The Believer

The 2001 film "The Believer" is worth seeing for Ryan Gosling's riveting performance as Daniel Balint, a violent, mentally disturbed American, Jewish, neo-Nazi. Unfortunately, the rest of the film is not anywhere as good as Gosling's central performance. Gosling is on screen throughout most of the film, though. I rarely watch movies at home in one sitting and I sat through this entire film, almost afraid to look away, Gosling was so intimidating and fascinating.

"The Believer" was inspired by Daniel Burros, (1937-1965) a Jewish man who became Grand Dragon of the NY Ku Klux Klan. After the New York Times revealed Burros' ancestry, he killed himself.

"The Believer" opens with Balint menacing a wimpy Jewish student on the New York City subway. The Jewish student cringes, cowers, and attempts to scurry away. Balint menaces him before he gets into the subway car, on the subway car itself, and on the street outside the subway, where he finally pounces, beating the student into a bloody, broken mess. It's a horrible scene to watch. The soundtrack expertly wrings the scene for all the tension and terror it is worth.

As brilliantly manipulative as this scene is, there's a problem with it. As much as you hate what you are seeing, you end up identifying with Balint. The Jewish student is weak and cowardly and refuses to defend himself. Balint at least has the integrity to act on his vile ideals. Even if you didn't know that Gosling is playing a self-hating Jewish character, you would be able to read that from his facial expressions. He sneers as if smelling something foul. He begs the student to defend himself. You know that he is beating the student because he hates the despised potential Jewish victim inside himself.

That theme – the theme of Jewish self-hatred as a reaction to the Holocaust – is one of the movie's big ideas, and it is not a worthy one. After committing one of many hate crimes, Balint is forced to undergo sensitivity training. He is lectured by three elderly Jewish Holocaust survivors. One describes the Nazis bayonetting his son, peeling the corpse of the son off the bayonet, and dropping the corpse on the ground at the man's feet. Balint turns the table and lectures these survivors. Why didn't you fight? He asks. At least then you would have had your dignity. You were going to die anyway.

The film allows that question to go unanswered, and that is not right. Jews *did* fight. Jews fought in the Polish Army when the Nazis first invaded Poland, and in the Anders Army at famous battlegrounds like Monte Cassino. Jews fought in the Warsaw Ghetto Uprising, the first urban, civilian uprising in Nazi-occupied Europe. Jews fought in the forests with the Bielski Brothers. Jews fought in the Treblinka concentration camp uprising. Jews fought in non-martial ways, as well. There were poetry readings in the Warsaw Ghetto, and Sabbath commemorations in concentration camps. To remember your own culture in the face of death is also a revolt against death. It isn't the responsibility of "The Believer" to provide viewers with this detailed history lesson, but it lessens the value of the film to allow Daniel Balint, a Jewish neo-Nazi, to go unrefuted.

Other than Gosling's performance, there isn't much to recommend the film. There are shadowy scenes of fascist plotters meeting in New York City apartments, strategizing ways to take over America. Billy Zane is pretty much wasted in his few scenes as a fascist theorist. Summer Phoenix, River's little sister, has a gratuitous, exploitative, topless scene. She plays the part of a depressive, masochistic fascist sex toy. Through Balint, she becomes obsessed with Judaism, and begins to practice, lighting Sabbath candles and attending synagogue services. This is the movie's second big idea: if you look at it through the right kaleidoscope, being a member of a Jewish community is in some ways comparable to being a member of a hate group like the Nazis. This is just simple-minded, undercooked, grandiose thinking, and this is why, outside of Gosling's performance, I can't recommend this film.

There is some incoherent, implausible plotting: fascists meet in the woods and beat each other up; there is a bungled assassination attempt; there are a couple of synagogue bombings. None of this goes anywhere.

