Svadba

As a North American who spent three months in Russia in 1995, all I can say is that this movie is a true reflection of what I experienced while I was there. The atmosphere of the film is true to life. If ones wants to get the feeling of a Russian party, this is it. Even though people don't have much to live on, they are ready to chip in and to share everything they have. This is not a comedy, this is a social study on life in Russia in 2000, but it is enjoyable.

In Lipski, a small town 200 km far from Moscow, in a post-socialism Russia, the top-model Tanya (Mariya Mironova) returns home after five years in Moscow. She meets the shy miner Mishka (Marat Basharov), for whom she had a crush when she was a teenager, and proposes him, after gambling heads or tails. Mishka accepts to marry her, but he does not have any money for the feast or for a gift. His honored father makes the arrangements for the simple party. His drunken friend Garkusha (Andrei Panin) decides to help him to get money for a wedding gift, but indeed he gets Mishka into trouble with the nasty local chief of police Borzov (as Aleksandr Semchev), a limited man who aims to be transferred to Moscow. Meanwhile, the wealthy former lover of Tanya, Borodin (Vladimir Simonov), comes to Lispki, trying to recover Tanya. Further, after the ceremony, Tanya discloses surprising revelations to Mishka. 'The Wedding' is a totally unpredictable funny movie, showing samples of the post-socialism Russia, with the happy, beautiful and broken people, the powerful and corrupt capitalist (Borodin), traces of the former authoritarian regime (Borzov) and lots of vodka. The happiness and the beauty of the people without money recalled me in many situations the joyful Brazilian people. The gorgeous Mariya Mironova resembles the American actress Cameron Diaz. 'The Wedding' is a different and interesting movie for viewers who appreciate different cultures. My vote is seven.

Title (Brazil): 'As Bodas' ('The Wedding Feast')

The same theme as "A Wedding" by Robert Altman, but with the much sadder social context of contemporary Russia. Communism might be finished (notwithstanding the odd hammer and sickle still showing here and there), but the quality of life of the people has not improved - with the only exception of mafia-stile capitalists. Towards the end of the film the chief of police says excitedly: "I AM BACK !", and this might be the sad reflection of the author on the future of the country (not necessarily back to Communism, that is, but to an authoritarian regime of sort).

And still, the people maintain a sort of desperate cheerfulness - made of jokes, drinking, music, dancing and sex. If you liked "Black Cat, White Cat" by Emir Kusturica (or the wedding scene in Underground) you will like this film.

I never heard of that russian movie until I saw it in T.V. The Director matches it perfectly to connect a typical wedding comedy with critics on the (many) social problems in Russia. You have it all: The rich mafiosis, the corrupt policists, the poverty of the workers, the alcoholism, the decline of social institutions. But despite all, it is very positive movie - because of the hero Mischa, the husband, who gives never up, but also tries to stay brave and not to become a gangster. The movie is in its original russian way a bit similar to the blockbuster "monsoon wedding" from India. But I think "Russian Wedding" is the better movie, more funny, more cynical, more realistic.

E.G.: the bride maria mironova looks like an angel.

I am grateful to the commentators who suggested comparisons to Robert Altman's "Wedding" and the Indian "Monsoon Wedding"-- the comparison that came to mind for me was "Sweet Home Alabama." But I definitely find it the greatest depiction of contemporary Russian culture, especially as it shows provincial, rather than big-city life. I titled my comments "Laughter through Tears," as that is a phrase associated with one of Russia's greatest writers, Nikolai Gogol, who inaugurated the absurd and grotesque in Russian literature. I know Pavel Lunguin as the director of "Taxi Blues," and find his development as a filmmaker in the 10 years between the two films very compelling. Longuin, to my mind, is one of the few filmmakers who has found his own authentic Russian voice in contemporary cinema.