While visiting a traveling carnival full of human freaks, high school students nearly join as permanent members.While visiting a traveling carnival full of human freaks, high school students nearly join as permanent members.While visiting a traveling carnival full of human freaks, high school students nearly join as permanent members.
Scott McCann
- Grant
- (as Scott Clark)
Jessi Keenan
- Melanie
- (as Jessica Keenan)
Peter Spellos
- Conjoin-O
- (as G. Gordon Baer)
- β¦
Luigi Francis Shorty Rossi
- Little Face
- (as Melvin 'Shorty' Rossi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Rock on horror dudes, just finished watching sideshow, excellent movie π¦. Good acting and some weird, characters too boot. The college kids never knew, what was going to happen. So my rating I gave it seven, Phil fondacaro, also in the puppet master films πΌ played a creepy carnival guy. Jacey says rock out.
There was a time in the early 2000s when this aired fairly regularly on some cable TV channels. It's how I first came across it, though I never saw the whole movie, and I've been curious to see it ever since. Of course, this was also before I was fully aware of what Full Moon Pictures was. Now that I've watched 'Sideshow' in its entirety for the first time - well, it's safe to say this is far from a horror must-see. On at least some level it's still possible to extract some cheeky fun, but I wish it would have tried even just a little bit harder.
Naturally the chief draw is in the visuals. The makeup, prosthetics, costume design, and effects all look pretty fantastic. Full Moon isn't exactly known for high-brow or well-financed films, yet it seems clear that of everything here, the budget was at least wisely put towards the most important aspects. Less well executed are the fates that befall the characters, and the overall concept is unremarkable - but at least on paper it's a sly little romp.
The problem is that outside of the most fantastical elements, there's a definite paucity of care applied elsewhere. The production design and art direction at large seem to have been approached with a "bare minimum" mindset, and Fred Olen Ray's direction similar feels very hands-off and unbothered. The writing that stitches together the visuals into a narrative form - the dialogue, the scenes, the overall story - is as thin and flat as ancient parchment pressed under cinder blocks; I think an amateur who has never written a screenplay before could probably match if not exceed Benjamin Carr's contribution. The cast is given very little to work with beyond apparent bland descriptions of their characters, so it's hardly surprising that the acting doesn't come off well. Nor is it surprising that the acting depicting the sideshow performers is more nuanced and meaningfully spirited than that for those portraying the hapless teens. It seems like Phil Fondacaro was at least having fun in 'Sideshow,' though from an outside perspective it's just as possible that he was simply high on one illicit substance or another during filming.
In hindsight, one is better off seeing this the way I first did: incomplete, in bits and pieces, with just enough of a glimpse at the visuals to be delighted at the possibilities. Once you actually sit to watch 'Sideshow' all pretense and mystery fall away, and so do the rose-tinted glasses. This may actually have had better results if it were a silent film, for then the visuals would have been further accentuated and the meager storytelling further deemphasized. Oh well. I guess if you stumble across this it's not the worst way to spend 75 minutes, but given that all resources and effort were seemingly expended almost exclusively on the visuals, there's scant inducement to watch this except on a passing whimsy.
Naturally the chief draw is in the visuals. The makeup, prosthetics, costume design, and effects all look pretty fantastic. Full Moon isn't exactly known for high-brow or well-financed films, yet it seems clear that of everything here, the budget was at least wisely put towards the most important aspects. Less well executed are the fates that befall the characters, and the overall concept is unremarkable - but at least on paper it's a sly little romp.
The problem is that outside of the most fantastical elements, there's a definite paucity of care applied elsewhere. The production design and art direction at large seem to have been approached with a "bare minimum" mindset, and Fred Olen Ray's direction similar feels very hands-off and unbothered. The writing that stitches together the visuals into a narrative form - the dialogue, the scenes, the overall story - is as thin and flat as ancient parchment pressed under cinder blocks; I think an amateur who has never written a screenplay before could probably match if not exceed Benjamin Carr's contribution. The cast is given very little to work with beyond apparent bland descriptions of their characters, so it's hardly surprising that the acting doesn't come off well. Nor is it surprising that the acting depicting the sideshow performers is more nuanced and meaningfully spirited than that for those portraying the hapless teens. It seems like Phil Fondacaro was at least having fun in 'Sideshow,' though from an outside perspective it's just as possible that he was simply high on one illicit substance or another during filming.
In hindsight, one is better off seeing this the way I first did: incomplete, in bits and pieces, with just enough of a glimpse at the visuals to be delighted at the possibilities. Once you actually sit to watch 'Sideshow' all pretense and mystery fall away, and so do the rose-tinted glasses. This may actually have had better results if it were a silent film, for then the visuals would have been further accentuated and the meager storytelling further deemphasized. Oh well. I guess if you stumble across this it's not the worst way to spend 75 minutes, but given that all resources and effort were seemingly expended almost exclusively on the visuals, there's scant inducement to watch this except on a passing whimsy.
