The End of the World

It was good. Now I'll just have to watch Himmelskibet (A Trip to Mars).

Basically the story is very simple. Some scientists notice a comet that is going to hit the earth and they release this information and it causes a panic. The main focus of the film is not the event of "the end of the world" itself but how the people cope with that. It is very much a drama with scientific speculative fiction on the background.

Overall the film was nicely paced, not too long although it stayed in some places a bit too long for no good reason and acting was solid. The story was also quite interesting although slightly predictable and I enjoyed it. It also has a pretty uplifting ending.

The qualities and faults I mentioned above with respect to A TRIP TO MARS (1918) pretty much apply to this film as well - with which it's been ideally paired on an otherwise bare-bones DVD from the Danish Film Institute. Still, I'd give the edge (if ever so slightly) to THE END OF THE WORLD - even if it does take forever for the titular cataclysm to begin!

In fact, the first half gets bogged down in scenes of domestic melodrama - though these are countered by interesting passages involving a wicked financier, who's willing to cheat at the stock market by having the catastrophe downplayed in his papers! Amusingly, he then makes a fist at the sky whenever he happens to glimpse the falling meteor (an obvious painting, it's visible at all times) because it will naturally mean his ruin (he seems to be less concerned, however, that it will most certainly also prove to be his undoing in a physical sense!). He still decides, somewhat perversely, to hold a 'last day on earth' meal for his family and friends - since he intends to escape through a secret passage which leads from his house to the underground mines he owns...but hadn't quite counted on the working-class, who have themselves planned to 'celebrate' the apocalypse in grand style (by turning on their long-standing aristocratic oppressors!).

The scene in the mine actually displays some atmospheric lighting - and the special effects, though clearly primitive, are fairly effective (in particular, the images of the mining-town with the smoke from its factory-chimneys mingling with that from the flaming meteors). The catastrophe also sees the town convincingly flooded; an elderly priest's subsequent clumsy attempts to control a boat in water provides some unintended chuckles. The ending - following the disaster, a couple is reunited - seems to be reaching out for spirituality, but the fact that only they (and the aforementioned priest, who had been practically holed up in their house the entire film!) seem to have survived makes it look contrived more than anything else...

By the way, renowned French film-maker Abel Gance made a similarly-titled film in 1930; regrettably, when it was broadcast (for the first time ever in my neck of the woods) on late-night Italian TV - incidentally, on New Year's Eve of 2005 - I missed it...because, at the time, I was staying in Hollywood!!

This Danish feature about a comet that destroys northwest Europe, leaving only a single man and a woman who meet in a church, is beautifully photographed, with many lovely shots and a fluid camera. Of course, the capitalists try to make extra money out of the panic, and of course the lower classes -- as exemplified by the common folks in a mining town -- break into the home of the wealthy capitalist the evening the comet hits in order to gain vengeance, interrupting a ballet in the process. All this is standard stuff for the better sf of the era: Wells, Verne and so forth.

I have some issues with the way it is cut. Since the actors don't really play people, but types, they do not give terribly interesting performances. Also, the direction is, even for the era, slow: people are shown holding conversations that we never hear.

To understand the success of this movie, the modern viewer must recall that the First World War had been raging to the south of Denmark for twenty months when it was released. This is not a work of fiction so much as a parable, to eschew worldly things, and to seek God, for all worldly things will be destroyed. Including people.

This Danish 1916 movie features many elements of modern disaster movies (sans sound and colour), enriched by a thick religious and social overlays. Although the obvious religious parable felt seemingly strong, the underlying social commentary to me felt even stronger. Smart choice of using a natural disaster over the then raging world war helps with the dynamics of the narrative. This brings us to the special effect, which were surprisingly convincing, considering the age. Elements of natural acting over the then popular theatrical one were also a pleasant surprise. All in all, an impressive early effort.

Full review on my blog max4movies: Verdens Undergang (international title: The End of the World) is one of the earliest preserved science fiction feature films. The plot is about an imminent collision of a comet with Earth, possibly resulting in a catastrophe in North-Western Europe. Due to the social commentary, the comparably well-made special effects, and the allegorical nature of the plot (cp., many have interpreted the social unrest as a result of World War I), the movie is considered a science fiction classic and is still an interesting watch. However, technically there are some drawbacks, not only regarding the visual presentation (e.g., heavy artifacts and muddy shadows), but also regarding the uneven plot and the disappointing character presentation.