Reckless

This gripping tale of intergenerational love, jealousy and revenge was even more enjoyable to see on DVD years after its PBS broadcast, with a sharper picture and crisper sound. My only reservations are that the plot has a few improbable moments and that some of the stronger Manchester accents are difficult at times. Luckily even missing a word here and there won't spoil the fun: the primary actors are ideally cast. Robson Green brings an enigmatic smile, a go-for-broke temperament and an athletic physicality to his role as a young surgeon who falls hopelessly for the wife of his boss at the hospital where he's just begun to work. Francesca Annis is one of the most striking 50-ish women imaginable; her acting rivals her beauty. (The love scenes between these two demonstrate better than words how little the age difference matters to them!) Each of the supporting characters is sharply drawn and excellently portrayed as well. The mix of pithy dialog and passionate excess makes this a delightful miniseries. As Russell Baker notes in his introduction, you may not be morally improved by viewing "Reckless" -- but you'll have plenty of fun. (The sequel, a part of the DVD box set, provides a wild yet satisfying two-hour denouement. You won't want to miss it if you've enjoyed what came before.)

This group of English pros are a pleasure to watch. The supporting cast could form a series of their own. It's a seen before love tiangle between the head of surgery, his wife, and a new pretty boy surgery resident. Only the superior acting skills of Francesca Annis, Michael Kitchen, and the sexy Robson Greene lift this from the trash category to a very enjoyable "romp". The only quibble is that it's hard to accept that the smoldering Francesca Annis would fall in love and actually marry Michael Kitchen, who like me, is hardly an international, or even a British sex symbol. You can readily understand why Robson Green would light her fire, with apologies to the "Doors". The guy who almost steals the show with a great "laid back" performance is Owen's father David Bradley. Watch him in "The Way We Live Now", in a completely different performance, to get an idea of his range. Daniela Nardini as Kitchen's secretary, sometime sex toy, is hard to forget as the spurned mistress who makes Kitchen sorry he ever looked at her great body. Conor Mullen, and Julian Rhind-Tutt, as Green's sidekick surgery buddies as I've said could have their own series. They are that good. The whole thing is a great deal of fun, and I heartily recommend it, and thank you imdbman for letting the paying customers have their say in this fascinating venue.

Hunky Geordie Robson Green is Owen Springer, a young doctor who moves home to Manchester to be near his father. Along the way, he falls for Anna, a woman 20 years his senior, and who happens to be the wife of his new boss, Richard Crane. Despite warnings from his new colleagues, Owen proceeds to get Anna for himself, going as far as to sabotage Anna and the cheating Richard's marriage. This is a romantic drama with many humorous undertones and a quick wit. The actors are superb: Green of "The Student Prince" and "Touching Evil" smolders on-screen as the cunning, yet warm-hearted Owen; Annis of "Dune" fame is lively and proves a good match to Green; Kitchen, from "To Play The King" is the right menace as Richard, whose comic missteps and snobbery underline his masterful, building hatred for Owen. This is a perfect love triangle, and despite the foibles and fallacies of our three characters, you come away better for knowing and watching them.

I saw only the first part of this series when it debuted back in the late 90's and only recently got a chance to watch all three parts via Netflix (convenient service by the way). All in all, I liked this lighthearted, sometimes genre challenged, mini series. The story of a younger man falling for an older woman seems to work and the actors are all fine. Yes, it does have some romance clichés of running in the rain or a train station goodbye, but the characters have a chance to be explored so it doesn't seem cheesy, like it would be if this were some Tom Hanks vehicle or similar. Robson Greene, who at times reminds me of a separated-at-birth Scott Bakula does a fine job of someone who is head over heels in love and the ebb and tide of desire and rejection throws the series into watchable fare. Personally, I think the series could have been done with two episodes, but that's up for debate I suppose. Apparently, there's a sequel, and that should be arriving tomorrow via Netflix.

I forgot to mention the music! A very integral and lovely part, transitioning us from one scene to another. Hal Lindes (of Dire Straits' fame) and Christopher Gunning did an extraordinary job to create the perfect melody, weaving it sensitively throughout Reckless, sometimes soft and sweet, other times, lively and playful, whatever the scene called for. Absolutely Perfect!!