Perfect Strangers
- TV Mini Series
- 2001
- 3h 58m
Attending a distant family reunion reveals more than was expected.Attending a distant family reunion reveals more than was expected.Attending a distant family reunion reveals more than was expected.
- Won 1 BAFTA Award
- 5 wins & 9 nominations total
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I never cease to be amazed at what one finds in the local library in a small town in Florida. During a wet few days, due to a stalled hurricane, I borrowed a DVD with Timothy Spall's name on the box expecting it to be a two hour movie. Was I ever surprised! This was one of the most riveting stories I have ever seen, and I watched the entire saga in one sitting.
As the extended family gathered for a all-expenses paid reunion at a London hotel, the characters meet other relatives whom they had either not known about or had little contact with. The family had once been wealthy and successful, but as subsequent generations branched off, some had fallen on hard times. They begin to discover their similarities. Michael Gambon was superb as the black sheep son who had lost the business his father had built up when he ventured out on his own. When he has to stay at his cousin Ernest's London flat to recuperate after a collapse, he finds that his cousin shares his taste in British war movies starring Jack Hawkins.
Matthew McFaddeyn played the son who had no idea that he was related to a wealthy family. Upon meeting them he is taken with the kind of wealthy upper middle class life he could have had.
Timothy Spall played the more than slightly disreputable cousin into various questionable ventures with the oily charm of a junk car dealer from the wrong side of town. He sees the reunion as a business networking opportunity.
The three eccentric old aunts played by veteran British actresses of the 40's and 50's, at least one of whom starred in a Jack Hawkins film. Anton Lesser was the historian who uncovered many of the family secrets and lies which affect future generations and some of which are a repeated trait.
The performances are brilliant. My only reason for not rating this film a 10 is that the back stories somehow seem to interrupt the flow of the present day story. I realize that the stories of the past are essential to the narrative, yet they seemed out of place.
I will definitely be viewing this for a second time.
As the extended family gathered for a all-expenses paid reunion at a London hotel, the characters meet other relatives whom they had either not known about or had little contact with. The family had once been wealthy and successful, but as subsequent generations branched off, some had fallen on hard times. They begin to discover their similarities. Michael Gambon was superb as the black sheep son who had lost the business his father had built up when he ventured out on his own. When he has to stay at his cousin Ernest's London flat to recuperate after a collapse, he finds that his cousin shares his taste in British war movies starring Jack Hawkins.
Matthew McFaddeyn played the son who had no idea that he was related to a wealthy family. Upon meeting them he is taken with the kind of wealthy upper middle class life he could have had.
Timothy Spall played the more than slightly disreputable cousin into various questionable ventures with the oily charm of a junk car dealer from the wrong side of town. He sees the reunion as a business networking opportunity.
The three eccentric old aunts played by veteran British actresses of the 40's and 50's, at least one of whom starred in a Jack Hawkins film. Anton Lesser was the historian who uncovered many of the family secrets and lies which affect future generations and some of which are a repeated trait.
The performances are brilliant. My only reason for not rating this film a 10 is that the back stories somehow seem to interrupt the flow of the present day story. I realize that the stories of the past are essential to the narrative, yet they seemed out of place.
I will definitely be viewing this for a second time.
Perfect Strangers was first aired in May 2001. I was in the midst of my final year degree exams. The first part was shown the night before one of my exams and I recorded it to watch another time so that I could do revision. About 20 minutes into the programme, I took a break from revision and decided to watch the programme for a short time. Perfect Strangers was so captivating that I didn't return to my revision until the programme finished!
Perfect Strangers has a wonderful music score by Adrian Johnston. I was thrilled to find that the following year, a CD of the score had been released. (It includes Adrian Johnston's score from Shooting The Past, an earlier drama also by Stephen Poliakoff and starring Lindsay Duncan and Timothy Spall.)
So, are you ready to meet the family?
Perfect Strangers has a wonderful music score by Adrian Johnston. I was thrilled to find that the following year, a CD of the score had been released. (It includes Adrian Johnston's score from Shooting The Past, an earlier drama also by Stephen Poliakoff and starring Lindsay Duncan and Timothy Spall.)
So, are you ready to meet the family?
This is one of the best TV productions of the last ten years. It is being screened on BBC4 as part of the Poliakoff season, and it's a complete delight to see again. The whole cast is terrific. I could watch Gambon just standing in a bus queue.
Poliakoff himself says - a little diffidently - that he wants to make television that people remember. I expect most directors do, but few succeed. I have remembered stills, scenes, even expressions from this drama after five years. Watching it again was like looking through a photo album. It was 'familiar' in more ways than one.
(I've finally worked out that Jason Klamm's perplexing comment on this board is based on the presumption that Stephen Poliakoff's original drama is following on from some late 80's US comedy series. I promise you, the two productions have NO connection apart from the title... not even fifth cousins.)
Poliakoff himself says - a little diffidently - that he wants to make television that people remember. I expect most directors do, but few succeed. I have remembered stills, scenes, even expressions from this drama after five years. Watching it again was like looking through a photo album. It was 'familiar' in more ways than one.
