A young socialite struggling to control her necrophiliac urges is torn between her affection for a kind businessman and the mortician who supplies her with bodies.A young socialite struggling to control her necrophiliac urges is torn between her affection for a kind businessman and the mortician who supplies her with bodies.A young socialite struggling to control her necrophiliac urges is torn between her affection for a kind businessman and the mortician who supplies her with bodies.
- Race Driver
- (as Toby Halicki)
- Party Guest
- (uncredited)
- Bald Cult Member
- (uncredited)
- Love Slave
- (uncredited)
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Regardless, by today's standards, it's not that shocking. The copy of the film I have seems to have been carefully edited, and not as violent or graphic as I recall it being in the theater production.
By 1973 standards, it was quite a shocker...very graphic and gory, complete with a gay subtext. As I recall, it was loosely based around a real-life Los Angeles "cult" of funeral home "lovers of dead" psychos. The story is fiction, but, who knows what goes on behind the closed doors at funeral homes? The acting isn't too bad, and it's fun watching Lyle play against type. The star is quite pretty, too, and she plays her role well. Her hunky boyfriend does a good job of...well, being prepared for cold sex (and so does poor Lyle).
In the right frame of mind, this comes across well. In fact, I'd love to see the original, uncut version one day, on widescreen DVD, but I ain't holdin' my breath. This is lurid stuff, and it ain't likely to see the DVD "light of day".
If you do see this "sicky", just don't take it too seriously, and it might be fun to watch.
This is one of the few movies about necrophilia where there is really an equal emphasis on the "necro" and "philia". There's a very disturbing scene where the creepy mortician picks up a male prostitute and proceeds to embalm him while he's still alive(!), but generally this movie isn't nearly as gruesome as stuff like "Der Mosquito", "Lucker", "Beyond the Darkness" or "Nekromantic". It does, however, have one of those sappy 70's love plots (complete with a syrupy 70's soundtrack) that is definitely odds with the more gruesome content. But, in my opinion anyway, it also makes the film more interesting than if it had just been a pure gorefest.
This film is also yet another entry in strange series of 70's exploitation films (i.e. "Dream No Evil", "Toys Are Not for Children", "Baby Rosemary") all focusing on female Norman Bates-types whose obsessive love for dead or absent fathers results in severe adult sexual dysfunction, and ultimately tragedy. The most recent movie it resembles is the "indie cult" film "Kissed" with Molly Parker. But while others may disagree, I definitely prefer 70's exploitation to modern-day "indie" quirkiness. This is definitely worth seeing.
This early '70s effort is marketed as a horror film, and in some ways it is, but "Love Me Deadly" plays more like an oppressive chamber drama, drenched in gaudy colors, cheap-looking sets, and peppered with necrophilia sequences. Given the audacious subject matter here, one would think the film would edge into total exploitation, but it manages to keep its wits about it.
Necrophilia aside, the film's main horror angle is the funerary worker/leader of a Satanic necrophiliac cult which he wants the female protagonist to join. This plot element seems hackneyed and the actual nature of this "cult" is not entirely made clear (especially its alleged Satanic motivations, which are never really elucidated), and the film suffers slightly because of this. Mary Charlotte Wilcox portrays the leading character nicely, and the script attempts to unravel her sexual proclivities, tracing them back to a childhood trauma; at times the film reminded me of its contemporary, "The Witch Who Came out of the Sea," in that it deals with similar themes regarding childhood trauma, though it goes about them completely differently. Like many films of this ilk, "Love Me Deadly" also suffers from poor editing and dubbing, which is fairly common for grindhouse pictures of this type.
All in all, "Love Me Deadly" is a mildly entertaining horror film that is not nearly as disturbing as one might expect. The subject matter, though perverse, is handled well, and the lead character evokes sympathy on some levels despite her unusual attractions. It is an obvious precursor to the more extreme necrophilia-themed films that would follow, such as "Nekromantik," as well as the more introspective, quiet ones, like "Kissed." Not a terrible film overall, though it is certainly not for everyone. 6/10.
Did you know
- TriviaMany of the guests at the party were played by crew members. Buck Edwards, who plays the cult member with a shaved head, is briefly visible as a guest in the background.
- GoofsOn the poster the leading lady is shown as brunette. In the film she is bleach blonde.
- Quotes
Lindsay Finch: Don't you understand? I said, I'm not going.
Fred McSweeney: I believe I do understand. I recognised you from the Baxter funeral on the seventh. I couldn't help but notice your affection for the deceased.
Lindsay Finch: You must be mistaken. I know no one named Baxter. Please, I don't want to be rude...
Fred McSweeney: The word is, necrophilia. Turn on your lights and follow that car.
[they drive off]
Fred McSweeney: You're upset. Don't be. We're quite normal people, just with different passions. Our drives and needs aren't understood by many people, so we have to keep them secret. You're not alone. In our group we have several members who... who participate.
- ConnectionsFeatured in Mad Ron's Prevues from Hell (1987)
- How long is Love Me Deadly?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Secrets of the Death Room
- Filming locations
- W. Olympic Blvd. at Alvira St., Los Angeles, California, USA(Lindsay and Fred drive to cemetery)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $42,500 (estimated)