Pootie Tang

Thing I never understood is that these sort of simplistic and silly comedies often get slammed, while movies from the early days of the genre (the Jim Abrahams and Leslie Nielsen type of comedies) are being loved and considered to be classics, even though the humor and comedy of the movies is just the same. For me it's very simple; when a comedy amuses me and makes me laugh I consider it to be a good and effective one, no matter how bad and silly the movie got done.

It's just the sort of movie in which things simply just happen, without often share a clear connection with each other and without featuring a real solid or clear main-story. It's really simplistic, especially story-wise but lots of its moments are simply funny and therefor this movie does work out as a comedy.

I really won't pretend like "Pootie Tang" is the greatest thing ever. It's often just too simplistic for that and it's story and acting is definitely too much lacking. but there is no denying that this movie simply serves its purpose and I definitely can say that this is a movie that genuinely made me laugh because of how silly and crazy it at times got. Still, at the same time it's also true that the movie doesn't quite live up to its full potential. I mean, the movie never really lives up to its great and promising beginning. But luckily the movie is too short to start to further decline, below the level of average.

Still the funniest Chris Rock comedy I've seen in years.

6/10

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This movie is so unique, it may be as difficult for some to understand as it is to figure out Pootie's language. I was captivated from the first scene right up to the end. Kudos to Lance Crouther for his truly inspired performance as the hero. His physical comedy while combatting his foes or even just interacting with everyone else was brilliant and quirky. You really find yourself focusing on him in every scene, just to see what he was going to do next. There is also the ensemble of actors that inhabit Pootie's world, all of whom did a great job. I often read critics making comparisons between the modern charactor actors and how they pale before those of the distant past - razzz - wrong! These people hammed it up with style and flair. "I'm Dirty Dee, dammit!"

Sah da tay, my brothers.

Pootie Tang actually can be looked at as a parable, an allegory of a messianic figure. How's that for making a purse out of a sow's ear? Consider: A powerful figure roaming around doing good deeds, speaking in a puzzling language that only believers understand, attended to by his apostles, befriending prostitutes. Suffering from inner demons he retreats to the wilderness (the farm) and experiences an epiphany through the physical manifestation of his creators, going back and finally confronting and conquering the demons. (Dirty D = Dirty Devil)Along the way he even awakens the dead (the knife wielder at the club), banishes a horde of false prophets (all the fake Pooties), and can bring people to rapture through sheer silence alone. Whew. Heady stuff. Sa Da Tay!

It's criminal, how underrated this movie is. It's inspired on so many levels, and the encyclopedic knowledge of action films, hip-hop videos, 70s blaxploitation and chop-socky movies is breathtaking. I always think of it in the same class as THE JERK and ZOOLANDER, with a healthy respect for flat-out absurdity and non-stop gags. The filming style is rough, and the actors generally have no polish (an undoubtedly deliberate choice), which makes the sudden flashes of precision so devastatingly funny. Wanda Sykes, in particular, is absolute gold as party girl Biggie Shorty, but the film's full of co-stars - Andy Richter, Dave Attell, Jennifer Coolidge, J.D. Williams, Missy Elliott, and Robert Vaughan - who get their turn on the silliness carousel. I can imagine someone who isn't a fan, or at least an observer, of the above things would hate this movie like poison, but for me, who has seen more Jay-Z videos than I ever wanted to see and who can't help laughing when I see a man use kung-fu to bounce bullets off his hair (a gag too complicated to explain, but seamless on screen), POOTIE TANG is fantastic.

I'd recommend it more, but it's just too hard to describe!

For those of you put off by the comments below, of which a large percentage are rather negative, well don't go see it. If some of teh good revies below don't make you want to see it either, don't go see it. I'm not surprised Pootie Tang isn't a big hit, but don't expect it to fall off the face of the earth. It probably will, for about ten years, but then it'll be back.

My rationale behind this is that this movie is shades, more than just shades, it's practically a sequel, of the ridiculous Rudy Ray Moore movies of the seventies, including Dolemite and Disco Godfather. In the former, Moore played Dolemite, a successful standup comic (Created in his own standup act) who is also a pimp and crimefighter in his spare time. Pootie Tang is a character created by Louis C.K. with actor Lance Crother, who is a successful hip hop artist, who is also a ladies man and a crimefighter in his spare time. See what I'm talking about?

There are more similarities. Each film is low budget, and often quite amateurish. Both films are made by people who obviously don't have all the mechanics of filmmaking down (Dolemite's boom mike pops into shots so much it might as well have gotten a supporting cast credit, Pootie Tang features possibly THE WORST narration in the history of film). Both also have quite a bit of social satire, plus additional humor derived from the sheer stupidity of the filmmaking.

Pootie Tang is, in itself, a bad idea for a movie. Who wants to watch 80 minutes of a character who speaks in gibberish? It's a joke that's funny for 3 minutes on the Chris Rock Show, but grows very old after an hour and a half (The audience I was with was hysterical...for ten minutes. Eventually half walked out). There are some jokes that work (I liked Pootie's new hit single, and also the tense climactic standoff between Pootie and Dirty) but a lot of other material doesn't (Cameos by Andy Ricter and David Cross are totally wasted). Plus the movie doesn't know if it's a movie, a movie clip, a friend retelling something, or what. It has a bad sense of pacing and flow (Using little Batman-esque cut scenes to break stuff up) and at least a dozen head-scratch-inducing moments.

For all of these reasons, the movie will be back. Mark my words. People a decade from now will watch this movie and laugh at its lame bits, and also the smart ones. For the average viewer, it's not worth seeing. For the devoted follower of movies that are bizarre, inexplicable, and just plain silly, it might be the best out-there movie of the year.