Relationships as they are really lived.Relationships as they are really lived.Relationships as they are really lived.
- Awards
- 2 wins & 5 nominations total
Rupert Procter
- Terry
- (as Rupert Proctor)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Low Down can be rated as an undeveloped good idea, not more not less.
The good side of this movie is the effort to capture an transmit the confusion of those years, but it falls hard on that, sometimes the movie captures the esense of that behavior, but those not transmit anything at all. After watching the 96 minutes I was like `so what?', not a single feeling about the film or the characters, characters that just wander, one does not know where they come, where they go, what moves them, you can not make any contact with them just watch the as watching a pst in the street.
I am waiting for the next movie to see where the director goes; it can be a very good thing or jus another empty presumptuous thing.
The good side of this movie is the effort to capture an transmit the confusion of those years, but it falls hard on that, sometimes the movie captures the esense of that behavior, but those not transmit anything at all. After watching the 96 minutes I was like `so what?', not a single feeling about the film or the characters, characters that just wander, one does not know where they come, where they go, what moves them, you can not make any contact with them just watch the as watching a pst in the street.
I am waiting for the next movie to see where the director goes; it can be a very good thing or jus another empty presumptuous thing.
This is a suprisingly affecting, and understatedly powerful portrayal of growing up. Its a about the need for answers, finding our way and some role in life, as we begin to explore ourselves making the transition from young adulthood to the next unknown. Personally, to me, its about finding our place in the world and being contented with that. The film doesn't provide any answers though, just a breathtakingly poignant, some might say pointless examination into that stage in our lives. The film is stylistically directed. Certainly there are similarities to the work of the 50-60s by the french new wave of Truffaut, Godard and co, in its simple yet effective (and seemingly) improvised use of creative camera technique i.e. freeze frame, slo mo etc. The performances (apparently improvised - well some of it) are absolutley astonishing in their realism. All the characters have an amazing rapport and chemistry with each other - you really do believe they have been friends for a lifetime. Thraves is marvellous but no more so than the other cast. So realistic are they, that no doubt you will have met similar individuals at some point in your life.
A mini masterpiece of a debut from a promising director. 9/10
A mini masterpiece of a debut from a promising director. 9/10
The lives of a group of lonely London losers comes under the spotlight in Jamie Thraves' film 'The Low Down'. As a director, Thraves is very keen on breaking up the flow of images, and disconnecting them from the dialogue, a trick annoying enough when Soderbergh does it, but frankly plain odd in this film, which is otherwise unassuming and generally low-key. The script is good at the sort of dialogue spoken by people who don't really know each other very well, or like each other very much, but who pass the time in each other's company for the want of anything better to do, and there are some funny moments. But there's little real warmth on show, and little explanation provided for the characters's disaffection: pointless moody shots of overflying aircraft aren't really adequate for this purpose. Overall, it's a bit of a waste of the beauty of Kate Ashfield, and a forgettable movie.
I just saw the DVD of The Low Down and it was time not well spent. I'd rather stand in line at the Post Office or buy a goldfish and watch that move around his bowl for a few hours than experience this movie again. There is no story in this movie, other than watching people live their ordinary lives and face their ordinary fears. The main characters are kept very shallow and the viewer has to decide what they are actually feeling. Not a very bad starting point for an intelligent movie if it weren't for the poor acting and even worse camera work. The feeling rises that a few film students have been given a camera and some government sponsored budget to create a picture about how complete losers live their lives. Too bad it was ever released... Rating is a 1 out of 5
A soft and subtle film that I found quite dreamy and languid. It doesn't knock you over but seeps into you. It is very English, and it's all about the characters and scenes which are very real. I found it a very natural film, where you didn't feel you were pushed along to a climax but were happy to be on a travelator with these characters. Film doesn't always have to be about escapism, where there are Tom Clancy storylines, glossy set ups and oohs, and ahs; instead this is a personal film which might make you think and feel.
Did you know
- TriviaFirst full length feature film of 'Martin Freeman'.
- SoundtracksLove Action (I Believe in Love)
Written by Phil Oakey (as Philip Oakey) and Ian Burden
Performed by The Human League
Details
Box office
- Gross US & Canada
- $32,395
- Opening weekend US & Canada
- $18,755
- Apr 22, 2001
- Runtime
- 1h 36m(96 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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