Pretty When You Cry

I was enthralled by the female actress who played the lead, I agree she looked like she had a few miles on her, but she did also have a smoldering beauty that begs one to study that face and wonder what had gone so awry in her life. I thought the film did an adequate job of depicting the painful events that forged that face. I liked the film enough to watch it again, as I was channel surfing when I stumbled across it, and didn't give it the attention it deserved. When I finished watching the film I looked forward to the credits as I wondered who the actress was. I wonder if she is a sibling of Shannon Elizabeth? If so, it would be interesting to meet their parents. Both are striking women, and I disagree with the previous reviewer's "crack whore" characterization. Too many Kirsten Dunst pudding faced blonds polluting the big screen already, an edgy brunette was welcome to this viewer!

Schlemiel falls in love with screwed-up junkie slut and gets involved with murder. The story unfolds in flashback. If you can't figure out what part Sam Elliott's character has in all this, you must have gotten an F in Plotting 102. A (very) little bit of NYPD BLUE type nudity for those who care, but this is no erotic thriller by any stretch.

Script is awful (writer is also producer -- it always pays to bring the ball), but performances would probably be OK in a high school play with a lot of bondage sex, cursing, sexual violence, and drug use. (The 12-stringer doesn't object to any of those except when they're handled as poorly as they are here.) Femme lead Carlton Elizabeth looks like a model and tries hard with what there is. It's not her fault that she's styled and shot throughout as if she's badly in need of a) a bath, b) a meal, and c) an implant reset.

Grimy, shot-in-the-dark film may look better on big screen, but I've only seen it on HBO in tv ratio and was reaching for a flashlight by the second reel. Aggressively unappealing characters and who-cares plot torpedo this one quickly. Not likely to be on anyone's resumé this time next year, but a sure bet to run on HBO as often as they carry SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE.

On a scale of 1-10, 1 from the 12-stringer, but I still think there should be a 0 category.

It must have been fairly good since I didn't seem to want to stop watching it, but it's nothing to write home about either. I can say I was surprised by some of the twists and I was never exactly sure of what was going on, but then again, I'm not sure if that was because of the intelligence of the script or because of its abnormality. Still, it deserves a 6 out of 10 for cinematography and a great sound track.

-m0

Looking over the credits for this movie, it is unsurprising to find that the director has impressive credentials... as a cinematographer. The film is well composed visually. Other than that, this movie fails on so many levels, not the least of which is the horrible, horrible script. "Shocking" plot twists for the sake of shocking twists kill any suspense this film has. The pacing is horrible. After about an hour of the film, you think it is about to end, after another ten minutes, you are PRAYING for it to end. Gratuituos sex and violence are all this film has going for it. Why Sam Elliot agreed to do a movie as tragically terrible as this travesty of filmmaking is anyone's guess? If I was presented with a choice of watching this film again and getting ebola... I'd watch this movie, but it would be a tough choice.

"Pretty When You Cry" is a klunker from beginning to end. Shot as a dark and brooding drama, this B-flick tells it's story of sex, drugs, and murder through a series of annoying flashbacks. Character development is nonexistent, the story weak and uninteresting, and the acting very ordinary. Cinematography is okay but can't save this very mediocre flick which is like a bowl of wax fruit: Looks good but you wouldn't want to eat it. A waste of time.