Two robbers are persecuted by the law, whose servants are not much better and even worse.Two robbers are persecuted by the law, whose servants are not much better and even worse.Two robbers are persecuted by the law, whose servants are not much better and even worse.
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When I sat down in the cinema to see this I was expecting to see a sort of stylish tongue-in-cheek action film, which had been implied by the trailers. However, it very quickly became apparent that this film was trying to be more.
Normally, I don't approve of films that try to entertain in as many ways possible. For instance, this film tries to mix action with comedy, romance, lightheartedness and gritty seriousness all at once. Most of the time this sort of approach doesn't work in films (just look at Batman Forever) but I was was pleasantly surprised to see that in this case, they pulled it off.
The end result is a highly entertaining film that should appeal to most mature cinemagoers. (However, the weak of stomach should really be warned of one or two scenes.) Robert Carlyle and Jonny Lee Miller pull of a brilliant double act and Ken Stott does a excellent villain. This mixed in with superb costumes and a few decent action scenes makes for a very enjoyable watch.
However, the big let-down here for me is that in having 'The Gentleman Highwayman' there was a real opportunity for some good dialogue but the script was definitely lacking in punchiness and there were few belly laughs. Okay, so the lines weren't terrible but to me it does highlight a problem with recent British films; ignoring a few notable exceptions the screenplays being written today are still relatively mediocre when compared to some of Hollywood's efforts.
Normally, I don't approve of films that try to entertain in as many ways possible. For instance, this film tries to mix action with comedy, romance, lightheartedness and gritty seriousness all at once. Most of the time this sort of approach doesn't work in films (just look at Batman Forever) but I was was pleasantly surprised to see that in this case, they pulled it off.
The end result is a highly entertaining film that should appeal to most mature cinemagoers. (However, the weak of stomach should really be warned of one or two scenes.) Robert Carlyle and Jonny Lee Miller pull of a brilliant double act and Ken Stott does a excellent villain. This mixed in with superb costumes and a few decent action scenes makes for a very enjoyable watch.
However, the big let-down here for me is that in having 'The Gentleman Highwayman' there was a real opportunity for some good dialogue but the script was definitely lacking in punchiness and there were few belly laughs. Okay, so the lines weren't terrible but to me it does highlight a problem with recent British films; ignoring a few notable exceptions the screenplays being written today are still relatively mediocre when compared to some of Hollywood's efforts.
Ah, how refreshing to see a vision of 18th century England complete with mud, the pox and gibbets... and accompanied by a delightful techno soundtrack to boot. This is the story of downtrodden highwayman Plunkett (Robert Carlisle) and Gentleman-fallen-on-hard-times Captain Macleane (Jonny Lee Miller), and how they get together and rob the aristo pigs. Plunkett is a hard nut, but MaCleane is far too polite for that, and thus becomes 'the gentleman highwayman'. He falls in love with Lady Rebecca (Liv Tyler), (who to be frank is the only weak part of the whole shebang) and wants to impress her.
The costumes are fantastic. Big, colourful, historically innacurate beautiful togs. Alan Cummings gets all the best threads, and the best lines as Lord Rochester, sporting a very non-18th century eyebrow piercing. The music shifts between swooping glorious choirs and thumping bass-laden techno, which doesn't jarr as you think it should do in a historical film. The script is fast-moving and peppered with modern-day colloquialisms; Merchant Ivory, this is not. There are hilarious parts, disgusting parts, sit-on-the-edge-of-your-seat-and-nibble-your-fingernails parts, but the whole thing chugs along and is wonderfully entertaining throughout. This is cheer-in-the-cinema stuff. Unmissable.
The costumes are fantastic. Big, colourful, historically innacurate beautiful togs. Alan Cummings gets all the best threads, and the best lines as Lord Rochester, sporting a very non-18th century eyebrow piercing. The music shifts between swooping glorious choirs and thumping bass-laden techno, which doesn't jarr as you think it should do in a historical film. The script is fast-moving and peppered with modern-day colloquialisms; Merchant Ivory, this is not. There are hilarious parts, disgusting parts, sit-on-the-edge-of-your-seat-and-nibble-your-fingernails parts, but the whole thing chugs along and is wonderfully entertaining throughout. This is cheer-in-the-cinema stuff. Unmissable.
I can tell from reading the other comments that I am in the small minority of people who loved this film. I rented it several times to share with friends and family, and since they are all into renfaires and the like, they seemed to enjoy it. Maybe not as much as I did, but not everyone is me. I found it to be a fun romp into a world that we so often see the high society end of (Dangerous Liasons, etc..), but not too often from the poor man's point of view. Robert Carlyle and Johnny Lee Miller are two of my favorite actors, both since Trainspotting, and I think they will be for some time to come. If you like English humor, then I think you will enjoy this film.
I had to watch this twice before I could make up my mind about it. The first viewing - 21st century dialog and disco music laid over reasonably authentic looking old world visuals - comes as such a surprise, it forces you to abandon everything that you were expecting. Once you have gotten into the open frame of mind that the movie asks for, it's a riot: action by the bucketload and alternately funny and oddly moving as Plunkett and Macleane's partnership changes from a wary 'marriage of convenience' to true friendship. The acting is excellent all round, and Liv Tyler's luscious Rebecca is fun and interesting in herself. One of my very few disappointments was that the last ten or fifteen minutes seemed to be rushed, giving me a slight feeling of, "Huh? Is it finished?" when the titles rolled. Overall, excellent. Probably gives a more filthy, revolting and accurate impression of the 18th century than any official period drama. 8/10
I didn't think I'd like Plunkett and Macleane that much, but I must say, I was pleasantly suprised with this flick. It had it all adventure, action, thrills, chills and drama. And especially the clever moments of stand-out hilarity which you will be laughing about hours after the flick. Plunkett and Macleane also has some very polished performances, especially from he-who-can-do-no-wrong man Robert Carlyle, Johnny Lee Miller and the stunningly beautiful Liv Tyler.
I guarantee you'll enjoy this movie, it is clever, funny and extremely entertaining.
Rating: 8
I guarantee you'll enjoy this movie, it is clever, funny and extremely entertaining.
Rating: 8
Did you know
- TriviaThe two aristocrats introduced to Will Plunkett (Robert Carlyle) and Captain James Macleane (Jonny Lee Miller) by Lord Rochester (Alan Cumming) are called Dixon (Ben Miller) and Winterburn (Alexander Armstrong). These are the names of two players - Lee Dixon and Nigel Winterburn - for the English football team Arsenal during the late 1980s/early 1990s, and part of Arsenal's famous "back four".
- GoofsWhile there was an Earl of Rochester extant in 1748, he would have been 76 years old, and was certainly not known as a bisexual profligate. The character seems to be based upon John Wilmot, 2nd Earl of Rochester who lived during the reign of Charles II and died in 1680.
- Quotes
Lord Rochester: No, the new world is too far. Too big. Too primitive. No, no, my place is here... corrupting the young.
- Crazy creditsThe person in charge of overseeing the duel between Chance and Plunkett is listed as the "Dual Referee".
- ConnectionsReferenced in Texas Chain Saw Massacre: The Shocking Truth (2000)
- How long is Plunkett & Macleane?Powered by Alexa
Details
Box office
- Gross US & Canada
- $474,900
- Opening weekend US & Canada
- $244,765
- Oct 3, 1999
- Gross worldwide
- $474,900
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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