IMDb RATING
5.4/10
2.3K
YOUR RATING
Old bitter miser Ebenezer Scrooge (Simon Callow) who makes excuses for his uncaring nature learns real compassion when three ghosts visit him on Christmas Eve.Old bitter miser Ebenezer Scrooge (Simon Callow) who makes excuses for his uncaring nature learns real compassion when three ghosts visit him on Christmas Eve.Old bitter miser Ebenezer Scrooge (Simon Callow) who makes excuses for his uncaring nature learns real compassion when three ghosts visit him on Christmas Eve.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Simon Callow
- Scrooge
- (voice)
- …
Kate Winslet
- Belle
- (voice)
Nicolas Cage
- Marley
- (voice)
Rhys Ifans
- Bob Cratchit
- (voice)
Juliet Stevenson
- Mrs. Cratchit
- (voice)
- …
Robert Llewellyn
- Old Joe
- (voice)
Iain Jones
- Fred
- (voice)
Colin McFarlane
- Fezziwig
- (voice)
Beth Winslet
- Fan
- (voice)
Arthur Cox
- Dr. Lambert
- (voice)
Keith Wickham
- Mr. Leach
- (voice)
- …
Joss Sanglier
- Choir Master
- (voice)
Sarah Kayte Foster
- Mouse
- (voice)
- (as Sarah Annison)
Rosalie MacCraig
- Mouse
- (voice)
Aaron Basacombe
- Child
- (voice)
Bradley Kelly
- Child
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Not Great, But Not Terrible
I've seen a repeating pattern when it comes to reviews of this movie, the animation's bad, mice are evil, it's different from the original.
For being different from the original, A Christmas Carol stands as one of the most adapted works out there, least it feels like it with how many we got. It wouldn't hurt to try and change things up just to stand out, otherwise people would say it brings nothing new to the table. Guess this film was gonna lose no matter what.
The mice, most I can say scenes centering on them were to pad out the runtime, At the very least they don't talk and thus don't become horribly unbearable.
The animation... I guess after seeing so many works by Don Bluth and at Disney standards had grown. The animation here is otherwise acceptable, nowhere near as terrible as people make it out to be though still not great. But it does stand out to me, whether against some beautiful storyboards. It fits the narrative and tone, so to speak.
Course you may be asking, what could be worse than this adaptation?
Bah Humduck, which hits two of the three same sins as this film, only difference is that their liberties cripple the original tale way worse.
For being different from the original, A Christmas Carol stands as one of the most adapted works out there, least it feels like it with how many we got. It wouldn't hurt to try and change things up just to stand out, otherwise people would say it brings nothing new to the table. Guess this film was gonna lose no matter what.
The mice, most I can say scenes centering on them were to pad out the runtime, At the very least they don't talk and thus don't become horribly unbearable.
The animation... I guess after seeing so many works by Don Bluth and at Disney standards had grown. The animation here is otherwise acceptable, nowhere near as terrible as people make it out to be though still not great. But it does stand out to me, whether against some beautiful storyboards. It fits the narrative and tone, so to speak.
Course you may be asking, what could be worse than this adaptation?
Bah Humduck, which hits two of the three same sins as this film, only difference is that their liberties cripple the original tale way worse.
Decent, But There Are Better Tellings Of The Story
Bookended by Simon Callow as Charles Dickens on an American tour, we get an animated version of the novella with a fine cast that includes Callow as Scrooge, Kate Winslett, Nick Cage, Jane Harrocks, Michael Gambon, and Rhys Ifans.
Nothing is ever going to topple the 1951 version with Alastair Sim as Scrooge from the top of the pile (with the Mr. Magoo version a sentimental second, even with wazzlebewwy dwessing). This animated version tells its variation of the familiar tale well. Even so, there are numerous reasons why it did poorly at the box office. Most obvious among them is the choice of color palettes. For the first third of the film, through the journey of Scrooge into the past, we are confronted with a dull, brown wash to everything. The choice makes perfect sense on paper. It shows the world from Scrooge's viewpoint, and it is only the opening of his heart that brings light and color into his world. Nonetheless, it is dull, and twenty-five minutes of dullness is not a good way to begin anything, Cicero to the contrary.