(I've finally worked out that Jason Klamm's perplexing comment on this board is based on the presumption that Stephen Poliakoff's original drama is following on from some late 80's US comedy series. I promise you, the two productions have NO connection apart from the title... not even fifth cousins.)
Mild-mannered surveyor (a valuer, as we call them down here) Daniel (Matthew MacFadyen), an obscure member of the prominent and wealthy Symons family is invited, with his parents to a family reunion at Claridge's Hotel. The family, many of whom he has not met before are indeed a rich and varied bunch, and Stephen (Anton Lesser), a genealogist member, has collected all sorts of surprising information. Daniel also meets cousins Rebecca and Charles (Claire Skinner and Toby Stephens), and their elegant aunt Alice (Lindsay Duncan), who seem to hold the key to part of Daniel's own past. Daniel develops a rather un-family like attraction to Claire, which is a little awkward as she seems rather close to her brother, Charles.
Needless to say, a family like this has plenty of skeletons, but there are also some vaguely uplifting stories, like that of the sisters from Birmingham who by a fluke avoided a German bomb on their house and then lived for months during the war in the country by themselves. Then there is the photo, found by Stephen, which so intrigues Raymond (Michael Gambon), Daniel's father, of his father, a bitter stern man, dancing by himself in an ornamental garden. And who is the third child in the childhood photos of Rebecca and Charles?
All is explained, though the pace slows down a bit towards the end – in fact I felt I'd walked the long and damp distance between the mansion and the marquee too many times. Stephen Poliakoff has created an interesting set of minor characters also, such as wheeler-dealer Irving (Timothy Spall), Poppy the event organiser at the end of her tether (Kelly Hunter) and even Ernest the nonentity patriarch (Peter Howell). The whole thing for most of its 300 minutes has a festive feel to it – a celebration of belonging, for better or worse, to the human family. This family is a little over the top - it would not be surprising to discover they had issued their own visa card - but there's a lot of fun in finding out their secrets.
Needless to say, a family like this has plenty of skeletons, but there are also some vaguely uplifting stories, like that of the sisters from Birmingham who by a fluke avoided a German bomb on their house and then lived for months during the war in the country by themselves. Then there is the photo, found by Stephen, which so intrigues Raymond (Michael Gambon), Daniel's father, of his father, a bitter stern man, dancing by himself in an ornamental garden. And who is the third child in the childhood photos of Rebecca and Charles?
All is explained, though the pace slows down a bit towards the end – in fact I felt I'd walked the long and damp distance between the mansion and the marquee too many times. Stephen Poliakoff has created an interesting set of minor characters also, such as wheeler-dealer Irving (Timothy Spall), Poppy the event organiser at the end of her tether (Kelly Hunter) and even Ernest the nonentity patriarch (Peter Howell). The whole thing for most of its 300 minutes has a festive feel to it – a celebration of belonging, for better or worse, to the human family. This family is a little over the top - it would not be surprising to discover they had issued their own visa card - but there's a lot of fun in finding out their secrets.
I am approaching 40, and have a family of my own. I also recall memories from my childhood; family celebrations; weddings; christenings.
One recalls all those people that seemed immortal. One's parents,captured in photographs; cousins whom one has not seen for years. Then in middle age, you meet people to whom you are related. but have not seen for years. You see pictures of those that are no longer with you.
Perfect Strangers is a sublime drama, one which evokes much of the above and so much more. The central performances are touching and evocative. Matthew Mcfadyen is totally convincing as Daniel, and he is well supported by Michael Gambon, Lindsay Duncan, Claire Skinner and Toby Stephens.
Stephen Poliakoff creates a memorable drama, more remarkable in an age of instant TV, reality TV and vapid game shows. Lose yourself in the characters, and the charming, touching story. I dare you not to shed a tear, not to be drawn into the images, the music....in an all to shallow world, this reminds us of what drama can do. Enchanting.
One recalls all those people that seemed immortal. One's parents,captured in photographs; cousins whom one has not seen for years. Then in middle age, you meet people to whom you are related. but have not seen for years. You see pictures of those that are no longer with you.
Perfect Strangers is a sublime drama, one which evokes much of the above and so much more. The central performances are touching and evocative. Matthew Mcfadyen is totally convincing as Daniel, and he is well supported by Michael Gambon, Lindsay Duncan, Claire Skinner and Toby Stephens.
Stephen Poliakoff creates a memorable drama, more remarkable in an age of instant TV, reality TV and vapid game shows. Lose yourself in the characters, and the charming, touching story. I dare you not to shed a tear, not to be drawn into the images, the music....in an all to shallow world, this reminds us of what drama can do. Enchanting.
Did you know
- TriviaJ.J. Feild filmed his key role as Richard in five days.
- ConnectionsFeatured in Remembers...: Stephen Poliakoff Remembers... Perfect Strangers (2025)
- How many seasons does Perfect Strangers have?Powered by Alexa
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- Almost Strangers
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