Heaven

for silence. for delicate story. for perspective of love, revenge, game with past and definition of truth. for images of Tuscany. for sky, romanticism, for Cate Blanchete and Giovanni Ribisi. for exploration of limits and special May 23, for masks of society, triumph of nuances, science of details, delicate touch, drawing of characters, heavy words, basic solutions, impression of fairy-tale or touching song, aura of things, looks and common pieces as parts of a puzzle who describes shadow of feelings. more than film - a meditation. or bitter way to understand reality more than a web without sense. a fascinating meeting with a fabulous mode to say the essential phrases.

Cate Blanchett is Philippa, an English teacher who plants a bomb in an office. She wants to kill the boss there because he is a drugdealer and because his fault children died. The boss is not killed, four innocent people are, including two children. In jail she is interrogated and a translater named Filippo (Giovanni Ribisi) falls in love with her and helps her. I will not reveal with what exactly or how he helps her but the woman will have the chance to pay her dues on her own way.

The story set in Italy (Blanchett and Ribisi speak perfectly Italian in the movie) is a beautiful, tragic and intelligent one. The cinematography is great. Together with the music the film takes it time and doesn't rush things. It makes the movie, with a lot of symbolism, even more beautiful. Very interesting, written by the late Krzysztof Kieslowky (writer/director of Dekalog and Trois Couleurs) and Krzysztof Piesiewicz and directed by Tom Tykwer (director of Lola Rennt). Ribisi is very good and Blanchett is great.

This is not an ordinary movie. Watching this film is like watching a poem. it is too bad that some reviewers here have to see everything in the plug and play mode meant for short attention spans. This is a work of art intended to be tasted, smelled, seen, and touched. It enlivens the senses, touches the heart, and moves you with little dialog. Blanchett doesn't have to speak. Her face tells the pain of her loss, her remorse for her actions, and her lack of relief from her revenge. Ribisi is stunning as the outwardly simple, infatuated boy-like man with subtly revealed inner strength and cunning. Sometimes it is nice to take a break from the usual fare and take a ride on a work of art. I loved this film and will watch it again.

Quite a few people seem to think Tykwer's last 2 films (Heaven and The Princess and the Warrior) are pretentious, and I suppose I can see what they mean. Still, I have to disagree. I'll take Tykwer's abstract, philosophical, but admittedly flawed films over most of the over calculated, manipulative and cold stories that are so common.

I just have to respond to some of the comments that have been made about "Heaven."

"The central story of intrigue and suspense is completely supplanted." "Heaven" is *not* about intrigue or suspense. So that "central story" is not supplanted at all.



"An Overrated Movie With a Bad Screenplay and a Ridiculous End" You're taking the end literally? Well, of course you think it is ridiculous.



My point is, I can understand people not liking this film. It is definitely not for everyone. The problem is, many of the reasons given for not liking it show that the posters just aren't getting what the point of the film really is. I suggest some of them watch it again and let go of what they think should happen and judge it by what actually does happen.

'Heaven' is a wonderfully subtle film, full of refined camera work and scarce in dialogue. It stands as a good representation for the 'X Filme' project that Tom Tykwer co-heads, which aims to create films both new and thought-provoking as well as successful in their theater runs.

At roughly an hour and a half, 'Heaven' is a cinematic triumph that nudges open the gates to the philosophy and psychology of the lone man or woman along with those of society on the whole. It takes place in Italy, but Tykwer himself stated in an interview that really it could have been shot in any number of places with the message remaining the same. 'Heaven' is a thinly-scripted, in-depth commentary on issues prevailing throughout the modern world. Drugs, sex, sexuality, identity and the fibres that make up humans as a race are what this film revolves around: it is not a film for tourists or spectators. The excellent performances of Giovanni Ribisi and Cate Blanchett (apart and together) should only be missed if you are mainly looking for external adventure and action. Though it shares its part in weapons, scheme and drama, 'Heaven' is not blockbuster material: it is art material.