A tax investigator chasing a tax evader stumbles over a series of bloody murders and gets involved in an investigation with a rookie cop despite his boss' orders to stay out of the way.A tax investigator chasing a tax evader stumbles over a series of bloody murders and gets involved in an investigation with a rookie cop despite his boss' orders to stay out of the way.A tax investigator chasing a tax evader stumbles over a series of bloody murders and gets involved in an investigation with a rookie cop despite his boss' orders to stay out of the way.
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Elizabeth Meadows Rouse
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This was Joe Pantoliano's first starring role, and I've always found him to play interesting guys - AFTER this movie because he's kind of flat in here. His character, "Al Benjamin," doesn't have the normal "Joey Pants" spark to him. Even the narration - and I love narration - is dull. His character also is a little obnoxious to be the "hero" of the story. Unlike others, I was expecting more going into this viewing.
His sidekick, however: "Joseph Romero" (Wade Dominguez) is very interesting. Michael Chiklis also was good as a Russian businessman who has been a target of the Soviet hit men.
The story is a bit convoluted, concerning the Russian and gas stations being used as fronts for tax purposes. Once again, we get the typical Hollywood cliché of the good cop being a renegade on the force. Overall: fair, at best.
His sidekick, however: "Joseph Romero" (Wade Dominguez) is very interesting. Michael Chiklis also was good as a Russian businessman who has been a target of the Soviet hit men.
The story is a bit convoluted, concerning the Russian and gas stations being used as fronts for tax purposes. Once again, we get the typical Hollywood cliché of the good cop being a renegade on the force. Overall: fair, at best.
6=G=
He's not Hollywood handsome and can't dance. He has more tenacity than brains and is more impulsive than courageous. He has a tendency to act first, think later, and screw up. He will apologize, but only if it's really necessary and not everything works out in the end for him. Such is the central character in "The Taxman" (Pantoliano), an okay cops vs crime flick with the twist being the hero is a federal tax investigator who stumbles into a mafia-style operation and has almost as much trouble with the system as he has with the hoodlums. "The Taxman" is an earnest effort and a worthwhile watch for those who are looking for a down-to-earth crime flick.
Flipping channels one day and came across this film. Joe Pantoliano has always been good in whatever he does, and then it was 'Hey, Michael Chiklis!,' "Oh look, it's Elizabeth Berkley!" and the clincher was "OMG!! Freakin' Robert Townsend!!" It's a good movie, not a great film. It has a somber ending, fitting the film's almost anti-climatic aftermath...
Worth a rental for sure... It's funny how much cell phones have changed movies, especially cop dramas.
My only complaint .. as usual with Joe P.'s movies .. is his hair. The poor guy needs to just shave that mess... or go big with the transplants... Plus he's blonde in the movie and I just don't seem his as this fair-haired guy.
Worth a rental for sure... It's funny how much cell phones have changed movies, especially cop dramas.
My only complaint .. as usual with Joe P.'s movies .. is his hair. The poor guy needs to just shave that mess... or go big with the transplants... Plus he's blonde in the movie and I just don't seem his as this fair-haired guy.
This is an offbeat, often funny film about a taxman who is investigating a crime when he meets a Russian family and eventually begins to care about them. There are twists but it is mostly a character driven film. Joe Pantoliano is (as usual) great as the taxman. Elizabeth Berkley does a good job as the Russian daughter. Her accent is on target. Robert "The Meteor Man" Townsend is also in it who does an okay job as a lawyer. Joe Pantoliano never gets praise when praise is due. He always puts at least a little effort and energy into all his roles. He usually steals all the movies where he is a supporting character. As evident with this film, he is definitely ready for the lead roles.
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For more insanity, please visit: comeuppancereviews.com
I caught this on HBO while channel surfing and was almost immediately pulled into it -- it was so refreshing to see a cop film that was realistic, with believable characters who weren't superheroes, the kind of cops who get winded when they chase after a suspect and manage not to kill everyone in sight (in slow motion and utilizing more moves than the entire Romanian Olympic gymnastic team). The two main characters were real human beings who screwed up, went down blind alleys, made wrong assumptions, exploded in frustration when they should have stayed silent, did the right thing for the wrong reasons, and yet, in the end, did some good. I've noted in some of the other comments that people were put off by the fact that these guys were flawed, but that was exactly what attracted me about them.
I thought the direction of the film was very understated, yet avoided the kind of studied casualness that's considered stylish these days. The story was engaging and kept me involved. The film moved along at a good clip, but took time out for the lead character to contemplate the situation as it developed. Although there may have been a few holes in the plot, I wasn't overly aware of them, and they certainly weren't as egregious as those we've grown used to in most blockbuster films.
This was not a perfect film, and the elements from which it is put together (outcast cops buck the system, persevere and triumph) border on the cliche, but it's a film I would gladly watch again, and perhaps even want to keep in my permanent collection
I thought the direction of the film was very understated, yet avoided the kind of studied casualness that's considered stylish these days. The story was engaging and kept me involved. The film moved along at a good clip, but took time out for the lead character to contemplate the situation as it developed. Although there may have been a few holes in the plot, I wasn't overly aware of them, and they certainly weren't as egregious as those we've grown used to in most blockbuster films.
This was not a perfect film, and the elements from which it is put together (outcast cops buck the system, persevere and triumph) border on the cliche, but it's a film I would gladly watch again, and perhaps even want to keep in my permanent collection
Did you know
- TriviaWade Dominguez died after filming was completed. The film is dedicated to his memory.
- GoofsJoe Pantoliano asks Michael Chiklis's character Andre Rubakov what part of Russia was he from and he said Kiev but Kiev isn't part of Russia it was always part of Ukraine.
- ConnectionsReferences Raiders of the Lost Ark (1981)
- How long is Taxman?Powered by Alexa
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $9,871
- Gross worldwide
- $9,871
- Runtime
- 1h 44m(104 min)
- Color
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