Dogs of Hell

Dogs of Hell (1983)

* 1/2 (out of 4)

The evil U.S. government have created Rottweilers that are trained to attack and kill humans. A truckload of them are going through a small town when the truck crashes and sends the dogs on a killing spree, which has Sheriff Hank Willis (Earl Owensby) having to take control.

This here was the first of six pictures that Owensby would produce in 3D but to my knowledge there has never been a home video of this version. Most copies out there are from the video and are full screen and don't look the greatest so it's hard to judge the effects obviously but at the same time there were very few things that "jumped" at the screen outside an early scene involving a dart.

As far as the rest of the movie goes, it's really no different than films like THE PACK or DOGS. This one here contains a certain regional atmosphere, which is a plus and it's always fun seeing that charm of Owensby but outside of this there's really not too much here to recommend. The biggest problem is that the film has the majority of the attacks off the screen so we get the cheap effect of a dog growling and then the aftermath of the attack.

DOGS OF HELL has a certain low-budget appeal but there's just not enough here to make it interesting enough to recommend. That is unless you're a fan of Owensby.

This movie is so stupid. I went through a lot to try to find this movie. I only could rent it anyway. Maybe it was just for rental because it was too bad enough to keep on the market for people to buy. You could not even see the dogs killing people as if they would switch the camera every minute. Being a horror movie genre fan, you would think the title had a good significance as to why I would want to see this movie really bad. I wonder are there any other killer dog movies that beat this one.

DOGS OF HELL is about a top secret military project involving the killer canines of the title. These ruthless Rottweilers have surgical implants, making them ferocious fuzzballs of doom.

Oh no!

They're accidentally unleashed upon an unsuspecting populace!

Starring intergalactic omni-star, Earl Owensby as Sheriff Hank Willis, this is another low-low-budget schlocker from the 1980's. As such, it must hold some sort of record, considering that every character in it is an annoying idiot. Ranging from squeaky dweebs, to yowling yahoos, the denizens of the fictional town are all equally insufferable!

Thankfully, many of them end up as dog chow.

Of particular interest are the "wilderness photoshoot gone awry" and the obligatory "mud wrestling" sequences.

Ludicrous to the extreme, this could / should have been a masterwork of slack-jawed insanity. Unfortunately, it loses points for its long stretches of trance-inducing dullness. To be fair, it's almost saved by the southern-fried, musical soundtrack, bringing to mind a sort of Lynyrd Skynyrd / Hee Haw hybrid.

The perfect movie for de-wrinkling one's brain...

This film must be seen in the original widescreen 3-D process; as the excellent use of stereoscopic space is its only virtue. If you like cheesy horror flicks, you'll likely appreciate it a bit more. Earl is no actor, but he's fun in this silly little movie.

After seeing COMIN' AT YA! rake in the cash in 1981, Earl got the idea (as did many a producer at the time) that 3-D would bring attention to his low budget southern flicks and decided to shoot everything that way! This was the first of SIX 3-D movies made by Earl Owensby in the 1980's. The others were TALES OF THE THIRD DIMENSION, CHAIN GANG, HIT THE ROAD RUNNING, HYPERSPACE, and HOT HEIR (aka GREAT BALLOON CHASE).

Amateurish, bloody, dimly-lit North Carolina production has the inimitable Earl Owensby as a mumbling, expressionless sheriff who must protect a town of unsuspecting yokels from an onslaught by a pack of aggressive rottweilers, trained by the government as special operations assassins, accidentally set free after the convoy transporting them overturns.

Filmed in 3-D, director Keeter (a frequent Owensby collaborator, e.g. "Wolfman") builds an effective (and bloody) climax as the rabid hounds systematically corral the occupants of a luxury country club then treat themselves to the buffet. Camera angles framed for the purpose of accentuating the 3-D effects obviously do little when you're watching this on your regular TV-set (as I did), and the action is at times so cloaked in darkness (not to mention the incoherent dialogue) that it's often difficult to follow what's happening.

If you accept that the flaws are attributable to its independent production values scale, and yet despite those constraints there's plenty of gory attack scenes and expensive looking explosions for those interested, then you might be persuaded to watch "Rottweiler" (aka "Dogs from Hell") at least once. Hard to locate, I got my copy as a VHS reject during the DVD revolution and I suspect the ex-rental market is the only place you'll find a copy, until someone enterprising (perhaps Owensby himself) decides to unlock the 3-D potential and re-release on DVD.