Six Ways to Sunday

This masterful creation is bound to have any viewer thinking about it for some time after the credits roll. Thinking especially about the complex character of Harry Odum played by Norman Reedus - that's complex in more than one sense of the word. Adam Bernstein does an amazing job of plotting out the character development of Harry Odum throughout the story. His is a character that undergoes much change throughout the film and there is never a point where the viewer can pinpoint to say that Harry Odum has displayed an excessively overt transformation. The transition from a young fledgling who is still bathed and nurtured by his mother to a cold blooded killer for the Mafia happens quite smoothly. Smoother than you would probably think possible until you see this film. Of course, credit for this is also due to the fabulous performance by Norman Reedus. As well, Deborah Harry gave a pleasant performance as his incestuous mother.

As you may have guessed, any film dealing with the Mafia, incest, and a complex character with a complex is not a light natured film. In fact the mood gets quite dark at times and Adam Bernstein does a lovely job of keeping this dim air present throughout. This includes everything from the depressing industrial set town that the story takes place in, to the gloomy rooms that the scenes are shot in, to the dark lighting in many of the scenes, to the fitting music, all the way to the disparaging words and attitudes of the characters. All of which will contribute to leaving an indelible impression on the viewer.

What a charmer of a flick. Norman Reedus gives an exceptional performance as Harry. Debbie Harry as his mother is appropriately frumpy and chilling (with one amazing transformation scene - you had to see coming!).

Adrien Brody in an early performance looks to be da role mo-dell fo "Da Ali G" show. He's a terrific idiot homeboy here.

Isaac Hayes, Elina Lowensohn, Jerry Adler and the rest of the supporting cast make this a fresh, disturbing "family" drama.

If director Adam Bernstein seems to run out of steam at the very conclusion - that's okay, since the ride is almost always much more interesting than the destination.

See this movie!

Which.. i am. I really enjoyed this movie. I mean come on people Issac Hayes and Debbie Harry, we're talking Chef and Blondie, how cool is that? It was very messed up in that "Clockwork Orange" kind of way. I'm not sure what to say about it, but... I really liked it.

This is an odd film to watch, we have all seen movies with overprotective mothers, but nothing quite like this.

I really liked the way that pieces were filled in as the movie progressed, as they slot into place you feel relief that the confusion has gone and dumb for not working it out before.

Sterling performances from Debbie Harry and Norman Reedus.

This movie hangs around in your head for a while after watching it, you don't know whether to laugh at the black humour or be disgusted by it.

I really liked the ending though, so if you can handle the violence and all - stick with it you won't be disappointed. Peace.

Produced by Jonathan Demme and based on the novel PORTRAIT OF A YOUNG MAN DROWNING, SIX WAYS TO Sunday (6WtS) follows the adventures of Harold "Harry" Odum (Norman Reedus), a young man pinned so tightly under his mother's thumb he can barely move. On Harry's road of, er, self-discovery, he evolves (for lack of a better term) from mama's boy to hit man for the local Jewish mob. Even more mind-boggling, his smothering mom is played by an eerily effective Deborah Harry! (Deborah Harry Odum? :-) Although she gets to sing in flashbacks (and Blondie's "Sunday Girl" is used to nice effect in a diner scene. In fact, music is used well in this film overall, especially The Feminine Complex's charmingly Petula Clarkesque "Love Love Love"), for the most part Harry is startlingly different from her Blondie front-woman persona, both physically and personality-wise. Directed by Adam Bernstein, who's gone on to excellent work on RESCUE ME and other edgy TV series, 6WtS boasts a cast as talented as it is eclectic. Norman Reedus manages to be boyish and intense at the same time, as well as looking like the positive result of an eccentric geneticist's attempt to create a hybrid of Ewan McGregor, Leonardo DiCaprio, and a young Gary Sinise. There are also memorable turns by Isaac Hayes as a cop (listen for his rendition of "What A Friend We Have in Mother" during the opening scenes), Jerry Adler (best known in our household as Woody Allen and Diane Keaton's mysterious neighbor Mr. House in MANHATTAN MURDER MYSTERY) as the Jewish mob's equivalent of the capo di tutti capi, and Elina Löwensohn (NADJA, SCHINDLER'S LIST) as the girl Harry loves, reminding me of a sort of wistful, downtrodden Audrey Hepburn. For my money, the most entertaining scenes belong to Adrien Brody, and not just because I'm a fan of his. Brody channels his inner Ali G as Harry's childhood friend Arnie Finklestein, an inept gangsta wannabe who tries to look and act like a homeboy with hilarious results -- but nobody's laughing when he chickens out and flees the scene during one of Harry's hits... 6WtS isn't for all tastes, but if you like your crime comedies weird, dark and twisted, it's at least worth a rental.