Set in nineteenth-century New Orleans, the story depicts the gens de couleur libre, or the Free People of Colour, a dazzling yet damned class caught between the world of white privilege and ... Read allSet in nineteenth-century New Orleans, the story depicts the gens de couleur libre, or the Free People of Colour, a dazzling yet damned class caught between the world of white privilege and black oppression.Set in nineteenth-century New Orleans, the story depicts the gens de couleur libre, or the Free People of Colour, a dazzling yet damned class caught between the world of white privilege and black oppression.
- Won 1 Primetime Emmy
- 3 wins & 3 nominations total
Jenny Cooper
- Aglae Dazincourt
- (as Jenny Levine)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I read Rice's novel with interest, and became quite enchanted with its characters and heartbreaking tale based on historical truths.
However, I was simply APPALLED at this disastrous adaptation. The casting was based merely on physical appearance, and not acting talent (with the obvious exception of Peter Gallagher, who was neither blond-haired, or able to act his way out of a wet paper bag). The cast's embarrassingly clumsy and inconsistent attempts at affecting a French accent was hilarious, but not in an entertaining way. I found myself wincing through this muddled and melodramatic tripe, and was surprised I made it to the end.
A warning to fans of the novel - stay away from this one.
However, I was simply APPALLED at this disastrous adaptation. The casting was based merely on physical appearance, and not acting talent (with the obvious exception of Peter Gallagher, who was neither blond-haired, or able to act his way out of a wet paper bag). The cast's embarrassingly clumsy and inconsistent attempts at affecting a French accent was hilarious, but not in an entertaining way. I found myself wincing through this muddled and melodramatic tripe, and was surprised I made it to the end.
A warning to fans of the novel - stay away from this one.
I know that originally, this film was NOT a box office hit, but in light of recent Hollywood releases (most of which have been decidedly formula-ridden, plot less, pointless, "save-the-blonde-chick-no-matter-what" drivel), Feast of All Saints, certainly in this sorry context deserves a second opinion. The film--like the book--loses anchoring in some of the historical background, but it depicts a uniquely American dilemma set against the uniquely horrific American institution of human enslavement, and some of its tragic (and funny, and touching) consequences.
And worthy of singling out is the youthful Robert Ri'chard, cast as the leading figure, Marcel, whose idealistic enthusiasm is truly universal as he sets out in the beginning of his 'coming of age,' only to be cruelly disappointed at what turns out to become his true education in the ways of the Southern plantation world of Louisiana, at the apex of the antebellum period. When I saw the previews featuring the (dreaded) blond-haired Ri'chard, I expected a buffoon, a fop, a caricature--I was pleasantly surprised.
Ossie Davis, Ruby Dee, the late Ben Vereen, Pam Grier, Victoria Rowell and even Jasmine Guy lend vivid imagery and formidable skill as actors in the backdrop tapestry of placage, voodoo, Creole "aristocracy," and Haitian revolt woven into this tale of human passion, hate, love, family, and racial perplexity in a society which is supposedly gone and yet somehow is still with us.
And worthy of singling out is the youthful Robert Ri'chard, cast as the leading figure, Marcel, whose idealistic enthusiasm is truly universal as he sets out in the beginning of his 'coming of age,' only to be cruelly disappointed at what turns out to become his true education in the ways of the Southern plantation world of Louisiana, at the apex of the antebellum period. When I saw the previews featuring the (dreaded) blond-haired Ri'chard, I expected a buffoon, a fop, a caricature--I was pleasantly surprised.
Ossie Davis, Ruby Dee, the late Ben Vereen, Pam Grier, Victoria Rowell and even Jasmine Guy lend vivid imagery and formidable skill as actors in the backdrop tapestry of placage, voodoo, Creole "aristocracy," and Haitian revolt woven into this tale of human passion, hate, love, family, and racial perplexity in a society which is supposedly gone and yet somehow is still with us.
I am normally skeptical about watching films or mini-series based on novels because the screenplay is always different from the novel. Fortunately, I was wrong! The screenplay was very close to the novel (I guess it helps that the author was an executive producer and writer, huh?)
The cast is outstanding. I can't describe how much I enjoyed seeing such a wide range of actors (from Ossie Davis and Ruby Dee to Robert Ri'chard and Bianca Lawson).
The location setting... I was expecting to see the homes and cottages I imagined in my mind: what I saw on screen was slightly different. However, it wasn't enough to make me dislike the mini-series.
I recommend this for anyone who has read the novel: you will not be disappointed if you have. 8 out of 10 stars!
The cast is outstanding. I can't describe how much I enjoyed seeing such a wide range of actors (from Ossie Davis and Ruby Dee to Robert Ri'chard and Bianca Lawson).
The location setting... I was expecting to see the homes and cottages I imagined in my mind: what I saw on screen was slightly different. However, it wasn't enough to make me dislike the mini-series.
I recommend this for anyone who has read the novel: you will not be disappointed if you have. 8 out of 10 stars!
10yvp123
This movie was a fascinating look at creole culture and society that few African Americans are aware. My own two children are by products of a paternal grandmother whose father was a member of the gens de couleur libre and a black skin woman whose parents were ex-slaves. He married outside of and against his culture and was cut off from all of his family except for one sister who took pity on her brothers plight; raising 8 children during the great depression of 1929; providing the family with food whenever she could. Of course she clandestinely aided this family fearing for her own ex-communication. My daughter was fascinated by the movie. We have made it a part of our library.
My family goes back to New Orleans late 1600's early 1700's and in watching the movie I knew it was a history my grand-parents never talked about, but we knew it existed. I have cousins obviously black aka African Americans and others who can "pass" as white and chose not to. It's a hard history to watch when you realize that it's your family they're talking about and that Cane River is all a part of that history. It makes me want to cry and it makes me want to kick the 'arse' of my great grandfathers who owned those plantations and wonder in awe of how my great grandmothers of African heritage lived under that oppressive and yet aristocratic existence...And at the same time had I not come out of that history, I probably wouldn't be the successful business woman I am today living successfully in a fairly integrated world. The acting was both excellent and fair depending upon the actor, but it is a movie that NEEDED to be made. Anne Rice is incredible and I ask myself, why is she 'symbolically' writing about my family and I'm not. I recommend this movie to everyone. Leza
Did you know
- GoofsIn the book, Marcel has blue eyes.
Details
- Release date
- Countries of origin
- Language
- Also known as
- Anne Rice's The Feast of All Saints
- Filming locations
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content