Ground Control

"Ground Control" tells the story of Jack Harris, a former air-traffic controller who quit after a "situation" with a flight he was handling. Jack is pressed into service as an ATC again during a staffing crisis at the control center. Needless to say, Jack has brief "flashbacks" at work. Also needless to say, he steps in to "save the day" during an extraordinary problem at the control center. Predictable? Heavens, yes. Oddly enjoyable? Yeah, sure...keep your expectations low, though...

6 December 2010. A year before the more quirky comedy drama PUSHING TIN (1999) came out starring John Cusack and Billy Bob Thorton, the more mainstream disaster thriller GROUND CONTROL was released starring television's 24 Keifer Sutherland with co-starring roles for 1986's Kelly McGillis (TOP GUN, 1986) and Kristy Swanson (FERRIS BUELLER'S DAY OFF). GROUND CONTROL is relatively traditional, predictable, interestingly in a way less sensationalized, dramatized than PUSHING TIN and less relational and more focused fascinating active air control dynamics which in some ways makes this more watchable than average dramatic thrillers. **Added January 9, 2012 - With a decent storyline that keeps building, this is good entertainment. What makes this dramatic thriller on solid ground is its use of stereotypes but in a way that never overextends their use, the irritated man's eventual response to the babies, the way the ending wasn't as pat as most dramatic endings are with its more realistic and, literally, twists and turns, and even the non-verbal exchanges at the end make for a believable and satisfying landing.**

Jack Harris (Kiefer Sutherland) is an air traffic controller in Chicago, one of the best of the crew. His boss (Bruce McGill) values him highly. But, one tragic day, a plane goes down shortly after takeoff, killing over 150 passengers. Although it was NOT his fault, Jack goes off the deep end. In time, we learn he started drinking, went to re-hab and currently holds a job as a programmer for traffic control software. Flash forwarding a few years, the Chicago crew has a new boss, Susan (Kelly McGillis) who is out to prove something, even when it puts her underlings at risk. The operations manager (Henry Winkler) tries to tell her she is cutting corners with equipment while the comptroller (Michael Gross) is constantly annoying everyone. New AT controller Julie (Kristy Swanson) appears to be more timid than she should be. Things again comes to a crisis at the center, as Susan accepts more planes from a shut-down airport and some staff is off for the holidays. In desperation, the manager reaches out to Jack to "come back" to the station and help out NOW. Once there, will Mr. Harris have the skills and serenity to avoid another catastrophe? Will he be a hero or another victim? This by- the-book thriller has its good points, surely. The cast is the greatest asset, as the flat script is improved with their readings. Gross is a snarly hoot, as far from his understanding father in Families Ties as one can get. There is not much in the way of sets or costumes, as most action takes place inside the air traffic hub. Perhaps the direction deserves more than faint praise, for even with its formulaic premise, the movie does hold a viewer's interest. Therefore, if you like the cast members or disaster-themed films, this one will do for you.

General Synopsis of the movie is that after a crash, a top rated Air traffic controller leaves the business. Then 5 years later is brought back for one night due to the facility being understaffed and too many planes coming in....

This movie actually should have been pegged as a drama instead of action/adventure...but be that as it may, it was rather good. One could go on and on about how it isn't realistic, but in truth...how many movies really are?

The title role of Jack Harris is played by Kiefer Sutherland. This is a key factor to the movies success. His uncanny ability to visibly portray emotions is essential to the role. As usual, he brings the "I'll do anything to make me a human on film" trademark with him. (Anyone for getting sick in the bathroom sink?) This trademark is what has endeared him over the years to so many fans and critics alike.

Also Staring were Robert Sean Leonard as the cocky hotshot air traffic controller; Bruce McGill as the overworked supervisor who pleads with Jack to come back, even if just for one night; Kelly McGillis as the politically minded administrator (she ends up being a good guy in the end); Kristy Swanson as the "newbie" air traffic controller fresh out of the academy; and our beloved Henry Winkler as the facility mechanic who keeps everything running, even though the equipment is old and some without replacement.

Although the movie is meant to "entertain", the whole crux of the movie is to tell a story about being an Air Traffic Controller and the absolute stress behind that job. This is something they did quite well.

All in all, it was a rather good film. It will hold interest up until the end and has a very climatic, edge of your seat, finish.

Who will like this movie? 1. Probably air traffic controllers (even though it might not be completely factual) 2. People who like a good human interest story 3. The over 40 crowd. 4. Kiefer fans

Who will not like this movie? Those whose mentalities require constant barrages of special effects, action, cussing, sex, violence and/or blood…pass on this one, it won't fill your needs.

Ending notes: If you fall into the "who will like this movie" group…definitely give it a try. I think you will be pleasantly surprised.

Five years after he was kicked off the job after being on shift during a plane crash, Jack Harris is called back into the job to cover a busy Christmas period (if only to run the printer tags). However, Jack takes over from a rookie and gets back into it despite flashbacks. However his skills are pushed to breaking point when the traffic control system suffers several major failures and power cuts.

Like the vast majority of viewers, I came to this film on the back of Sutherland's recent return to the spotlight in 24. In the advertisement this film appeared to be a tense film about the tight world of air traffic control, however in reality this film fails to ever really get going or have anything which grips or engages. The plot is pretty full of holes and episodic, it relies on the characters speaking jargon really quickly more than making the danger and urgency of any of the situations seem real. Some have said that this film is not realistic - I don't know, but I suspect they are right. Certainly it fails to make any valid points about a system that (in the UK) many acknowledge is starting to show cracks at best.

The film's episodic nature suggests it lacks any sense of focus other than the general situation that made up the film's pitch. This sucks any momentum out of it and leaves it stuttering a lot. The cast look like they will prevent this - at least on paper they do, in reality they are bogged down by a film that must have looked like it had potential to be as taut as an elastic band. Sutherland does OK but can't find the tension any better than I could. Comparisons with 24 are null and void, even if his character here is called Jack. Leonard is pretty good in support but not even a cast that includes faces like McGill, McGillis, Swanson and Winkler can raise this above average.

While it is not awful, it is just really unmemorable to say the least. The plot isn't sure where it is going and goes nowhere as a result. With this the tension falls away to zero and the well-known cast only serves to remind that potential is being lost in all areas with this film.