The other issues are more personal. I have seen more than a dozen versions of the tale, so the beginning, with its air of mystery as to who Kate Winslett may be is no mystery to me. True, to someone seeing this as the first version of the tale, it may beguile. But that novitiate is not going to get the purpose of Callow as Dickens. The net result is that this is perfectly adequate, but not particularly telling.
Nothing is ever going to topple the 1951 version with Alastair Sim as Scrooge from the top of the pile (with the Mr. Magoo version a sentimental second, even with wazzlebewwy dwessing). This animated version tells its variation of the familiar tale well. Even so, there are numerous reasons why it did poorly at the box office. Most obvious among them is the choice of color palettes. For the first third of the film, through the journey of Scrooge into the past, we are confronted with a dull, brown wash to everything. The choice makes perfect sense on paper. It shows the world from Scrooge's viewpoint, and it is only the opening of his heart that brings light and color into his world. Nonetheless, it is dull, and twenty-five minutes of dullness is not a good way to begin anything, Cicero to the contrary.
The other issues are more personal. I have seen more than a dozen versions of the tale, so the beginning, with its air of mystery as to who Kate Winslett may be is no mystery to me. True, to someone seeing this as the first version of the tale, it may beguile. But that novitiate is not going to get the purpose of Callow as Dickens. The net result is that this is perfectly adequate, but not particularly telling.
Where are Darcel, Pam, Beverly, Jamila, Cooley, Mark, Eileen and Nicole when you really need them?
Darcel, Pam etc are - or were - the Solid Gold Dancers ("Solid Gold" was an American pop music show in the 1980s); in the movie "Scrooged" six of them (guess which two were absent) made a cameo appearance as part of the cast of Bill Murray's TV version of the classic Charles Dickens story... and there's the biggest problem with "Christmas Carol: The Movie" right there. Not the presence of leggy, gorgeous American girls in skimpy attire - such a thing could only have benefitted this movie - but the stunningly definitive and frankly ignorant title; so all the other versions of the novel (and there have been quite a few down the years, featuring casts from Alastair Sim through Henry Winkler [in the TV movie "An American Christmas Carol"] to Michael Caine in "The Muppet Christmas Carol" - not to mention the musical "Scrooge," at least two animated versions, and countless episodes of TV shows borrowing the whole story, like "WKRP In Cincinnati" and "The Odd Couple" to name but two) don't count then?
For a movie to live up to such a title, it would have to be the best version ever, and this isn't. It isn't helped by having live-action bookends of the great man (played here by Simon Callow, also the voice of Ebenezer Scrooge) performing a dramatic reading of his book in Boston. Or by having a pair of mice throughout the movie as the closest things to soulmates the man has (cute animals should be left to Disney and Disney alone). Or by animation that's depressingly crude for the most part (it all looks like a poor 1970s TV show, with the exception of the journeys the Ghosts of Christmas Past and Present take our "hero" on, where the movie really does come to life for a bit). Or by Piet Kroon and Robert "Kryten" Llewellyn's script, or Julian Nott's score (pains me to say it, but the songs from Kate Winslet and Charlotte Church are the highpoints).
And as for Nicolas Cage as Jacob Marley... not since the late lamented Lorenzo Music did Peter Venkman on "The Real Ghostbusters" has there been such a shockingly bad case of cartoon miscasting. And some people wonder why so many of us love Pixar.