There's another problem with this film. It is very much in the cinematic tradition of Sexy Nazis like "Inglorious Bastard's" Colonel Hans Landa, "Black Book's" Ludwig Muntze, Oskar Werner, Maximilian Schell, and too many others to mention . Ryan Gosling is a very attractive man and in this film he is shown shirtless, lifting weights, and masterfully beating other men. In real life, Daniel Burros was not so omnipotent, not so sexy. In fact, journalist William Bryk said of Burros that he "was an inept paratrooper: overweight, poorly coordinated and slow. He wore thick-lensed glasses that made his eyes look larger than they were. The other guys in the barracks laughed at him. He had no friends. Finally, he made three phony suicide attempts: a few shallow razor cuts on the wrist; an overdose of aspirin; and again the razor … The Army discharged him 'by reasons of unsuitability, character, and behavior disorder.'"

In short, Burros was mentally ill, as is Daniel Balint in this film. Given that the film is about a man who is not processing reality accurately, it is unfortunate that the film provides no coherent counter voice to the flawed conclusions Balint lives by.

When I read a description of this film, I thought it would go overboard in the violence and "shock sequences." I was relieved and impressed that it left most of the violence to the imagination. The shock value comes from other places--the content, the dialogue. This is a very thought-provoking and smart movie, not at all preachy (and it easily could have been preachy). The acting is unforced and its story does not fall into the "American History X" trap: Its main character does not become an "all race loving" good guy. The protagonist in "The Believer" is a tortured soul, and his fate (although somewhat predictable) is fitting after the events in the film. This movie is another example that cable movies occasionally surpass theatrical movies in their subject matter and execution. Very well done.

Like "Romper Stomper" and the intensely powerful "American History X," here we have another brilliant film which revolves around National Socialism and the fiercely racist ideals behind it. This movie, however, varies strongly from the two previously mentioned in that it seems to have been researched far more heavily, and, focuses on not a general Neo-Nazi or skinhead, but on a young Jewish man—who has turned to Neo-Nazis and fascism for strength. This film revolves around a young man who was born and raised into Judaism only to become heavily fed up with the styles, rules, rituals, and apparent hypocrisies therein. Ever since his youth he'd been questioning the Jewish faith and the very meaning of being Jewish. The film follows him as he struggles with the faith he was raised with and the Nazi ideals he adopts against it. Through it all, he also struggles with his own identity and the hypnotic way that these two opposing ideologies have power over people. On top of that, he's later recruited by a group of neo-fascists, so to speak, looking to make fascism a reputable political movement, much like Communism has evolved into Democratic societies these days as Socialism. Here's the breakdown: The Good: --The acting, for the most part is excellent. --The amount of information about both Nazism and Judaism is staggeringly well researched. At least, that's how it seems. --Nice cinematography and atmosphere. --Interesting story. Didn't Hurt It, Didn't Help: --Decent music. --This film focuses very little time on "Neo-Nazis versus everybody;" it's more about Nazism and Judaism butting heads. The Bad: --Often times with movies of this nature, Nazi Movies, there is strong violence used in part to hammer home the intensity of the subject matter. This film focuses on the ideologies more than the violence and as such, actually doesn't feel as powerful as, say, "American History X." --During flashback sequences where we see the main character in his youth in school, the kid playing the part isn't exactly a great actor. --Somewhat predictable ending. The Ugly: --With the ideologies, stories, and characters—there's an awful lot going on in this film. Unfortunately, when the movie ends, if feels like there was a lot left unanswered, or simply, not fully explored. Memorable Scene: --There were actually quite a few. For me, it was the first several times we get to know the girl who becomes the main character's love interest—and all the ways it seems she's just not right in the head. Acting: 8/10 Story: 9/10 Atmosphere: 7/10 Cinematography: 8/10 Character Development: 9/10 Special Effects/Make-up: 0/10 (Movie didn't require any) Nudity/Sexuality: 3/10 Violence/Gore: 6/10 (Not as much violence as is common in films of this type) Dialogue: 9/10 (Some brilliant conversations and ideas throughout) Music: 7/10 Direction: 8/10 Cheesiness: 1/10 Crappiness: 0/10 Overall: 9/10 Be prepared to stomach a lot of harsh words and racism, but this is an intense film with a lot going on. Another one recommended to those with an interest in National Socialism, Judaism and their histories and ideologies. Full-fledged Nazis, ironically, will not like many of the directions this movie takes, and neither might serious Jews—the views expressed in this film are that strong. My final rating comes from the overall intelligence and strength of the film, despite is drawbacks.

