Lovers of the Arctic Circle

It's really difficult to understand European cinema after watching thousands of American-Big Studio films.

At least that's what looks clearly apparent when I read many of the comments in imdb. But for some of us, who are in contact with a different way of making films, this one excels at the visual poetry from the very start.

And from a cinematographer's point of view, as a real jewel in filmmaking. What Los Amantes is about, is love, and only that. The way this story is portrayed is quite original, in a way some directors have tried and done pretty good jobs (Alejandro González Iñárritu, for instance, in his two films: Amores Perros and 21 Grams). It's a compelling way to explain simple things in reverse. Thoughts, and internal processes are not directly understood or apparent to the viewer. Medem demands his audience to think (remember Abre los Ojos).

It's really sad to think that linear and flat plots that only demand to sit and watch are what most people see as good films. When something catches them out of balance, sometimes they refuse to stay tuned and think.

The revelation, as is with this film, comes at the very end. And it deserves a second session to go through the small details -which are plenty in Medem's work.

It's a long film... some argue. What is a long film when everything is like a whirlpool that draws you in? I don't think this is a long film. Me and many of my friends have pored through it many, many times. So many, in fact, that we had to throw away the original video. A pity, because it was in it's original widescreen version, not as the recently issued dvd that's been murderously cropped.

Whatever it is what you like to see, take a look at this film. It can open a lot of possibilities to widen your taste, and your approach to "long" films.

And this one does. The names of the protagonists are palindromes, Otto and Ana.

Life may be a palindrome. There is much talk of circles. The beginning of the movie may be the end.

Coincidences abound. Missed chances, never more exemplified than by the two lovers sitting unaware of each other in a cafe and moving along on another path for a while.

Haunting images of caribou, planes crashing, red buses, accidents that may or may not be happening. Newspaper headlines that could cover many similar events.

Destiny. Can we create our own? Is there just one soulmate out there for each of us? How does this movie end? All unknowns.

I was challenged, uplifted and mystified. Technically, the subtitles were very poor in places - white on white, frustrating.

Musically, very sombre, rather unnecessary. Children Ana and Otto beautiful, understated.

7 out of 10.

Ana and Otto met when they were children. She was running in the woods after hearing of her father's death; he was running to get a football. When they met, he fell for her immediately and she could see her dead father inside him. Sadly coincidences lead her mother to fall in love with his father and, before long, they are brother and sister. Over the years though, their affection grows and they begin a relationship that is so secret that they barely know it themselves. In this circle of love and life, strange things occur that they see from different perspectives.

This film is the sort of foreign art-house cinema that will make some viewers pull their hair or fall asleep with boredom, so maybe be careful if you are the type of viewer more at home with Porky's rather than anything cerebral; but for everyone else this strange yet engaging film is well worth a look. The plot is about a stepbrother and sister who are sort of in love but to just describe it as that is to do it an injustice. It is much more than that, not all necessarily good, but all interesting enough to watch. The plot movies in little circles – like their names, it has a palindromic effect with one large circle and lots of little ones within; it is very smartly written and I did enjoy it for this. This doesn't help the heart of the film though, and at times I did find it very cold and uninvolving – the characters weren't really real enough and I found the coincidences to actually stop the story being moving and occasionally did make it feel gimmicky. It is also knowingly weird at times and that also put me off; but the overall effect is good.

The cast are little more than players within this tricky little film and, as such, they mainly struggle to deliver real characters. Ono and Anna are played pretty flat and cold but it is at least good that they were played consistently over the generation jumps and each acting partnership. It is not really their fault because the film is more interested in the ironies of the circling life and coincidences rather than getting to the heart of the characters – they try hard but this is not a film to watch for strong acting performances.

Overall this is a good film but one that may leave many viewers cold and unimpressed by the gimmicks; however many others will be won over by the clever delivery that is filled with mini circles within circles all within the overall palindrome of the total product. At times the cold telling is a bit distracting and the coincidences are not as deep as the film would have us believe but generally it is worth a shot and is a memorable little film.

Your love's mother gets married to your father, she becomes your sister and you grow up together as brother and sister. What a story!!! And Julio Medem is a great director who made a very good film from this story. The movie is full of original ideas, this uncommon relationship requires an uncommon way of telling. The story builts up from mosaics so it keeps you interested in until the last minute because you have to put the pieces in order for yourself. It's a fantastic idea that we can only see the children (Otto and Ana) at the back seat of the parents' car going to school. They don't meet each other for years just at the car and they don't even talk to each other because their love is so deep and spiritual that words are unnecessary. Just secret touches, stolen moments. When the teenager Otto moves to his father's and stepmother's house because he wants to be next to Ana, they become real lovers. The first night together, when their spiritual love becomes physical, is a so gentle, innocent and discovering journey into the world of sexuality, that never been better put on screen before. The next scenes, where we can see them as secret lovers hiding from the parents are so beautiful that the last one hour, when Otto leaves Ana and works as a pilot and they don't meet for years, is one of the most sorrowful one hour in the film history. They are crossing each other's lines, but they never meet, and it causes a physical pain to the viewer. During these years they're getting to know more about themselves and their family, relationships, have some accidental meetings. Finally, years after they meet... The ending is as unusual as the whole movie, Julio Medem had enough talent to make a good ending which is the biggest risk of the movies - and he doesn't fail, leaves some doors open, because life doesn't finish, when curtain goes down. Full of surprises, one of the best film of the 90s. I highly recommend it to everyone who is tired of pink, unrealistic romantic films, and wants to see a really good, modern romantic film.

For people who do not like Medems work, it will be hard to watch and boring. If you liked any of his other films you will love it. Otherwise you will have to sit and be patient to let Medem touch you. Everyone will recognize some parts his own falling in love, or his relationship with his parents. Medem describes all this in a poetic and heartbreaking way, edited in multiple viewpoints. If you can open up yourself on these subjects, this film will make you think over your own life, love and parents. It is also nice to see that this film fits exactly between "Tierra" and "Sex and Lucia", Medems other masterpieces made before and after this movie. Absolutely great stuff.