The Scheming Gambler's Paradise

It seems not all of Georges Méliès' films relied solely on camera tricks. In this one, we see a group of men and women gathered around an illegal gambling table. When the police raid the place, everything is transformed into an innocent-looking shop within seconds-without the use of stop tricks.

Instead, the illusion comes from clever stagecraft: props that can be turned, moved, or reconfigured in the blink of an eye. It's a technique likely borrowed from the theatrical world.

But the fun doesn't end there. When a second police raid occurs, things don't go quite as smoothly. A humorous twist follows as the group of officers begins playing around the now-abandoned gambling table.

This is certainly fun. Some people are running an illegal gambling house. They have made their gaming equipment so it can be neutralized because they are subject to frequent raids by the police. Such a raid takes place and everything goes according to plan, but, unfortunately for gamblers, the police come rolling back in shortly after an initial raid. This time they don't have time and the people run away (except for one man). But there is an interesting conclusion.

This short comedy is pretty clever, and it represents something of a change of pace from Georges Méliès, in terms of its method. Rather than the assortment of camera tricks that you see in most of his features, this one just uses the props very creatively to tell a simple but amusing story. The story and the technique both work well, and the visual effects make it fun to watch.

The story is set in a gambling house whose management expects to endure frequent raids from the police. Their elaborate devices for protecting themselves are very creative, and they work so smoothly that you almost don't notice how detailed everything is. It's well worth watching it a number of times so that you can catch all of the details in the transformation scenes.

The visual effects are the highlight here, rather than the story, but it does have an amusing final sequence that, in addition to comedy, provides a bit of rather tart commentary from Méliès as well.

The pioneering French filmmaker Geroges Melies is chiefly remembered for his trick photography today but this film is evidence that he was capable of producing films that didn't rely on special effects to create an impact. The one set-one take story sees a bunch of gamblers and prostitutes enjoying themselves in a gambling den. Their hi-jinks are disrupted by a police raid, but the owners of the establishment are prepared for such raids and the casino is instantly transformed into a clothing store, leaving the police non-plussed by what they find.

The film reminded me firstly of a scene from the Rat Pack movie Robin and the Seven Hoods in which a similar gambling den is transformed into a church hall, and also of Mack Sennett's Keystone Kop movies thanks to the later scene where we see a dozen cops wrestling each other in the dark, each of them believing they have hold of one of the gamblers.

Watching this film, I was reminded of the classic scene in 'Sgt. Bilko (1996)' when Steve Martin, with a few minor readjustments, instantaneously transforms a gambling house into a busy-looking army motor pool garage. 'The Scheming Gambler's Paradise (1905)' works along the same lines: a busy casino, warned of the arrival of police, neatly folds itself a clothes store. There don't seem to be any in-camera effects here, only clever use of film sets. This absence of cinematic effects is a little disappointing, since that is why one usually watches a Méliès film, but nevertheless this is still a mildly amusing comedic skit. As always, the director can't resist a bit of stage showmanship, occasionally gesturing directly at the camera, as though to say: "watch this!"