Dr. Frankenstein has just finished rebuilding his creation, but the monster is unresponsive. He needs to try something different to make it work, perhaps some new parts. Enter a terminally i... Read allDr. Frankenstein has just finished rebuilding his creation, but the monster is unresponsive. He needs to try something different to make it work, perhaps some new parts. Enter a terminally ill sculptor and his assertive wife.Dr. Frankenstein has just finished rebuilding his creation, but the monster is unresponsive. He needs to try something different to make it work, perhaps some new parts. Enter a terminally ill sculptor and his assertive wife.
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TALES OF FRANKENSTEIN of 1958 is the pilot from the British Hammer Studios, which was never continued as a TV series. This was made right after Hammer's first successful and highly influential Gothic Horror film THE CURSE OF FRANKENSTEIN (1957) starring the great Peter Cushing in the role of the eponymous Baron, a role which he would reprise five more times. On the one hand, it is highly regrettable that TALES OF FRANKENSTEIN, which stars the sinister Anton Diffring, never became a show. On the other hand, it is debatable whether Hammer had made any sequels to their first success, if their had been a FRANKENSTEIN show on TV; since the FRANKENSTEIN sequels from Hammer are entirely great, some arguably even greater than the 1957 film, their not having been produced would be tragic for the world of Horror.
TALES OF FRANKENSTEIN is interesting in particular due to the charismatic performance of Anton Diffring, a specialist for sinister characters, and due to the fact that it mixes the styles of Hammer and the original Universal Horror films. Especially by its looks, this has a stronger resemblance to the Classic Horrors from Universal. The set pieces are Gothic and elegant, and the film has a nice, eerie atmosphere. The storyline is interesting enough: Baron Frankestein (Diffring) is experimenting on his creation, trying to make the monster less aggressive. A terminally ill concert pianist (Richard Bull) and his wife come to Frankenstein's castle in order to ask for the Baron's help...
Overall, this 28-minute flick is a highly interesting little gem that especially Classic Horror fans should not miss. Diffring is great (even though not quite as great as Cushing), the atmosphere is gloomy, and the story interesting. Ignoring the previously made assumption that making the TV show might have resulted in the film sequels not being made, one can only say: Too bad this series was never made. It would have probably been quite something. Not to be missed.
TALES OF FRANKENSTEIN is interesting in particular due to the charismatic performance of Anton Diffring, a specialist for sinister characters, and due to the fact that it mixes the styles of Hammer and the original Universal Horror films. Especially by its looks, this has a stronger resemblance to the Classic Horrors from Universal. The set pieces are Gothic and elegant, and the film has a nice, eerie atmosphere. The storyline is interesting enough: Baron Frankestein (Diffring) is experimenting on his creation, trying to make the monster less aggressive. A terminally ill concert pianist (Richard Bull) and his wife come to Frankenstein's castle in order to ask for the Baron's help...
Overall, this 28-minute flick is a highly interesting little gem that especially Classic Horror fans should not miss. Diffring is great (even though not quite as great as Cushing), the atmosphere is gloomy, and the story interesting. Ignoring the previously made assumption that making the TV show might have resulted in the film sequels not being made, one can only say: Too bad this series was never made. It would have probably been quite something. Not to be missed.
Like a previous poster I was familiar with this unsold pilot mostly through stills in the old Famous Monsters magazine. I recently picked up a cheap DVD (from Alpha Video, who release a lot of interesting stuff) containing TALES OF FRANKENSTEIN with Corman's THE TERROR as a second feature. TERROR I'd seen many times before, but FRANKENSTEIN was truly interesting. It has the unmistakable feel of a 50s TV show but at the same time is reasonably well mounted and maintains a lot of the atmosphere of the old Universal Frankenstein movies, complete with raging thunderstorms and a laboratory full of crackling equipment. It was supposedly a co-production between Columbia Pictures' Screen Gems division and Hammer films, but there's very little Hammer atmosphere here (except for the costume worn by Anton Diffring as Frankenstein, which looks like Peter Cushing's hand me downs). Don Megowen makes a very formidable Monster, with a flat-topped make-up not unlike the old Karloff monster. Which is strange since Universal usually protected their copyright quite aggressively. At any rate, fans of vintage horror could do a lot worse than check this out.
The idea of making a weekly monster show for television was very clever--and a soap opera-like version of this concept was successful in the late 1960s with "Dark Shadows". However, while the idea was great, the execution left a lot to be desired. In this pilot episode, the entire story you'd find in a full-length Frankenstein film is crammed into this tiny time slot. As a result, all the subtlety and atmosphere is diminished. It's obvious that it just wasn't working when an excellent choice for the Doctor (Anton Diffring) came off as bland. He should have been a lot better and easily could if they had done just one thing that "Dark Shadows" did--don't try to tell the entire story in 27 minutes but make the stories multi-part so they aren't rushed. The pilot could have easily lasted two or three or even more episodes. But, because it is rushed, the story is flat...and there was too much use of poorly integrated stock footage (such as the vampire women from Dracula). Too bad, as a weekly monster show was a great idea.
If you are curious and wish to see it, it's available for free download at archive.org--a site often linked to IMDb.
If you are curious and wish to see it, it's available for free download at archive.org--a site often linked to IMDb.
Definitely something of interest for the lover of early monster movies. It's only a pilot and it's short but its good. If you liked the Frankenstein monster concept, this is a tidy tidbit of a good old monster movie that I think you will enjoy. This black and white gem has a good plot, good acting, great atmosphere and all you would expect from an old fashioned monster movie. Too bad the pilot was never picked up. What if there was a field of these little gems instead of just one. Oh well, we'll never know how a series would have done but do take a look at Tales of Frankenstein the one that was made. Have fun and enjoy this short well done monster movie.
This unused pilot for a television series about Frankenstein's Monster is very good,for what it is. I would have liked to have seen what else they could have thought of. Yes it is cheesy,even for a horror film,but you must remember it was meant to be that way. The plot is great actually for a series pilot.I would have liked to have seen what would have happened next,and with Curt Siodmak,one of the fathers of the Universal Horror Genre,and Creator of The Wolf Man, in the writer,and directors chair we could have had a real treat.
Did you know
- TriviaThe introduction contains stock footage from some of the Universal horror series, including the brides from Dracula (1931). The face in the crystal ball, who is supposed doing the narration, is actually footage that was used at the beginning of all of Universal's "Inner Sanctum" features.
- GoofsThe introductory narration does not come close to matching the lip movements of the face in the crystal ball. The face in the crystal ball had actually been shot about 15 years earlier for the introductions to Universal's "Inner Sanctum" series of features.
- ConnectionsFeatured in 100 Years of Horror: Baron Frankenstein (1996)
Details
- Release date
- Countries of origin
- Language
- Also known as
- Relatos de Frankenstein
- Production companies
- See more company credits at IMDbPro
- Runtime
- 28m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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