Xenogenesis

This film is a very odd example of a sci-fi short. It's hard to classify it, but best to say it's only experimental; which only means don't try to evaluate this work within cinema concepts. There's a very weak screenplay and a shallow plot. The story takes place in a machine-made starship coming from an uninhabitable planet which is being ruled by machines. In this environment our heroine Laurie, has been raised by one of those machines, which apparently have minds and lives just like human-beings. From my point of view the mood has been created as if it's the last episode of Terminator, where machines are in charge of our galaxy and humankind is stuck to live in spaceships.

Through the opening narration we get to understand that the last hope of humankind is depending on Laurie and her cyborg boyfriend's journey of exploring the Xenogenesis, the galactic adventure of exploring the outer space "Xeno-" thus finding a way to the rebirth of human civilizations "-genesis". The co-writer Randall Frakes's comic book art work brings that galactic adventure to life.

Laurie sends Raj into the starship to explore the nature of it. While he is walking over a bridge, a tank robot detects Raj's motions and attacks him. Raj tumbles down due to the laser fire of the robot, but holds onto the edge of the bridge. The digital celestial sphere of the starship appears to be very deep. Contacting each other via two-way radio signals, Laurie comes to rescue Raj with a giant spider robot. She begins to fight with the tank robot. But the tank defeats her. Starting to come towards Raj, it gives no chance to him to escape.

The modelling of both the robots are utterly fascinating. Action simulations are also very futuristic. With such a low budget, there is nothing seems cheap at all. There are distracting issues on all sounds and especially on all sound effects, but visuals are highly accomplished. Background music is established appropriately and it saves the mood. The talent voice should have been revised; Raj appears very tiny inside the starship but his voice level is being heard same with a wide-angle shot and the close-up shots of him. Probably they didn't have a bigger studio to let the sound waves travel in air longer. If it has been filmed for a silent picture, no-sound, it would have been so much better and effective.

James Cameron's beginner sci-fi work is fairly well in overall. For 12 minutes long, it's tolerable. Considering that all the inspirations of it are depleted in Terminator, Aliens, Abyss and even in Avatar; Xenogenesis doesn't have much to offer interesting. But looking at the year 1978, the beginner era of robotics and space adventures in cinema; Xenogenesis is used to be considered inspirational. If you're interested in the history of Sci-Fi; you should check this out.

Xenogenesis is a student film by James Cameron, later in his career known of the Terminator movies and of course Titanic. It's only 12 minutes long and after rather nifty opening narration we get about 10 minutes worth of battling robots.

It's rather easy to see, that Cameron is a trained special effects maker as the robots and settings do look rather good despite of the obvious small budget. But as it is special effects don't make up the fact, that there isn't actually much of a plot or purpose in the film other than to test out some film tricks.

For James Cameron fans Xenogeniesis is rather interesting treat and a showcase of where he did depart. What is more interesting is the fact, that Cameron hasn't changed much as storyteller: the themes of Xenogenesis are pretty similar to his more bigger budget movies: tough female character, love and machines as in how machines can be either benefit or a threat.

Xenogenesis isn't the best, or even a extremely good film as such, debut movie ever, far from it, but it is rather interesting piece of film as a point of origin.

I've seen several first short films by Directors, and some few show the brilliant talent that their later movies have. James Cameron's Xenogenesis not only shows his technical talents, it shows that he can make a spectacle on the same level of his future movies in his own house (or in his garage) with a much less of a budget then the Terminator had cost.

Though a fun short ride, it is however just a short Special effects ride, where the actors are the prop and its apparent that no attempt at screen writing was made since the whole thing is just a one single scene.

Yeah, before when James Cameron made The Terminator, his first time of making a sort of film was none other than this one. Let's go to history. Cameron was a truck driver around the mid-late 70s (no kidding, it's true), but he was inspired by Star Wars so much that he wanted to make a short film, with his friends, to enter the movie business. He convinced several local dentists to invest of $20,000, wrote a screenplay with his friend, he make small robots (obviously for the stop motion animation) all by himself, studying how the effects work in Star Wars were and practiced the stop motion shots in his living room. It was that point when they were all finished. He tried to show the short to other studios that if he can make a feature film out of it, but it got backfired. However, he and his friend, Randall Frakes, did got a job to make miniature spaceships for Roger Corman's film Battle Beyond The Stars, and Cameron became one of Corman's visual effects specialists. Now...let's go to the short itself.

There were some things that will later on be borrowed from Cameron's other films like a cyborg hero (T2: Judgement Day), a strong female protagonist (any movie he made), camera shot of what's the hero doing in a vehicle or a machine (The Abyss), and bio luminescence (The Abyss and Avatar). I'll say for a short that cost like so cheap to make, the effects were surprisingly good and the way they handled the live action bits and the stop motion bits, together, looked spot on. However, don't expect the quality or the acting to be amazing because the quality is VHS like and the actors aren't professionals, which does kinda show.

But that doesn't ruined the short at all. For what it is, it's surprisingly good. You can easily find it on YouTube, so it's not hard to find it on the Internet. This is for the ones if they want to know more about the history of James Cameron and how he became to what he is today. For everyone else, it's at least worth a look.

Score: 7/10

James Cameron apparently got 20 thousand dollars from a group of dentists in order to get the funds for his first short film. It doesn't have much of a plot except that a man is being chased by a giant robot that moves a lot like a construction crane - or a creation from some other dimension (it's hard not to see this coming back in the climax of Aliens and to a smaller extent in the futuristic scenes of The Terminator). What the film lacks is proper acting (I think it's William Wisher, who went on to co-write some of Cameron's films, as the main male character) and actual quality dialog it makes up with dynamic action and very impressive production design and special effects. All of this is Cameron, done with a kind of care and precision and detail that makes it look triple, maybe even more, of how much it actually looks; probably why Cameron got to work for Roger Corman right after this. It's so impressive to look at, from the fighting of the robots and the solid edits, that you almost want to try and forgive the more primitive aspects of the production... almost. Overall though, it's a nice little diddy for fans.