Zubeidaa

Shyam Benegal continues to carve out a niche as one of the leaders & promoters of indian parallel cinema. this film is based on a true story, set in last days of British rule in India. the acting is good all around, although no fireworks here. Karisma is as good here as she was in FIZA. it is a fairly straight forward biography, and although it was nicely done, i found it rather luke-warm as compared to Benegal's other films. in any case, it is a much needed break for viewers who are tired of watching typical Indian masala potboilers.

This is by far one of the best Indian movies I have ever seen. One really gets a sense of the life in the early 1950's in India. The plot is very rich. Full of life. Full of characters, nuances. There are so many stories in the background: partition, status of Muslims in India, Indian cenima, fate of Indian principalties. The dialogue is just awesome. But, of course, the focus and center of the movie is the story of Zubedaa. Khaled Mohammed's script -- based on the life of is mother -- is simply amazing. In general, I do not like Karishma Kapoor's movies -- but she gives a phenomenol performance here, even better than her performance in Fiza. I hope she will continue do serious roles in the future. In fact, everyone in the movie is great. There are no "mistakes" in the movie. What starts out as very simple story builds up to something very powerful. There is no naive sentimentality here. This is art! High art! And no this is not one of those aesthetic pieces that are out of touch with reality. I just cannot say enough about the movie. Perfect, perfect, perfect.

Of course, this movie is only for serious viewers. If you are looking for action or laughs, look else where.

Zubeidaa was a real person. Shyam Benegal has tried to portray her story through the movie. When Indian films graduated from the silent era to the talkies, Zubeida starred in the first Indian talkie - Alam Ara. She was a divorcee who fell in love with the then maharaja of Jodhpur. They got married but Zubeida never earned the status of a queen. She always remained the 'other woman'. Zubaida married the late Maharaja of Jodhpur Hanwant Singh, a high- flier who fell for her beauty. Both the Maharaja and Zubaida were killed in an air crash near Jodhpur 48 years ago. Their son, Hukum Singh, popularly known as Tutu Bana, was murdered fifteen years ago under mysterious circumstances at Jodhpur. Well known film journalist Khalid Mohammed, Zubaida's son from her first marriage, wrote a story on her late mother. Originally, it is a love story, but for the film version, little changes have been made. Now the film - Karishma Kapoor has matured as an actress. She was known as Govinda's heroine. Now with movies like Fiza and Zubeidaa, Karishma has shown that she can act. Rekha is wonderful in her short but important role as the King's elder wife, Mandira Devi. The only flaw I found was casting of Manoj Bajpai as the king. The Rajput kings were really majestic looking - tall and fair and very cultured. Manoj Bajpai did not have that in his personality though he made for it by his acting talent. This is not a typical Shyam Benegal film. People expecting a serious thought provoking movie would be disappointed. This is Shyam Benegal's first attempt to bridge the gap between Commercial cinema and the 'art' cinema.

The movie is a love story of a journalist talking to people trying to find out all he can about a mother he never knew. He meets people and through them Zubeidaa's story unfolds. I enjoyed the movie and give it 7 out of 10.

Zubeida, is a classic film. In fact one of the best films to come out of the Hindi Film industry in recent times. All the aspects of the film, whether be it the taut and intelligent Direction (vintage Benegal ji), the music (the re-incarnation of R.D.Burman as modern age A.R. Rehman giving very popular and ever lasting amazing numbers, the haunting lyrics, the very original storyline, the entire canvass, was a cinematic treat. Of course the histrionic talents of Surekha Sikri, Amrish Puri, MAnoj Bajpai, Rajat Kapoor, Lillette Dubey amongst others combined with the deadly combination duo of my all time favourite actresses REkha and KArisma KApoor was deadly! In fact i can't thank Mr. Benegal enough for bringing these two great actresses in the same canvas and the result was there for everyone to see. KArisma, i would say, excelled is a low word, she just was as good as Smita Patil or Shabana Azmi would have been in the same role. The kind of Depth, the look, the innocence, the beauty, the charisma, the fear, the strength, the naivety, the revolt, the love - all these expressions and more that she displayed in this film were worth a NAtional Award at least if not the Oscar! Well, the Filmfare critics award made up for it. All in all a collector's item, a great always-to-be-remembered film.

Shyam Benegal is an international award winning film director who made his name in the 1970's with films, such as Anker (1974), that focus on controversial subjects involving the examination of fraught, complex social and cultural relationships. These films tend to concentrate on the lower rungs of Indian society. Zubeidaa is a refreshing update in this mode of film-making, as Benegal transfers his name-making qualities to a subject at the higher end of society.

It is the story of a young man, Riyaz, who goes on a journey to discover what has happened to his mysterious mother, absent for as long as he can remember. What he discovers is reenacted in scenes set not long after independence, as the naïve but headstrong young Zubeidaa is scandalised by her romance, and subsequent marriage to Prince Vijayendra Singh of Fatehpur, head of a grand Hindu ruling royal family. As a middle class Muslim divorcée with a child by another man, her relationship with the Prince is naturally complicated by socio-political and religious factors.

But not only does she become entangled in the politics of the royal circle around the Prince, particularly in her relationship with the Prince's first wife, Mandira Devi, she also gets caught up in the larger politics of India. The film is set during a time not long after Independence, a time of change and uncertainty for the traditional ruling class of India, which still laid claim to about a third of the country.

Though it is clear that this film is much more than royal watching, having such a subject naturally supports a lavish treatment, which Benegal ably supplies, as well as making the film's content rich in nuance and resonance, handling its mature romantic storyline gracefully, and skilfully embedding it into its larger historical context.

The characters are generally very well developed with empathy and without judgement or cliché. The acting matches this. Karisma Kapoor captures the strength and naivety of Zubeidaa with aplomb, and Rekha is authoritative and understated as the enigmatic Mandira Devi.

The only problem I have with the film is Zubeidaa's grown son, Riyaz. Riyaz is imperative to the film, since the viewer follows him on his journey of discovery. Seeing great characters through the eyes of other characters is a useful fictional device, most successfully utilised in Scott Fitzgerald's novel, The Great Gatsby. Nick Carraway's character is revealed by his journey in discovering Gatsby. However, in Zubeidaa, Riyaz stays enigmatic while discovering his mother, and even, at times, comes across as anodyne, feeling more like a biographer looking into an interesting episode in history, not a son trying to find his mother. Rajat Kapoor, playing Riyaz, does not manage to rise above his character's failings. And so, unfortunately, the film ends up feeling incomplete.