For a movie to live up to such a title, it would have to be the best version ever, and this isn't. It isn't helped by having live-action bookends of the great man (played here by Simon Callow, also the voice of Ebenezer Scrooge) performing a dramatic reading of his book in Boston. Or by having a pair of mice throughout the movie as the closest things to soulmates the man has (cute animals should be left to Disney and Disney alone). Or by animation that's depressingly crude for the most part (it all looks like a poor 1970s TV show, with the exception of the journeys the Ghosts of Christmas Past and Present take our "hero" on, where the movie really does come to life for a bit). Or by Piet Kroon and Robert "Kryten" Llewellyn's script, or Julian Nott's score (pains me to say it, but the songs from Kate Winslet and Charlotte Church are the highpoints).
And as for Nicolas Cage as Jacob Marley... not since the late lamented Lorenzo Music did Peter Venkman on "The Real Ghostbusters" has there been such a shockingly bad case of cartoon miscasting. And some people wonder why so many of us love Pixar.
Charming and enjoyable recounting about unforgettable and inmortal Christmas story
Worthwhile adaptation about timeless and quintessential Christmas tale , it is definitely worth a look thanks to splendid animated images . It's fun , touching and different approach to the Christmas classic with acceptable effects by cartoon , dealing with the known story about an old bitter miser who makes excuses for his uncaring nature learns real compassion when three ghosts visit him on Christmas Eve . A Christmas Carol is an agreeable production , a wonderful and straight-forward approach to the Dickens's source material , being splendid but freely adapted . It stars with a live-action sequence set in Boston in 1857, the site of a live reading by renowned novelist Dickens played by Simon Callow. The production values & drawing are both adequate with just enough attractive to appeal to the tenderhearted , and with touching doses of horror , case of the potentially frightening elements the Ghosts of Past, Present and Future , adding sentiment ; all of them are blended into the mix , until , like a nice Christmas punch , the result appeals to all . Scrooge is a miserly old businessman in 1840's London . He displays no charity to mankind generally , and in particular , to his employee Bob Cratchett and his unfortunate son , Tiny Tim . One Christmas Eve he is visited by the ghost of Marley, his dead business partner. He is warned that he must change his miserly ways or face damnation . Marley foretells that Scrooge will be visited by three spirits , each of whom will attempt to show Scrooge the error of his ways . In Just One Night, He Has Seen His Past, His Present, And His Future. And They've All Come Back To Haunt Him Will Scrooge reform his ways in time to celebrate Christmas? . To his delight, the spirits complete their visits in one night giving him the opportunity to mend his ways. The first spirit, the Ghost of Christmas Past , shows Scrooge visions of his own past in which had spent much of his childhood neglected by his father over the holidays at boarding school until he was finally brought home by his loving sister Fan who died prematurely after giving birth to his nephew Fred . A past in which appears a young Scrooge and including a broken engagement to his girlfriend .
In Just One Night , He Has Seen His Past, His Present, And His Future. And They've All Come Back To Haunt Him Will Scrooge reform his ways in time to celebrate Christmas? .
A marvelous recounting of a Christmas vintage classic , beginning with Dickens himself explains that the mouse, named Gabriel, carries a blaze of hope amidst the glaring co-existence of rich and poor in the streets of London in this retelling of Charles Dickens' immortal story . As throughout the subsequent unfolding of the famous tale a pair of mouse providing younger members of the audience with a point of childish style into the story . Decent and stirring rendition with top-notch animated drawings . Atmospherically, the movie is as comfortable and heartwarming as an old Christmas card , including potentially frightening aspects : the Ghosts of Past, Present and Future .The whole concept of looking at your life in the past, present and future is creative in and of itself . After watching the movie, you may look at your life from the same perspectives . And adding the pleasant voices from prestigious actors , such as : Simon Callow as Scrooge / Charles Dickens , Nicolas Cage , Kate Winslet , Jane Horrocks , Rhys Ifans , Juliet Stevenson , Robert Llewellyn and Michael Gambon who also played a Scrooge role in the Doctor Who (2005) episode and A Christmas Carol . Though most of us , if not all of us, have seen other adaptations in the past or read the story,and know already what to expect, director Jimmy Murakami manages to capture pure magic with this peculiar portrayal of main character Ebenezer Scrooge , and it is definitely worth a look . It's fun and different approach to the Christmas classic. A highly recommended film that nobody should miss it especially during Christmas time still ranks as one of the most enjoyable adaptations of the Dickens classic ever. This animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption will appeal to Charles Dickens novel fans .
