b-pictures like this one. I've seen a few films from various eras that were made from editing episodes of serials together and, with few exceptions, they usually end up being really poor. This one is no exception to this general rule and ultimately is a pretty forgettable viewing experience.
Feature version of a serial of the same name has Bela Lugosi turning tables on a woman who hired him to help with her evil plans in Chinatown while a reported and her beau hunt down the villains.
One of the few things worse than this movie is the full length serial version. That monstrosity put me to sleep with its wild over length (15 chapters with enough plot for 2) and the same poor production values that make this film just as bad. I've seen almost every sound serial ever made, but the original serial was a chore and a half to get through and I never finished it (its one of the few). I have no idea what possessed me to try the feature version other than, perhaps selective amnesia about the original. Here the story unfolds in approximately one fifth the time but its a hopeless mess with an attempt to get a good portion of the "good bits" into it. Making matters worse is the cheapness of the film, this was an independent production and had a limited budget. There's tons of stock footage, almost no music and a technical quality (especially the sound) thats lacking.
In the "of note" column, and its not really a good thing, is the fact that this stands as one of the worst performances Bela Lugosi ever gave. I'm not even sure its a performance. Even in the final days Bela was never this disconnected to what he was doing. Its mind numbingly awful. Fortunately he's not alone since a good many of the other actors are clearly collecting a pay check not to act. Herman Brix, who would soon change his name to Bruce Bennett and move on to better things does give a performance, even if its phoned in.
Bad film lovers may want to see this on fast forward, but otherwise I'd avoid it at all costs.
One of the few things worse than this movie is the full length serial version. That monstrosity put me to sleep with its wild over length (15 chapters with enough plot for 2) and the same poor production values that make this film just as bad. I've seen almost every sound serial ever made, but the original serial was a chore and a half to get through and I never finished it (its one of the few). I have no idea what possessed me to try the feature version other than, perhaps selective amnesia about the original. Here the story unfolds in approximately one fifth the time but its a hopeless mess with an attempt to get a good portion of the "good bits" into it. Making matters worse is the cheapness of the film, this was an independent production and had a limited budget. There's tons of stock footage, almost no music and a technical quality (especially the sound) thats lacking.
In the "of note" column, and its not really a good thing, is the fact that this stands as one of the worst performances Bela Lugosi ever gave. I'm not even sure its a performance. Even in the final days Bela was never this disconnected to what he was doing. Its mind numbingly awful. Fortunately he's not alone since a good many of the other actors are clearly collecting a pay check not to act. Herman Brix, who would soon change his name to Bruce Bennett and move on to better things does give a performance, even if its phoned in.
Bad film lovers may want to see this on fast forward, but otherwise I'd avoid it at all costs.
Did you know
- TriviaThis film is one of over 200 titles in the list of independent feature films made available for television presentation by Advance Television Pictures announced in Motion Picture Herald 4 April 1942. At this time, television broadcasting was in its infancy, almost totally curtailed by the advent of World War II, and would not continue to develop until 1945-1946. Because of poor documentation (feature films were often not identified by title in conventional sources) no record has yet been found of its initial television broadcast. Its earliest documented telecast in New York City took place Sunday 25 June 1950 on WATV (Channel 13).
- ConnectionsEdited from Shadow of Chinatown (1936)
Details
- Runtime
- 1h 11m(71 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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