As a brick of coke is gradually pushed out of a smelter into a yard, one worker sprays it with water from a hose while two workers with long metal rakes wait to spread it out. Other workers ... Read allAs a brick of coke is gradually pushed out of a smelter into a yard, one worker sprays it with water from a hose while two workers with long metal rakes wait to spread it out. Other workers buzz in and out of the foreground of the camera.As a brick of coke is gradually pushed out of a smelter into a yard, one worker sprays it with water from a hose while two workers with long metal rakes wait to spread it out. Other workers buzz in and out of the foreground of the camera.
- Director
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'Carmaux, Défournage du Coke' is another early single shot created by Lumière. It shows, as we learn from the title of course, a large block of coke drawn out of a mine or something like that. One worker seems to cool the hot coke with some water from a hose while others tear the block to spread the separated pieces.
Like all these early little films it is interesting to watch. They are too short to become boring and realizing that you are watching an event that happened over hundred years ago makes it interesting anyway. With this one it is also fun to spot other little things that happen on-screen.
Like all these early little films it is interesting to watch. They are too short to become boring and realizing that you are watching an event that happened over hundred years ago makes it interesting anyway. With this one it is also fun to spot other little things that happen on-screen.
Worthwhile as one of numerous examples of the good photography in most of the early Lumière movies, this short feature also provides a look at a rather interesting scene. As brief as the footage is, it provides quite a good view of what is going on.
The composition is very good, and almost perfect. The vantage point is well-chosen so as to allow an angle that allows the viewer a clear, complete look at the block of coke as it comes out of the smelter. The picture also captures many other details. You can see what everyone on the ground is doing as the coke comes out, and more than that, it catches the activity on top of the furnace as well, with carts being taken back-and-forth. The very top of this part of the scene is just cut off, but otherwise, it's quite a fine job of setting up the camera field.
The process itself may not seem all that exciting, but it's rather interesting when you realize what they are doing (as other commentators have explained). This short feature provides a sharp visual image of the process, and it works well.
The composition is very good, and almost perfect. The vantage point is well-chosen so as to allow an angle that allows the viewer a clear, complete look at the block of coke as it comes out of the smelter. The picture also captures many other details. You can see what everyone on the ground is doing as the coke comes out, and more than that, it catches the activity on top of the furnace as well, with carts being taken back-and-forth. The very top of this part of the scene is just cut off, but otherwise, it's quite a fine job of setting up the camera field.
The process itself may not seem all that exciting, but it's rather interesting when you realize what they are doing (as other commentators have explained). This short feature provides a sharp visual image of the process, and it works well.
In the twenty-first century, 'coke' has a number of meanings and most have been the subject of films. I had to go to Webster's Dictionary to find out that the coke filmed in this movie is the product of coal that is "heated in ovens to remove gasses thus transforming it into coke which burns with intense heat and little smoke and is used as an industrial fuel". Carmeiux is close to Lyon, so Lumiere did not have to go far to document this process.
This approximately 35-second long Lumiere Brothers short (Lumiere No. 122) shows a handful of workers attending to a block of coke (a processed form of bituminous coal designed to produce fewer sulfur and other fumes when burned, making it ideal for uses such as stoves and furnaces) as it emerges from an oven at the open coal mine in Carmaux, France, a town near the Tarn River in the south of the country.
While this Lumiere Brothers actuality surely has less staging than most of their other documentary shorts, it is also far less interesting aesthetically. The primary attraction here is historical. We get to witness a historical coal mining process, which appears surprisingly "messy", first-hand, at an important, historical French mine. It's interesting to note that carts full of coal are being walked across the top of the oven while it's surely still hot (the coke is just emerging and is steaming). Bituminous coal must be burned at a very high temperature to produce coke.
One aspect that captivated me for its mystery was just how the coke is moved through the furnace door to the waiting workers. Also note how even though the workers have long, forked "poles" to help break up the block of coke, they approach it very cautiously and try to quickly move away. There must have been a chance that pieces from the crumbling block would ricochet off the ground back towards the workers; maybe there was also a tendency for some "shattering" from the drastic, sudden change in temperature. No one ever said that coal mining was easy.
While this Lumiere Brothers actuality surely has less staging than most of their other documentary shorts, it is also far less interesting aesthetically. The primary attraction here is historical. We get to witness a historical coal mining process, which appears surprisingly "messy", first-hand, at an important, historical French mine. It's interesting to note that carts full of coal are being walked across the top of the oven while it's surely still hot (the coke is just emerging and is steaming). Bituminous coal must be burned at a very high temperature to produce coke.
One aspect that captivated me for its mystery was just how the coke is moved through the furnace door to the waiting workers. Also note how even though the workers have long, forked "poles" to help break up the block of coke, they approach it very cautiously and try to quickly move away. There must have been a chance that pieces from the crumbling block would ricochet off the ground back towards the workers; maybe there was also a tendency for some "shattering" from the drastic, sudden change in temperature. No one ever said that coal mining was easy.
This short Lumiere actuality film features a block of coke (some kind of coal) being drawn out of an oven. Workers approach. Some are hosing the block to cool it, and others use long tools to tear the block apart. The subject of this film is lots more interesting than other times and it is pretty interesting watching. Once more it is a moment in time, which makes it worth seeing for anyone. The film can be found in the DVD set called "The Movies Begin: A Treasury of Early Cinema" by Kino.
Did you know
- ConnectionsEdited into The Lumière Brothers' First Films (1996)
Details
- Release date
- Country of origin
- Language
- Also known as
- Carmaux: Drawing Out the Coke
- Production company
- See more company credits at IMDbPro
- Runtime
- 1m
- Color
- Sound mix
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