Autumn Tale

Eric Rohmer is very well known all around the world; He was one of the directors who formed the French New Wave in the late 50's - early 60's, but after that he found his own path. The path he went through with more determination than anyone. Autumn Tale is the last film of his last series: The Tales of The Four Seasons. Before this series of four he made two series of six films; The Moral Tales and Comedies & Proverbs. Autumn Tale is a very beautiful film cinematographically as it is narratively, from the 78-year-old master.

Through his whole career, Eric Rohmer had the ability of making much from little ingredients. His films always had a low-budget, he often used the same cast & crew for his own production company Les Films du Losange. He never worked with mainstream actors/actresses and he used real filming locations with his own scripts.

Eric Rohmer always tried to reach to as realistic dialog as possible. He sometimes recorded his actresses' discussions on their free time, to get to know the way, that certain aged people talked in the time. Rohmer usually wrote the dialogs himself, but it many have told that much had been left on the level of improvisation.

Autumn Tale is about two women, who have been best friends for decades; Isabelle (Marie Rivière) and Magali (Béatrice Romand). Magali, a widow, has isolated in her countryside house where she works as a wine producer. She has given up hope in finding new love. Her friend Isabelle has been married for 25 years and wants to help Magali. This is the basic plot the film builds around, on misunderstandings and coincidences.

Because Rohmer wrote a lot of surveys, articles and books about the state of film, one shouldn't watch his films without paying attention to this. Autumn Tale is about wine harvest, this can easily be reflected to the plot. The characters live in a beautiful countryside town, which landscapes they adore. But all of them are aware and keep an eye on the modernization of it. This reflects to Magali's way of respecting the old ways of wine production.

Autumn Tale is a beautiful story of friendship, loneliness, searching and finding the love and joy in one's life. An interesting perspective on this story is to compare it with Rohmer's earlier films. As I mentioned earlier he often used the same actresses and the thing why one can compare these characters with others is because they are very much alike. Marie Riviere (Isabelle) plays similar roles in Eric Rohmer's The Aviator's Wife (1980) and The Green Ray (1986). Then Beatrice Roman (Magali) in Claire's Knee (1970) and Wonderful Marriage (1981). What makes these characters similar is that they all are looking for men. For something new in their lives.

Even that Eric Rohmer did some films in the 21st century it's quite interesting to watch Autumn Tale as a reflection of his career. Since it is his last film in the 20th century. Thank you for reading and I hope you'll enjoy Autumn Tale, a beautiful film about harvesting and finding something new.

I was working on my computer with the tv nearby, and I happened upon a French film on cable. I didn't think I was particularly in the mood to read subtitles, but as I glanced at the screen, bits of the story began to pull me in. Before I knew it, over an hour and a half had passed.

I wasn't familiar with any of the actors, which probably made the story of two very good friends and their loved ones even more compelling to me. Now I'd be interested in seeing anything else featuring Marie Rivière or Béatrice Romand. Rivière was engaging as a vulnerable yet capable business woman, and Romand had a quiet and powerful energy as a widow who seems to have retreated into the "safety" of working on her vineyard.

Romand made me laugh at times with her moments of "attitude" and temper, and Rivière kept me guessing what was coming next. The story unfolded nicely. I found myself on the edge of my seat much of the time. The story is somewhat of a cautionary tale in some ways, yet very realistic in terms of human nature and relationships.

There were some actions and situations I found to be less than appropriate, but in some ways the screenwriter seems to possibly have the same view...

This movie is a must-see for people interested in the politics of dating, match-making, romance, and friendship.

This was a little film with a simple plot and likable characters. In fact, Hollywood would learn a lot from films like this. It's not the dynamic plot, special effects or big name stars that often make a film exceptional, it's the writing and the acting! And this movie is written so lovingly and acted so honestly that I couldn't help but like it. This, despite the notable absence of the sensational elements in the movie, made for a wonderful film. Think about it--the basic plot is an older woman who owns her own small winery is lonely. So, her friend tries to find a man for her and so does her grown child. Talk about your simple plot! And yet it works! So if you are in the mood for something different, give this movie a try.

This one filled me with so much joy, a fellow viewer asked me to stay still on my chair. Last time I felt like it, I was watching Rear window. Beside, you get to see France grape farm in fall and 45 year old actress who played in other Rohmer flicks as teens and young adults. Just as long-lost friends who are going through same life cycle as I, the viewer. Probably the last of elderly Rohmer flick. Last scene during end-titles feels like a farewell to his public. I'll miss your flicks Eric. Thanks for everything.

Lovely, like all of Rohmer's seasonal films. I discovered them very recently, but I was living in France around this time and I think this film is such a fantastic representation of the end of the '90s in rural France, and it hasn't changed a lot as I still go back to the vineyard region, and this captures the whole spirit and the kind of people you meet there beautifully. I always think Rohmer's films feel extremely real, all the people in them are very authentic and I like the way that, as usual, he explores the places in between the very stark relationships portrayed by Hollywood. If anybody has ever captured real France, then it's in this film. And it's so refreshing to just enjoy a film that feels like a very natural vignette, I wouldn't have minded even less of a romantic plot, it's just nice to be with these characters for a few afternoons and evenings in the middle of nowhere.