Two U.S. Marines in World War II are assigned to protect the Navajo Marines who use their native language as an unbreakable radio cipher.Two U.S. Marines in World War II are assigned to protect the Navajo Marines who use their native language as an unbreakable radio cipher.Two U.S. Marines in World War II are assigned to protect the Navajo Marines who use their native language as an unbreakable radio cipher.
- Awards
- 3 wins & 6 nominations total
Clayton J. Barber
- Hasby
- (as Clayton Barber)
- Director
- Writers
- All cast & crew
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Featured reviews
I thought this was a film about Navajo code talkers. Well, it's not. While there are a couple of Navajos in the film, the story revolves around Nicolas Cage winning WWII all by himself. This guy's incredible and makes John Wayne look like a wimp. Every time the Marines are in trouble, up jumps good old Nicolas Cage with his Thompson and POOF! the battle is WON! I wonder how we won WWII without Nicolas Cage? The film has a LOT of combat footage and most of that is very well done. That alone is worth a watch but don't expect to learn much of anything about the Navajo code talkers. You should read about them, because theirs was an important part of history, but they're a minor part in this film. I gave it a 6, only because of the good combat footage.
When watching the trailer of Windtalkers, one gets the impression that this film is about the Navajo indians and how their native language was used to create a code that could not be broken by the Japanese. However, it turns out that this film is really about a white army seargeant (Nicolas Cage) and how he eventually befriends the codetalker (Adam Beach) that he is responsible for protecting.
Director John Woo doesn't disappoint with the action sequences. All of them are breathtaking and highly detailed. However, all of this action tends to take away the emphasis on the story. No matter, the scenes that show the developing friendship between the two seargeants (Cage and Christian Slater) and the codetalkers (Beach and Roger Willie) gives Windtalkers its heart. (7/10)
Director John Woo doesn't disappoint with the action sequences. All of them are breathtaking and highly detailed. However, all of this action tends to take away the emphasis on the story. No matter, the scenes that show the developing friendship between the two seargeants (Cage and Christian Slater) and the codetalkers (Beach and Roger Willie) gives Windtalkers its heart. (7/10)
Just a brief review. I expected more of this film, and I fault Woo's direction for not giving us more. There is such a story to tell about the Windtalkers, and he hardly told anything. The action was convincing enough but I wondered about some of the characterizations. Actually this was just an ordinary action film under the guise of telling the story of the Windtalkers. I guess I was just expecting more of a story, and a little less of the noisy action.
I just watched the director's cut on DVD after having seen the theatrical cut some time ago.
Plot summary: In WWII, a code based on the Navajo language was used to securely communicate between US troops in the Asian Pacific, without the Japanese eavesdropping. We follow two Navajo code talkers and their US Marine "bodyguards" as they go into combat on a Japanese island.
A lot has been written about this somewhat flawed John Woo movie. After having seen both versions, my main disappointment is still that the two code talkers seem like background characters. A movie with a lower budget, without big Hollywood stars put in the foreground would probably have been more satisfying. Maybe that movie should have been done by another director too, I don't know.
Enough good "general" war movies have been made. The code talker part of the story should have been made much more pivotal as was done here.
I'm a fan of Woo's Hong Kong and Hollywood work. The director's cut of Windtalkers doesn't turn a mediocre Woo film into a masterpiece, but it is certainly an improvement.
Main advantages of the DC are more fleshed out characters. You get more background on all main characters, including the two Navajo code talkers. I felt more involved. As a result, the code talker part of the story is served better, but still not enough to my taste. The DC also has more uncut battlefield scenes. Woo really shows his talent here, with raw yet beautifully shot war action. You get the sense that you are in the middle of the action.
I was particularly interested if a scene was put back in where a US soldier takes a golden tooth from a Japanese corpse. This scene was described in several documentaries about censorship by the US Army. Not completely surprisingly, this scene was also absent from the DC.
If you are a Woo fan or already appreciated the theatrical cut, it may be worth checking out the director's cut.
