Welcome Back, Mr. McDonald

Imagine being a desperate house-wife in Japan falling in love with a man who doesn't have a clue that you are in love with him. So how do you transmit your feelings as a women in modern day suppressed Japan? Your solution: writing a radioplay mentioning your feelings and love for him. You are in luck because a radio-station is willing to broadcast your play. Mission accomplished? During the course of the broadcast of your play, one of the radio-actors has the bright idea that he has to improvise on his role. Outcome: the whole story has to be rewritten at will by the actors, director, producers, sponsors of the show...because of the continuity. Are you going to defend your script at all costs? I had a great night at the radiostation. The actors are wonderful and hilarious. The direction is first class. A must see movie for everyone who loves world cinema and is looking for a different kind of movie than normal US fare.

A brilliant comedy from Japan about a radio station going live with an original drama written by Miyako, a housewife, who entered a contest the station gave. She is played superbly by the plainly dressed but pretty Kyoko Suzuki. From the beginning, the madness starts. Her screenplay keeps getting tweaked to the point where it is unrecognizable and the last second script changes keep the tension up. Throughout, the characters are so rich: The temperamental actress Nokko (Keiko Toda), the too appeasing producer, the opinionated engineer, the suffering manager of Nokko, Miyako's husband who thinks the screenplay is about him, and so on. Its screwball comedy at its best, frantic, unrelenting and, at times, hilarious. I would not usually give a 10 to a movie such as this, but this one not only keeps your interest, it gets better and better. Even Ken Wattanabe is here, playing a trucker who, while driving his big rig, tunes into the melodrama and is moved by it all. Writer/Director Koki Mitani does a superb job of keeping the pacing perfect in this film. You have to see it, it is really terrific.

Despite cliche slapstick scenes (which are little and tolerable), "Radio No Jikan" is a refreshing comedy for someone who is tired of mainstream cinema blockbusters. It had my sister and I in tears during the second half of the movie when things really turn chaotic. Unforgettable characters were the tiresome Bucky and the charismatic Mr. Horinouchi. I give it an 8 out of 10 !

I bought the last available ticket to see Welcome Back, Mr McDonald this evening, having been unsuccessful at obtaining one for Love Letter. Maybe because I chanced upon this film, not having any expectations, I enjoyed it tremendously. Sure the film has some stock comic characters and stock comic situations and the premise (message?) may strike a chord in every struggling artiste's heart, but the grit with which this film is made is heartwarming. A novice playwright's maiden radio play gets torn to shreds by the powers that be as she hangs on, flailingly, to the emotion that she hopes to convey. A film that reminds us that our heart yearns for the underdog while our mind rationalises the behaviour of the seemingly tyrannical, this film reminds us of what movies are meant to be: an adventure where at the end you can't help but exclaim.

"Welcome Back, Mr. McDonald" in English. This account of a live radio drama gone awry has universal appeal, while also poking fun at contemporary Japanese culture. There are some wonderfully frantic comic scenes in it. Everything that can go wrong with a young writer's first drama script happens, which is how a love story about a Japanese girl saved by a fisherman turns into the tale of a Chicago trial lawyer rescued by an astronaut who's subsequently lost in space, etc. I give it eight ho's out of ten.