Amores Perros

Some people just won't want to sit through this film because of the overtly graphic and disturbing dog fighting scenes, which is ironic, because most people don't seem to mind the graphic violence involving the people in this film. Others simply won't watch it because of the subtitles. This is a shame, since this is by far the best film I have ever seen come out of Mexico (far better and more complex than the comparably immature "Y Tu Mama Tambien"). Here we get an intertwining tale involving dog fights, petty gangsters, a tragically injured model, a cheating husband, an abused teenage wife, and a homeless hit man. As you might expect the homeless hit man becomes the soul of the film, and the dogs serve as a link, reminding us of the violence we inflict upon each other and nature, and the fractured relationships we think beyond repair, but are actually more resilient than we could ever imagine. Brilliantly directed with a great soundtrack and a bigger heart than you might initially perceive, "Amores Perros" is a deep, thought-provoking and utterly enthralling film that you will not soon forget.

Three stories of life in Mexico, all loosely linked by one core element, dogs.

What a powerful and shocking movie this is, Amores perros is one of those films that truly lives with you.

I can't admit to seeing a huge amount of Mexican films, but I've certainly seen Mexico, Mexico City in particular as the setting for many crime documentaries, it is clearly one busy, but very dangerous City.

Intensely thought provoking and engrossing in equal measure, this film hits hard, full of violence, and I don't know what this says about me, but the violence between people was standard fair, the violence involving the dogs was hard to watch.

Unsettling in so many ways, people making bad choices, which of course have consequences, it really does show humanity at its worst.

My limited Spanish wasn't good enough to understand most, but I didn't mind the subtitles at all, sometimes it was a little hard to read them as the movie had several fast paced scenes.

Emilio Echevarría puts in a terrific performance, but the whole cast are hard to fault.

8/10.

This movie is a must-to-see if you can get over the 'subtitles' fact. (I didn't have no problems with it because I understand Spanish). Personally I was really impressed by the quality, perfection, and superb acting of this Mexican movie. The movie consists of three different stories connected by one sole incident. Sometimes you will see the same scene from a different point of view. Or you'll see an out of place scene that will make sense later on. The script was exquisite, very loyal to the culture. The direction was brilliant keeping us interested from beginning to end. And the performances were excellent, so natural and real that you felt as if they were people you knew. Be aware there's extreme violence in this movie, and even though there were kids in the theater I went to, this is not a family movie. I don't recommend it for children if you are a responsible parent. This movie deserves an award.

This film consists of three intertwining stories, all involving dogs, and all laced with violence. The first story we're shown, that of Octavio, is excellent. Definitely a "10". If the movie had stayed at this level it might have been the best film of the year, but the second segment is annoyingly bad. Totally ridiculous, bad acting, lame story. The third and final segment is very good. I would recommend seeing this film, but I'd also recommend fast forwarding through the second segment.

Comprising but not limited to, three stories all connected, and all sharing canine glue, shows how some loves and aspirations, formed and built on weak foundations, can implode through separations, leaves folks lonely and eschewed.

All elegantly carved and crafted around the streets of Mexico City by the perpetually impressive Alejandro G. Iñárritu, who takes Guillermo Arriaga's tale to deliver as angry a film as you're likely to come across, and one that delivers just as savagely some years on from its initial release. Often shocking with its portrayal, leaves you under no illusion of the desperation and despair of the lives of those it presents.