A mother daughter reunion set in the harsh reality of a women's correctional facilityA mother daughter reunion set in the harsh reality of a women's correctional facilityA mother daughter reunion set in the harsh reality of a women's correctional facility
- Director
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- Stars
- Awards
- 9 wins & 9 nominations total
Almayvonne
- Scar
- (as AlmaYvonne Dixon)
- Director
- Writers
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- Production, box office & more at IMDbPro
Featured reviews
There are quite a few things wrong with this film. Let's see:
We don't like any character too much. The main character's quiet, yet aggressive, manner hinders the character development. The duality of love among prison "families" and prison violence is not totally believable. At times, the movie actually seems slow moving.
This movie is very similar to some other prison movie in every aspect except the ending.
I sure didn't expect the ending yet now it makes perfect sense. All by itself the ending makes the movie worth watching.
We don't like any character too much. The main character's quiet, yet aggressive, manner hinders the character development. The duality of love among prison "families" and prison violence is not totally believable. At times, the movie actually seems slow moving.
This movie is very similar to some other prison movie in every aspect except the ending.
I sure didn't expect the ending yet now it makes perfect sense. All by itself the ending makes the movie worth watching.
What would probably be referred to as a "gritty slice of life drama" on the movie box (I saw it on TV) is interesting insofar as it presents another perspective -- it's the female equivalent of the "Oz" TV show (produced by HBO films), without the smarmy sexuality (the women are appropriately mannish, but the film doesn't feel the need to make their sex aggressive and off-putting). There are a few brief moments of tenderness between the women, but it's mostly the same thing you get with the majority of prison life movies -- fights, friendships, back-stabbings, immoral guards -- just with female machismo. It sets up the inner life of the prison, these people who inhabit it, but it doesn't show us human beings in prison (despite the old-timers' advice in group therapy sessions), it shows us prisoners. I liked the ending, so it gets an extra point for that, simply as a story; but if you're looking for "cinema," look elsewhere. 7/10
Well, sometimes life itself doesn't make perfect sense. This movie was so awesome. Heart touching. I was on the edge of my seat the whole time. The love scenes were like, so in tune.
They weren't explicit, they used just enough for the imagination. But the ending, my heart almost skipped a beat. I guessed a lot of what was going to happen but never in a million years, did I expect all of that. You are in for a real treat. I felt the pain. Boy did I. That's all I am going to say for I will probably let it blurt out the ending if I don't stop now. Please watch. I watched with my mother. Mother and Daughter. And it was very heart touching.
They weren't explicit, they used just enough for the imagination. But the ending, my heart almost skipped a beat. I guessed a lot of what was going to happen but never in a million years, did I expect all of that. You are in for a real treat. I felt the pain. Boy did I. That's all I am going to say for I will probably let it blurt out the ending if I don't stop now. Please watch. I watched with my mother. Mother and Daughter. And it was very heart touching.
Unlike the one user who thinks the movie is about lesbianism (and obviously immoral to their Christian sensibilities), it's actually about humanity, family legacies and the consequences of personal choices. It stopped me in my channel changing tracks and brought to a few tears by the end of it. That's a good flick. Excellent acting, real dialogue for the most part, and effective music and slo-mo. If you catch it on TV, stay for the treat.
The director of this film was my professor for a beginning film class at Temple University this past semester. She is a very intelligent and funny woman, and at the end of the semester, we watched this film. Grades are in already, so don't think I'm posting this to brownnose, but I really enjoyed seeing Ms. Dunye's film.
The "women-in-prison" plot is not an area covered very often in film, and when it is touched on, there are too many stereotypes to keep count of. Although there is some predictability in this film, the subject matter and themes were looked at from a very fresh angle. Ms. Dunye often talked to our class about incorporating reality and fiction together so that the two would blend and the line separating them would be blurry. This is exactly what she's accomplished in this film. The storyline is believable and the viewer becomes sympathetic to the characters; even though they are convicted prisoners, we look past the bars and into the minds of these women. We may not understand their motives, but we appreciate their actions. I'd recommend this film to anyone, especially those who've never seen a movie covering this subject area before.
4/5
The "women-in-prison" plot is not an area covered very often in film, and when it is touched on, there are too many stereotypes to keep count of. Although there is some predictability in this film, the subject matter and themes were looked at from a very fresh angle. Ms. Dunye often talked to our class about incorporating reality and fiction together so that the two would blend and the line separating them would be blurry. This is exactly what she's accomplished in this film. The storyline is believable and the viewer becomes sympathetic to the characters; even though they are convicted prisoners, we look past the bars and into the minds of these women. We may not understand their motives, but we appreciate their actions. I'd recommend this film to anyone, especially those who've never seen a movie covering this subject area before.
4/5
Did you know
- GoofsThe manner in which Shadow uses her pinhole camera is incorrect. For example, when she takes the picture of Treasure, she removes the cover from the pinhole and leaves the pinhole uncovered for a much longer period of time than required (correct time is 2-3 seconds vs. the 15-20 seconds "Shadow" leaves the pinhole uncovered). In addition, she leaves the pinhole uncovered until Treasure turns and walks away from her, and only then does she cover the pinhole. When we see that picture later, it is a perfectly developed, non-blurry picture of Treasure standing still, facing Shadow. First, the picture would've been extremely overexposed, quite possibly nothing but dark gray or black. Second, the picture would've been blurry from the fact that Treasure didn't just move, she turned and walked away before the pinhole was closed.
- ConnectionsFeatured in The 2003 IFP Independent Spirit Awards (2003)
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- Więzienny blues
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- 1h 37m(97 min)
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