Spirited Away

Personally, I've never seen anything as original in an animated film as in this deeply mythical fairytale. What a surreal idea for a movie! It's hard to find an adequate description (because I also don't want to spoil this in the slightest way) but this film has a sense of "otherness" to it - for lack of a better word - like none I've ever seen. And the strange, mythical nature of this film - apart from the amazing artwork - is probably one of the main reasons for its appeal to me.

Maybe the themes of the story don't feel quite as strange to an eastern audience because they fit to a certain degree with some eastern/Asian mythologies - to me, this beautiful piece of wonder was something new. And a profoundly moving experience.

Outstanding animation; funny, weird, scary and touching at the same time, this unique work of art is one I can't recommend enough. 10 out of 10.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/

I really enjoyed this film-everything about it glows and shines in a gentle luminosity. This film, if you have seen some of Miyazaki's other work, is quite light. The characters are beautifully and lovingly created and the colouring and setting of this film is absolutely superb. This is a beautiful little film and I can't wait for the next feature from Hayao Miyazaki-he is better than Walt Disney.

Miyazaki blends the characters and the environment very well together, and I can see that this would be enjoyed for people at many different levels. Miyazaki enjoys creating female heroines and I was pleased that Chihiro lived up to the expression and beauty of her predecessors-like Nausicaa from the Valley of the Wind. This is beautiful and I would advise anyone to take a look at it's scope and serenity, along with it's fast paced plot and of course, the dreamlike settings that make it truly wonderful.

Despite an overlong run time, Spirited Away is a visually stunning film filled with some of the most imaginative characters I've ever seen. In addition to the visuals, the music is beautiful, and the story has something for audience members of all ages.

Last year I saw Spirited Away on it's UK release. I've never been a particular fan of anime, and it didn't really occur to me that I was watching a foreign language film dubbed into English (or 'American'). I can't imagine seeing a live action foreign language film dubbed into another language, but hey, this is a kids cartoon, what does it matter? Up to a point it didn't, because I loved the film. I enjoyed it so much I set about digging up the Studio Ghibli/Miyazaki back catalogue, in the process Sprited Away was filed away as one of the lesser Ghibli's - still great, but compared to Laputa, Grave of the Fireflies and a few others, it seemed a little weak.

BUT... I recently re-watched it on DVD with the subtitles and found the difference unbelievable. The film came alive like the other Miyazaki's I've seen. It seemed infinitely more layered, detailed, intelligent and witty than I remembered. Could it be that retaining the intended performances (even if the words are unintelligible) can make that much difference? Maybe the dub was just poorly done? Or was it just because I was now versed in the language of Ghibli? As a little experiment I decided to re-watch some of the film with both the English subtitles and English language dub in order to compare, I ended watching the whole thing out of morbid fascination. It's simply amazing what a difference there is. Entire scenes change. It's not just that subtle emphasis is shifted or the same points are made in a different manner - in the dub, the subject of whole conversations and scenes are changed, and often to some flat and uninteresting hokum. Relationships between characters are changed, their motivations and personalities are changed, the difference is shocking.

I appreciate western, and particularly American audiences can be put off by subtitles. And cinemas are less likely to show the film anyway. It's pointless to be all righteous when, fundamentally, you just want people to see the film. Unless they do, this treasure trove will remain undiscovered, and maybe finding it will encourage people to conquer the 'subtitle demon' (as Miyazaki might call him). But the problem is the quality of these dubs, and the liberties taken with the source material. Of course, without speaking Japanese, who can say it's not the subtitles that are way off? They're probably written by westerners too. But the dub just stinks of Disneyfication. Saturday morning generic nonsense. The challenging, uncompromising and emotionally ambitious nature of the film is severely watered down.

A fair question might be, 'if it's so bad why was it so successful?' The success is evidence of the films staggering quality. Even so, it hardly challenged whatever Jerry Bruckheimer movie was showing at the time. In Japan it's the biggest grossing film in history. 'Go figure,' as Chihiro wouldn't say.

This is a wonderfully imaginative and fantastical children's fantasy. It is easy to see why it was perhaps the critical hit of 2002. The film is glorious to look at. It is a testament to old fashioned animation techniques that seem to be resigned to foreign animations. Of course there is some use of computer imagery for certain shots but they blend seamlessly and the overall artistry involved is superlative.

This is the first Hayao Miyazaki film I have seen and I will certainly watch his others. The story plays on many elements successful with kids films, that transport you back to your own childhood and also allows the young audience to connect with the themes in the movie too. The story centres around Chihiro, a young girl about to move into a new place and who feels insecure about the new environment she will be living in. These fears become a part of her encounter with a strange abandoned amusement park that she and her parents find when they reach a dead end in their car. At the park they find that their is a stall that is seemingly open, with glorious displays of mouth watering food. There are no people about but Chihiros parents decide to gorge themselves on this bounty and pay later. As Chihioro explores she comes across a strange boy who warns her to get out before dark. It is too late however, because as night falls, ghosts are awakened, and then by the time she gets back to her parents they are turned into pigs. She then finds that the route she came from is gone and she is now trapped in this place, her only allie being the boy she met earlier. She is told to get a job at the centre piece of the park, a bath house run by Yubaba, an evil power mad witch. This is a bath house for the spirits and Chihiro has to find a job there before she is found and turned into an animal herself, then unable to save her parents.

The story is imaginative and the characters and animations endlessly unique and strange. This is just so much more creative than Hollywood. The characters are likeable and we become engrossed with Chihiros adventures inside this bathhouse, and the characters she comes into contact with as she tries to get her parents back as humans and whilst trying to get back to the human world. What I also loved in this film is that the animation gives it a real sense of cinematography, the drawing makes the film stand out in a way that American animations rarely do. Another film I think of that looked really good was Bellville Rendezvous. Another great point in fact the best part of it, is the fantastic score. It really is uplifting and very original. This is just great film making. *****