Sideshow was one of the later Full Moon outings so that means it had a lot of potential to suck. It did, but it's better than most of the drivel they were putting out around this time (Ragdoll, I'm talking about you). We've got the usual 30-somethings masquerading as high school students who visit a traveling carnival and become permanent members of the freak show. The make-up isn't that bad, but some of the freaks don't make sense. I mean, Digestina? She lives in a vat of stomach acid and excretes toasters. What the hell? About the acting, let's just say it was bad and leave it at that. Phil Fondacaro is my favorite minuscule actor and he's the only one coming off as a professional. The movie ended very abruptly and just left me feeling stupid for watching it. But what else did I expect from a Fred Olen Ray movie? Oh, and I almost forgot Brinke Stevens is wasted in a bit cameo. The Videozone after the feature was very informative, however. It revealed that Fred Olen Ray was at one time a carnie. I knew it all along!!!
A group of teenagers mess with the ringleader of a freak sideshow and of course the ringleader takes it upon himself to teach the teenagers a nasty lesson.
Brinke Stevens is totally wasted in a cameo performance, the ending is terrible, and the special effects are pretty sorry, even by Fred Olen Ray's standards. Rent Jack-O or Hollywood Chainsaw Hookers instead.
Rated R for Nudity, Language, Graphic Violence, and a Mild Sexual Situation.
Brinke Stevens is totally wasted in a cameo performance, the ending is terrible, and the special effects are pretty sorry, even by Fred Olen Ray's standards. Rent Jack-O or Hollywood Chainsaw Hookers instead.
Rated R for Nudity, Language, Graphic Violence, and a Mild Sexual Situation.
While marginally better than most of director Fred Olen Ray's and executive producer Charles Band's most recent output, SIDESHOW still emerges as only a mediocre rendering of a decent concept.
Five teens (two guys and two girls on blind dates and the wheelchair-bound kid brother of one of the boys) spend the evening at a traveling carnival and end up p1ssing off dwarf Abbot Graves (Phil Fondacaro, the contemporary answer to Angelo Rossitto), who runs the "Doctor Graves Horrors of Nature" sideshow exhibit--an attraction which features such freaks as Conjoin-O (a guy with a monster in his belly), Aelita the inside-out girl, Hans the bug boy and Digestina (a woman who lives in a pool of digestive fluid) (?!) Abbot doesn't take too kindly to being pushed around by one of the kids and decides to get even with them all by turning their worst fears or insecurities into reality.
The characters aren't fully developed enough to get elicit much sympathy or interest and their eventual transformations are unfortunately rather predictable (a girl who hates being touched is turned into a doll in a glass cage, another who is insecure about her body is turned into a faceless woman with a nice body, etc.), but the film is reasonably well-made given the budget, the acting is acceptable and the make-up FX by Gabe Bartalos are pretty good. Also bit parts are played by Ray regulars Ross Hagen (as the sheriff), Brinke Stevens (fortune teller), Pete Spellos (freak with a monster in his belly) and Richard Gabai (game huckster).
Five teens (two guys and two girls on blind dates and the wheelchair-bound kid brother of one of the boys) spend the evening at a traveling carnival and end up p1ssing off dwarf Abbot Graves (Phil Fondacaro, the contemporary answer to Angelo Rossitto), who runs the "Doctor Graves Horrors of Nature" sideshow exhibit--an attraction which features such freaks as Conjoin-O (a guy with a monster in his belly), Aelita the inside-out girl, Hans the bug boy and Digestina (a woman who lives in a pool of digestive fluid) (?!) Abbot doesn't take too kindly to being pushed around by one of the kids and decides to get even with them all by turning their worst fears or insecurities into reality.
The characters aren't fully developed enough to get elicit much sympathy or interest and their eventual transformations are unfortunately rather predictable (a girl who hates being touched is turned into a doll in a glass cage, another who is insecure about her body is turned into a faceless woman with a nice body, etc.), but the film is reasonably well-made given the budget, the acting is acceptable and the make-up FX by Gabe Bartalos are pretty good. Also bit parts are played by Ray regulars Ross Hagen (as the sheriff), Brinke Stevens (fortune teller), Pete Spellos (freak with a monster in his belly) and Richard Gabai (game huckster).
Did you know
- TriviaDirector Fred Olen Ray worked as a carny while growing up in Florida.
- ConnectionsFeatured in Full Moon Fright Night: Sideshow (2002)
- How long is Sideshow?Powered by Alexa
Details
Box office
- Budget
- $120,000 (estimated)
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