Inspired by real events, The Believer tells the story of a young Jewish man who is contradicted by his beliefs in neo-nazism. Ryan Gosling (Remember the Titans) plays Danny Balint, a Jew by birth and upbringing, who's ideas about the religion lead him into a world of denial and hate. Flashbacks show the viewer how Danny struggled with his early teachings of the faith and his lack of understanding would result in his decision to be a practicing, race-hating skinhead.

Along the way, Danny meets up with Lina and Curtis played graciously by Theresa Russell and Billy Zane who want to recruit Danny and use his persuasive talents to advance their cause as fascists. It is in his first meeting with this couple that Danny also meets Carla (Summer Pheonix), a confused young girl who eventually befriends Danny and soon begins her quest to best understand the Jews through their language and traditions.

In a later scene, Danny finds himself at a white supresmist training camp and meets other skinheads with the same hatred and desire to rid themselves of the Jewish population. Danny befriends the group and garnishes their respect with his fighting tactics, and on one fateful night, the group land themselves in jail after initiating a fight with two blacks on the street.

It is here that the most disturbing and challenging scene of the movie takes place where the group is forced by the courts to enter counselling for their crime. This counselling would include Jews who survived the holocust who tell their story to the unappreciated skinhead audience. While the others argue that the Holocost never occurred, Danny is haunted by the story of an elderly man who tells of a German Soldier who stabbed and killed his son with a bayonette during World War II.

This then leads Danny down two separate paths. On one side, he is a race hating monger, who begins to build bombs for the purpose of blowing up a synagogue. The other, a conflicted man of the Judaism faith who teaches Hebrew to his girlfriend and still practices the basics of the religion (don't light the candles at Yom Kippur before eating).

Director/writer Henry Bean does a masterful job of keeping the pace of the movie going, while not being preachy or dumbing down to the audience. The director crafts the film and does not shy away from religious interpretations (why can Jews have cheese with meat, but they can have chicken with milk), without giving us his version of the answers. Dannys scene with the reporter from the New York Times is both honest and gripping in its language and its portrayal of a man trying to justify his racist views.

Portrayed as an articulate and intelligent youth, Ryan Gosling sparkles on the screen and gives a commanding presence that is award winning material. He reveals the character to be someone of higher intelligence who hates his religion because he just can't understand all its principles. When Danny is first confronted with an opportunity to kill a Jew, he can't bring himself to promote the results that he preaches.

In short, the movie has powerful moments, great acting and tells an unbelievable story of one man's quest to understand the world he was brought up in. B+

I found myself alone in an small theater yesterday watching "The Believer". The absence of a crowd didn't have any impact what so ever on my experience with this film.

Daniel Balint is a promising new right wing extremist who, with his radical ideas and eloquence, wins over the minds of a small group of neo-Nazis. At first he expresses that he wants Jews dead because, as he states, anti-semitism is a human instinct. But Daniel is a Jew himself. He denies his roots, But as the movie progresses he must come to terms with who he is. And that's not always easy.

Ryan Gosling who plays Daniel is a frightening good actor, who almost manages to persuade the audience of his anti-semitic views. I really can't praise Ryan Gosling enough! He could be one of the great new actors to come. The interesting aspect of this movie is the mental struggle in Daniels mind whether he's a Nazi or a Jew. Or both? It's about finding out who you are. The films poses some very intelligent questions, and provokes at times, and this is the films force. This movie is brilliant! Go see it!