During WWII, acclaimed Polish musician Wladyslaw faces various struggles as he loses contact with his family. As the situation worsens, he hides in the ruins of Warsaw in order to survive.During WWII, acclaimed Polish musician Wladyslaw faces various struggles as he loses contact with his family. As the situation worsens, he hides in the ruins of Warsaw in order to survive.During WWII, acclaimed Polish musician Wladyslaw faces various struggles as he loses contact with his family. As the situation worsens, he hides in the ruins of Warsaw in order to survive.
- Director
- Writers
- Stars
- Won 3 Oscars
- 57 wins & 74 nominations total
- Street Musician
- (as Lucie Skeaping)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Featured reviews
A Masterpiece. Awesome acting by Brody.
Brilliantly Narrated, Visually Stunning!
Every single act of escapade Szpilman goes through is depicted like a drop of water on a barren desert. However, the Oasis in the driest desert comes in the end and it is here that Polanski captures the essence of human emotion. I had this very strong urge of jumping into the theater screen and magically adopting a character in the movie and doing something about the helplesness portrayed so convincingly.
Overall, Polanski has given a stunning visual narrative of the cold war. Survival indeed is a privilege though it is taken for granted today. Performances by Brody, Kretschmann deserve applause.
Pawel Edelman's camera work is moving and he has brilliantly captured the dark sadness in the visual canvas in an effective way. The lighting is amazing. Pre-dawn shooting schedule could have helped a great deal.
Hervé de Luze's editing work has ensured that the narrative does not slip away from focus. Most notable is the scene where the human bodies are lit on fire and the camera raises to show the smoke. The darkness of the smoke is enhanced and is used effectively to fade the scene out.
The scene where Brody's fingers move as he rests his hands on the bars of the tram handle only goes to show the brilliance of Polanski as a film-maker.
Great film that will be in the running for this year's Oscars. I will give it a 9 Out of 10.
Adrien Brody's Minimalist Acting Packs Maximum Emotional Punch
Stoic, haunting tale of survival
This is the kind of magnificent filmmaking that shows a director not only being as true to the story given to him (that of Painist Szpilman, based on his autobiography) but to his past as well- Roman Polanksi faced similar conditions as a boy in the early 40's, and has found the best line to show, never crossed or mis-stepped, in representing the characters and the period. There aren't any hints of tightened suspense, no clues as to where the film could veer to, it just is. The big difference to be seen between a film like this and Schindler's List is not just in the people and situations (Schindler's List was a film about two people, Schindler and Goeth, in the foreground while the Pianist is a total first person tale), yet also in the filmmaking qualities being here surely European. And while the accents on the Polish-Jewish actors sounds a bit too British, that is quite forgivable considering the scope of the project (thank heavens he didn't put in English speaking Germans).
In conclusion, Brody turns in a superb performance, and this indeed is in with Polanski's best, a deserved of 2002's Palme D'Or. Great music too. A+
Excellent, depressing, but excellent
I looked on the message boards you know and some other user comments that didn't enjoy this film much, they criticized Adrien Brody's performance and say that he was boring and only showed emotions that are easy to act. Please, you have got to be kidding me. This man portrayed the total feeling of hopelessness, being alone, being hated. I one time had an audition in high school like this to see if I could improvise, and the way I imagined this feeling is like in dodgeball where you have no one else on your team and you're the only one left standing, yet on the other team there is 20 big men that are just waiting to wack that ball at you. Adrien couldn't have done a better job, I was so frightened for him and cried for him during the whole film while he was one the run.
Roman Polanski as the director, he himself escaped the terrors of being a prisoner in The Holocaust, yet he lost his mother and other family members. Yes, I'm sure this film must have been hard to re create for him, but he was probably the only director that could have done this movie as brilliantly as he did. He created this story and made it so effective, I called up my mom and told her that I loved her so much because we take so many things for granted. True, this isn't the 1930's or 40's, and we are in America. But it's still frightening to think that human beings are capable of that much hate and being so brutal to another human.
World War II is one of the most frightening wars in history, if you read more about The Holocaust, you get more into it and you should. If you are not interested, then watch this film. It's a must see, otherwise how else will we learn from our mistakes? The Pianist is a beautiful and extremely dark tale about a man and the struggle to survive. The ending is so powerful and moving to know that sometimes one man can make a difference in a crowd of so many and I'm not talking about Adrien Brody's character. You'll see what I mean.
10/10
Soundtrack
Did you know
- TriviaDirector of Photography Pawel Edelman slowly drains the color out of all the scenes as the film progresses to signify the deterioration of the city and of Szpilman himself.
- Goofs(at around 1h 55 mins) Near the end of the movie, Szpilman leaves the house where he has been hiding for a while. Warsaw is completely destroyed, and all buildings are in shambles, but all the streetlight poles are perfectly straight.
- Quotes
Wladyslaw Szpilman: What are you reading?
Henryk Szpilman: "If you prick us, do we not bleed? It you tickle us, we we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?"
Wladyslaw Szpilman: [seeing that it is Shakespeare's The Merchant of Venice] Very appropriate.
- Crazy creditsAside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film.
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El pianista
- Filming locations
- Instalatorów, Ochota, Warsaw, Mazowieckie, Poland(Umschlagplatz scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $32,590,750
- Opening weekend US & Canada
- $111,261
- Dec 29, 2002
- Gross worldwide
- $120,098,945
- Runtime
- 2h 30m(150 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1







