True Crime

True Crime is a fairly engaging movie that has some good performances. Eastwood as the director stages the action well and moves the plot forward. Only in the scenes where he takes his daughter to the zoo does the film tend to lose a little momentum. Then again, a scene like that helps illustrate the character that Eastwood is playing. He'll follow a story, but he'll try to make time for his daughter. Eastwood the actor, he seems to enjoy the roles of the tough but flawed theme. His character in True Crime is a womanizer, and a former drunk. Good characters always have flaws and Eastwood can play them with his eyes closed. The supporting cast is well rounded and helps advance the narrative. The only qualm I had was that Eastwood the director, should've tightened the running time and made the story that much more urgent. We've all seen the beat the clock films and this one's no exception. What could've made this movie better is a brisker pace, but Eastwood the director chose a more laid back style. After thirty years in the business, Eastwood can do whatever he wants with his films. He's earned it.

Clint Eastwood has directed himself in an intense drama of a journalist who has been given the assignment of interviewing a death row prisoner (Isaiah Washington) on the day of his execution. The fly in the ointment is that Eastwood's nose for the truth leads him to believe the man is innocent of the crime. Eastwood portrays a flawed character who is a womanizer, and irresponsible father and a recently reformed drunk. These chinks in his armor become apparent as he goes about the business of trying to ferret out the facts that he hopes will lead to the prisoner's exoneration.

The performances are uniformly excellent. Washington distinguishes himself as a man facing death as he subtly reveals the pain and anguish seething just beneath the surface. Lisa Gay Hamilton (currently burning up the screen in TV's "The Practice") will break your heart as Washington's wife. On the minus side, Eastwood is getting a little long in the tooth to be paired with some of the young actresses he is shown with here. In addition, the climax is a bit cliched and mechanical, but strangely satisfying. The race to the midnight execution is a bit reminiscent of the film-within-a-film in Robert Altman's "The Player". Only in that film it was meant to be slightly tongue-in-cheek. These faults aside, "True Crime" will keep your attention even though you might correctly be predicting what will happen next. The reason for this is the impassioned performances Eastwood has drawn from his first-rate cast.

Here's one of those movies that's basically been done before but still manages to hold our interest -- and hold it fairly well. Squinty Clinty plays an over-the-hill newspaper reporter who sniffs a bigger scoop when assigned a human interest story about a death row inmate hours away from execution. It seems his fine shackled friend is really innocent, but can our hero prove it in time?

It's hard to pinpoint what elevates TRUE CRIME above its formulaic tendencies. Though not in top form, Eastwood is intriguing despite his character's occasional unlikeability. Isaiah Washington, playing the innocent inmate, is well cast and able to stoically earn our sympathy. Eastwood's newsroom antics would seem tired in many other films, but decent writing and supporting performances help keep things moving at a reasonably smooth pace. And although we know Eastwood will prevail at the end of the day, we're not always quite sure how.

TRUE CRIME is a picture some will appreciate more than others. What's for certain is that there are much worse ways to spend 127 minutes. It's worth a look on a rainy night.

No C.E. movie can ever be a complete disappointment but this one came close. Clint kissing a girl almost 50 years younger, Clint with a kid, while he could be her grand-grandfather etc. These are hopeless scenes, to be forgotten as quickly as we can. But with James Woods and is his pursuit for the truth it is still the good-old Clint Eastwood.

Unfortunately the story isn't strong enough to tip the balance. The film drags on till a ridiculous ending that fits in every Hollywood tradition, but is just a little bit too optimistic about the working of the judicial system for my taste. Oh, what the heck, I still had a good evening in front of the tv.

Clint Eastwood has still got it after all these years, and True Crime is proof. This effective thriller follows journalist Steve Everett in his hunt to free a man from execution. It is Eastwood's directorial flair that soars the film from a mediocre thriller into a highly original, sensational Oscar-worthy vehicle. The rest of the cast are also of top standard with Isaiah Washington playing the accused and Lisa Gay Hamilton as his distraught wife. Both co-stars give sensational, gripping performances and are indeed the film's highpoint (even shadowing Eastwood). James Woods also soars as Everett's strict yet sleasy employer. Penny Bae Bridges & Francesca Ruth Eastwood also give breakthrough performances as the daughters of Eastwood & Washington respectively. The extremely tense finale keeps audiences on the end of their seats impatient for the truth to revealed. Overall an extremely well-paced, gripping thriller guaranteed to intrigue audiences. 9/10