My ratings: 6/10 for the original cut. 8/10 for the director's cut.
Plot summary: In WWII, a code based on the Navajo language was used to securely communicate between US troops in the Asian Pacific, without the Japanese eavesdropping. We follow two Navajo code talkers and their US Marine "bodyguards" as they go into combat on a Japanese island.
A lot has been written about this somewhat flawed John Woo movie. After having seen both versions, my main disappointment is still that the two code talkers seem like background characters. A movie with a lower budget, without big Hollywood stars put in the foreground would probably have been more satisfying. Maybe that movie should have been done by another director too, I don't know.
Enough good "general" war movies have been made. The code talker part of the story should have been made much more pivotal as was done here.
I'm a fan of Woo's Hong Kong and Hollywood work. The director's cut of Windtalkers doesn't turn a mediocre Woo film into a masterpiece, but it is certainly an improvement.
Main advantages of the DC are more fleshed out characters. You get more background on all main characters, including the two Navajo code talkers. I felt more involved. As a result, the code talker part of the story is served better, but still not enough to my taste. The DC also has more uncut battlefield scenes. Woo really shows his talent here, with raw yet beautifully shot war action. You get the sense that you are in the middle of the action.
I was particularly interested if a scene was put back in where a US soldier takes a golden tooth from a Japanese corpse. This scene was described in several documentaries about censorship by the US Army. Not completely surprisingly, this scene was also absent from the DC.
If you are a Woo fan or already appreciated the theatrical cut, it may be worth checking out the director's cut.
My ratings: 6/10 for the original cut. 8/10 for the director's cut.
Although the intentions are very noble (showing the world how Navajo Indians helped in the war ... through their native language as code), the movie is not that good ...
You would love to give it more kudos (at least I would), but even Nicolas Cages performance just doesn't really grip you ... you are left emotionless/cold. You don't really care for them or what will happen to them. And that is a death certificate (excuse the pun) for this movie. The fact that he had to cut down the movie, so that it would be cinema-friendlier, didn't help either ... so if you're going to watch this movie anyway, go watch the Director's Cut, because you will get more back story and emphasis on the characters.
You would love to give it more kudos (at least I would), but even Nicolas Cages performance just doesn't really grip you ... you are left emotionless/cold. You don't really care for them or what will happen to them. And that is a death certificate (excuse the pun) for this movie. The fact that he had to cut down the movie, so that it would be cinema-friendlier, didn't help either ... so if you're going to watch this movie anyway, go watch the Director's Cut, because you will get more back story and emphasis on the characters.
Did you know
- TriviaWeapons coordinator Robert "Rock" Galotti amassed over 500 vintage World War II-era firing weapons and 700 rubber replica weapons for the film from private collectors and prop houses. Also featured moving across battlefields are vintage Sherman tanks, their smaller Stuart brethren, and Japanese Hago tanks.
- GoofsWhen Ben Yahzee is leaving his family he shares a firm handshake with an elder. In Navajo culture personal contact is very limited. The handshake would have been a brief, light touch if given at all.
- Quotes
Private Ben Yahzee: Radio Man:
[to Private Ben Yahzee]
Private Ben Yahzee: Remember Marine, ours is not to question why, ours is but to do or die. Semper Fi. Over
- Alternate versionsA few scenes and lines of dialouge were either altered or missing from the finished film. An early scene of Joe and a nurse in their car on the beach has them two talking about the world being a pretty place and joe says it's not. Another scene of Joe and Yazi talking. Joe asks "seen any combat?" Yazi answers "No, but i am looking forward to getting into some" There are a few other small lines of dialouge that was left out. These were most likely cut because of pacing.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Códigos de guerra
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $115,000,000 (estimated)
- Gross US & Canada
- $40,914,068
- Opening weekend US & Canada
- $14,520,412
- Jun 16, 2002
- Gross worldwide
- $77,628,265
- Runtime
- 2h 14m(134 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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