Window Water Baby Moving
- 1959
- 13m
IMDb RATING
7.5/10
2.6K
YOUR RATING
Stan Brakhage films the birth of his first child, Myrrena.Stan Brakhage films the birth of his first child, Myrrena.Stan Brakhage films the birth of his first child, Myrrena.
Stan Brakhage
- Self
- (uncredited)
Myrrena Schwegmann
- Self (baby being born)
- (uncredited)
Jane Wodening
- Self
- (uncredited)
Featured reviews
An amazing avant-garde short of the birth of Brakhage's first child. This film is both graphic and beautiful while effecting each viewer a little differently. The colors in the film are especially striking. (Warning this film is not for the queazy).
While many women cringe at the thought of child birth and would never want to go through it, other women love children and are more than delighted to deliver a baby. I am a male, so I don't really have a true opinion, but I would really like to have a child someday. This film is essentially the birth of experimental filmmaker Stan Brakhage's first child. We witness his daughter being born without the sugarcoating or hiding the act. We see the birth in all of its glory. Many viewers will be nauseated with the sight, but others will be honored. This film is amazing because we see life actually being given and it is amazing. The human body is very complex, and the birthing process doesn't hide this fact. This is a film that people will watch for the ending. The ending makes the whole process worth it as the child turns out beautiful and We as viewers are treated to a loving sight of the child living and very healthy looking. This is the sweet side of Stan Brakhage. Usually his films involve the viewers in the difficulty of trying to figure out what he is trying to say, but this film is almost like a reward to the viewer. Children are beautiful and it is strange to realize that in twenty years, they will be running the country.
(I watched this film as part of the DVD short film collection of Stan Brakhage entitled, BY BRAKHAGE: AN ANTHOLOGY.)
(I watched this film as part of the DVD short film collection of Stan Brakhage entitled, BY BRAKHAGE: AN ANTHOLOGY.)
"Window Water Baby Moving" is possibly influential experimental filmmaker Stan Brakhage's most well-known film. In this masterpiece, he simply documents the birth of his first child. And it is possibly the greatest film he's ever made.
To be fair, I haven't seen Brakhage's "Dog Star Man", which also looks like a masterwork, but whether or not it is truly his best film, it is still a beautiful film.
Stan Brakhage uses his normal fast paced, experimental editing that has been used in his other documentary works (ex. "The Act of Seeing with One's Own Eyes"), as well as some very artistic, and highly experimental, camera-work. Brakhage's documentary films aren't just simple home movies, but great works of art, just look at the film! Every shot is an artistic masterpiece, and it is a truly great document of life and love.
Although the film uses highly graphic imagery to tell it's story, it is really a sweet document. Yes, the birth is shown in EXTREME detail, but, at the end, you see how loving these new parents are. The mother (Jane Brakhage) holds her newborn in her arms, and the father (Stan Brakhage) looks greatly excited and happy, he's hoping up and down, with a great smile on his face.
Stan Brakhage has proved himself, in my opinion, to not only be one of the great experimental filmmakers, but of of the great documentary filmmakers, as well.
To be fair, I haven't seen Brakhage's "Dog Star Man", which also looks like a masterwork, but whether or not it is truly his best film, it is still a beautiful film.
Stan Brakhage uses his normal fast paced, experimental editing that has been used in his other documentary works (ex. "The Act of Seeing with One's Own Eyes"), as well as some very artistic, and highly experimental, camera-work. Brakhage's documentary films aren't just simple home movies, but great works of art, just look at the film! Every shot is an artistic masterpiece, and it is a truly great document of life and love.
Although the film uses highly graphic imagery to tell it's story, it is really a sweet document. Yes, the birth is shown in EXTREME detail, but, at the end, you see how loving these new parents are. The mother (Jane Brakhage) holds her newborn in her arms, and the father (Stan Brakhage) looks greatly excited and happy, he's hoping up and down, with a great smile on his face.
Stan Brakhage has proved himself, in my opinion, to not only be one of the great experimental filmmakers, but of of the great documentary filmmakers, as well.
i liked his filmic style at first, his use of jump cuts and sped up footage was effective in portraying the woman's fear and angst although she looked calm on the outside. it also elevated the importance of the action of giving birth.
but i don't think the lingering graphic shots of the vagina bleeding did anything for the film and took me out of the rather mysterious tranquil feeling given off by the film previously.
he certainly knows how to make a film affecting but i won't want to watch it again and i don't think it conveyed any of the actualities of birth, the beauty and the miracle.
but i don't think the lingering graphic shots of the vagina bleeding did anything for the film and took me out of the rather mysterious tranquil feeling given off by the film previously.
he certainly knows how to make a film affecting but i won't want to watch it again and i don't think it conveyed any of the actualities of birth, the beauty and the miracle.
10quin1974
I saw this short a few days ago at the Rotterdam Film Course for the International Rotterdam Film Festival and it blew me away. I had read some information about this short and wasn't that impressed, after all there are loads of programmes nowadays on TV that handle this subject as entertainment fodder.
What I did not know up front was the fact that Stan Brakhage never uses sound. That's probably where the power lies. The pictures were so incredibly strong and vibrant because of lighting, color and the sheer graphic visions Brakhage presents to the viewers that sound would have been distracting to say the least.
The pictures are not for the easily spooked persons or women who are thinking about having a baby. This is a straightforward account of child birth with all the gore, blood and beauty that accompanies it. It opened my eyes, 'cause I had never seen anything like it before in my life, and it is after all the most natural happening in the world.
After 13 minutes you will be left breathless.
10/10
What I did not know up front was the fact that Stan Brakhage never uses sound. That's probably where the power lies. The pictures were so incredibly strong and vibrant because of lighting, color and the sheer graphic visions Brakhage presents to the viewers that sound would have been distracting to say the least.
The pictures are not for the easily spooked persons or women who are thinking about having a baby. This is a straightforward account of child birth with all the gore, blood and beauty that accompanies it. It opened my eyes, 'cause I had never seen anything like it before in my life, and it is after all the most natural happening in the world.
After 13 minutes you will be left breathless.
10/10
Did you know
- TriviaIn the early 80's, Brakhage screened 'Window Water Baby Moving' to Andrei Tarkovsky who wasn't impressed with the film. Brakhage said in an interview: "The first film was Window Water Baby Moving. First of all I got nervous because Olga, who is teetering over me on the bureau, begins to sway. I've seen people faint at that film and I don't know, maybe she's never seen childbirth before. And then I see Tarkovsky's wife averting her face from the screen at times as you get to see some of the more explicit details of childbirth. ... Tarkovsky starts talking in rapid Russian, with Zanussi answering him, and whatever he's saying it's obviously angry. Finally, after a lot of these exchanges, Jane had the presence of mind to say, "What's going on? What's he saying?" So Zanussi starts translating and he says, "Well..." and we all wait, "Well... he says," and we wait some more, "he says that Art must have a mystery to it and this is too scientific to be Art.""
- ConnectionsEdited into Alt-J: Pleader (2017)
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- Window, Water, Baby, Moving
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