The Beaver Trilogy

I became interested in Trent Harris' work because of my interest in Crispin Glover, so I managed to get ahold of a copy of The Beaver Trilogy thinking that even if the film itself wasn't any good, at least it would have Crispin dressed as Olivia Newton-John.

And I was happy to find that the film as a whole was so awesome and stands on its own. Though I can see where some people with small attention spans and/or a complete lack of taste might have a problem sitting through its more quiet moments at the beginning, I find that the mark of a person with respectable taste can be found in their capacity to enjoy Trent Harris films.

This collection also makes a wonderful companion film to Rubin and Ed. Trent Harris is a great filmmaker who is completely underappreciated. I love The Beaver Trilogy.

This movie is amazing for several reasons. Harris takes an extremely awkward documentary and turns it into a relevant social commentary. Groovin' Gary is a small-town kid who is (assumed) well-liked for his many impersonations. When he decides to play Olivia Newton John in a local talent show (for whom he is very passionate), Gary's actions show that he is at odds with the conservative social environment in which he lives. This results in him making various justifications for his actions so that people will not think that he is in fact a transvestite or other such social outcast. In the second installment, Harris exploites the struggle between Gary and Beaver in a novice attempt to make a narrative out of the original documentary. The third and final installment to the trilogy is truly amazing for Harris' extreme sensitivity with the subject. Unlike the second installment, "The Orkly Kid" shows Gary as a truly troubled character. He struggles to gain acceptance within his own community to no avail. His secret passion for dressing like Olivia Newton John distances him even further from the people that already consider him a social outcast. The movie is depicted so realistically that, like reality, it lends itself to many reactions. Surely, one can see Gary as a ridiculously pathetic character, but may also identify with him as an outcast.

If you are a Crispin Glover fan, you must see this. If you are a Sean Penn fan, you must see this. If you are a movie fan in general, you must see this. If you have no idea who Crispin Glover is and you have no idea who Sean Penn is, this film will probably still have a lot of value, but the more work you've previously seen by Crispin or Sean, the better.

This movie is so funny, but it is also pure genius. There is nothing that I know of that resembles this film. It is its own genre. I doubt that anything like it will ever be made again. I cannot say anything more about exactly why without partially spoiling it, and some of the other reviews here have already done a good job at doing that.

In response to any of the reviewers here that gave it a bad review, I ask that you view the film again. In reality, there is no point at which this film could fairly be called "boring." This is possibly the funniest, most entertaining, and least boring film ever made. And it only gets better with age and repeated viewings. A timeless classic that, unfortunately, very few will be able to claim to have seen.

Beaver Trilogy is the brilliant work of director Trent Harris, also responsible for the amazing Rubin and Ed, which Crispin Glover also stars in.

Unfortunately, copies of this film are rare and hard to find. I managed to find a VHS version after some diligent searching though, and there are a couple of ways to find it that I know of. But I really wish someone would put this onto a DVD.

This is how i felt while watching this film. I loved it. It was hilarious. But i did feel a like i was getting sneaky view into somebody's psyche and then laughing as it got twisted around to make an interesting point. A friend put it this way:

"I feel like we broke into somebody's house and are now watching their awful home videos without their knowledge".

Another one of those fact is stranger than fiction pieces of film. "Groovin' Gary", the original "Beaver Kid", is a small town guy who turns up at a nearby TV station in the hope of getting on film - and he certainly does, though not, perhaps, as he initially expected. With high hopes of fame and significance he invites Harris to come and film a truly awful talent quest that he has organised in his home town - headlined by his own drag act "Olivia Newton-Don".

Director, Trent Harris, does a brilliant job with this slowly evolving story. Some footage of an awkward kid who wants to be someone morphs, over two subsequent reinterpretations, into the story of freedom from repressed sexual identity in small town America. Harris simultaneously critiques the attitudes of small town America, the cult of celebrity, and the exploitative practices of the film and television industry.

Both Sean Penn and Grispin Glover pull out stunner performances. a young Sean Penn is the most evocative - so closely does he follow the actual 'Gary footage', but with strong nuances given to push the sense of the interaction the way Harris wants it to go.

In the end the wide-eyed naivety the original Gary is what moved me - when contrasted against these possible interpretations of his situation.

A film not to miss. I have not seen anything else like it.

Jacob.

Three words can best describe this collection of 3 short films- one documentary and two dramatic re-enactments- by Trent Harris, of Rubin and Ed fame: SHEER F**KING BRILLIANCE!!! OK so here's the story...

The first film "The Beaver Kid" (1979) kind of fell into the lap of Channel 2 news cameraman and future filmmaker Trent Harris- you just can't write sh*t like this!! One day while doing a camera test in the Channel 2 parking lot in Beaver, Utah, Harris came across a man who was outside the station shooting photos. When the man, who would turn out to be our protagonist Larry Huff, noticed he was being filmed, he approached Harris and told him that he does impersonations. Harris humoured the man, and got him to do a John Wayne impression for the camera. The tape ended up becoming tangled in the camera, and they had to cut the interview short, but before leaving Harris asked Larry whether there were any other exciting stories in Beaver...and if he knew of any ...to get back to him.

It turns out (as revealed in the subsequent two dramatic re-enactments of the two men's relationship) that Larry had gone to the station that day to try and get on TV; on some expose on locals. Larry was turned down, but fate was in his favour that day and he would achieve the mediated immortality that he so gravely sought- as a result of his happenstance meeting with Harris.

A few months later Harris received a letter from Larry asking him to cover the Beaver talent show- with the headliner being him impersonating Olivia Newton John (with who he is absolutely obsessed). Knowing comedic brilliance when he sees/hears it, Harris quickly agrees and heads back to Beaver to meet Larry.

Harris and his soundman meet up with Larry the day of the talent show as he is getting his make-up done....by the local mortician (the best/only aesthetician in town). As he is getting made up Larry reflects on his adoration for Olivia and discusses what he hopes to achieve with his performance. What he wants most isn't really clear- to become famous...or to become Olivia...

Next we are shown the coverage of the talent show, from which it is revealed how talentless the town of Beaver really is. The act culminates with Huff's rendition of an Olivia Newton John ballad in full dragged out garb. Truly the most embarrassing performance I have personally ever witnessed (except for Crispin Glover's re-enactment in the third film- "The Orkly Kid"). The first film ends here with a final performance by Larry (no-longer in Olivia form) and his band.

The second film, "The Beaver Kid 2" (1981), is a low-budget dramatic re-enactment of the story behind the filming of the original documentary, shot in black and white and starring Sean Penn as "Groovin' Larry". In this film we are provided with a little bit of a back story (which has been incorporated into the above paragraphs) as well as a bit of follow-up information. I don't want to give away TOO much, because it's just way too f**king funny. But I will say this...it is roles like this that have made Penn the infamous actor that he is today!

And Harris wasn't finished yet... Still obsessed by his experience with Huff, he decided to re-make the re-enactment, but this time with a little bigger budget, better equipment, and a young Crispin Glover cast as Larry. This third film is called "The Orkly Kid" (1985) and is a little closer to how the actual events and dialogue are portrayed in the first film, but again with the back and follow up elements of the story included.

The performances by both Penn and Glover in the latter two films are nothing short of hilarious....but Glover's performance as Larry as Olivia Newton John in the talent show is so atrocious that it nearly had me pissing my pants!

You may not be able to write brilliance like this...but you sure as hell can adapt it, as Harris proves!! Sure it's cheese, but who said cheese couldn't be artistic gold. This is a must see....especially if you are die hard Penn or Glover fans.

9 out 10. For both the concept and execution on a budget.