The motion picture was well directed by Jimmy T. Murakami . He was born on June 5, 1933 in San Jose, California, USA as Teruaki Murakami and died in Dublín , 2014 . He is known for his work on Breath (1967), Humanoids from the Deep (1980) , Heavy Metal (1981) , The Christmas Story Keepers (1998) , The Easter Story Keepers (1998) and Kate Bush: King of the Mountain (2005) . And When the wind blows (1986) that was his greatest hit along with a Sci-Fi movie titled Battle beyond the stars produced by Roger Corman .
Other versions about this stunning story courtesy of several mysterious Christmas apparitions are the following ones : The rather obscure 1935 version with Sir Seymour Hicks , the 1951 British production with Alastair Sim, Jack Warner , adaptation released by MGM in 1938 with Reginald Owen , Gene Lockhart , and the 1970 musical, with Albert Finney , Frank Finlay . Under the title of 'A Christmas Carol' a cartoon rendition (1997) by Stan Phillips and voiced by Tim Curry and another (1991) by Jimmy T Murakami with Simon Callow . The made-for-TV productions: 1984 with George C. Scott , 1999 with Patrick Stewart , Richard E. Grant , Saskia Reeves , Laura Fraser , Joel Grey and the 2004 musical, with Kelsey Grammer . Finally , ¨Robert Zemeckis's Christmas Carol¨ in which Jim Carrey demonstrates once again his versatility on screen ; it is given the full ¨Motion Capture¨ deluxe treatment in a superior film directed by Robert Zemeckis with Jim Carrey , Robin Wright , Colin Firth , Dominic West , adding stunning special effects with a nice little touch , but it is Carrey's interaction with the 'ghosts' and various characters that really steal the show ; including top-drawer effects by means of ¨Motion Capture¨, a technique developed by Robert Zemeckis in previous films as Beowulf and Polar Express .
A marvelous recounting of a Christmas vintage classic , beginning with Dickens himself explains that the mouse, named Gabriel, carries a blaze of hope amidst the glaring co-existence of rich and poor in the streets of London in this retelling of Charles Dickens' immortal story . As throughout the subsequent unfolding of the famous tale a pair of mouse providing younger members of the audience with a point of childish style into the story . Decent and stirring rendition with top-notch animated drawings . Atmospherically, the movie is as comfortable and heartwarming as an old Christmas card , including potentially frightening aspects : the Ghosts of Past, Present and Future .The whole concept of looking at your life in the past, present and future is creative in and of itself . After watching the movie, you may look at your life from the same perspectives . And adding the pleasant voices from prestigious actors , such as : Simon Callow as Scrooge / Charles Dickens , Nicolas Cage , Kate Winslet , Jane Horrocks , Rhys Ifans , Juliet Stevenson , Robert Llewellyn and Michael Gambon who also played a Scrooge role in the Doctor Who (2005) episode and A Christmas Carol . Though most of us , if not all of us, have seen other adaptations in the past or read the story,and know already what to expect, director Jimmy Murakami manages to capture pure magic with this peculiar portrayal of main character Ebenezer Scrooge , and it is definitely worth a look . It's fun and different approach to the Christmas classic. A highly recommended film that nobody should miss it especially during Christmas time still ranks as one of the most enjoyable adaptations of the Dickens classic ever. This animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption will appeal to Charles Dickens novel fans .
The motion picture was well directed by Jimmy T. Murakami . He was born on June 5, 1933 in San Jose, California, USA as Teruaki Murakami and died in Dublín , 2014 . He is known for his work on Breath (1967), Humanoids from the Deep (1980) , Heavy Metal (1981) , The Christmas Story Keepers (1998) , The Easter Story Keepers (1998) and Kate Bush: King of the Mountain (2005) . And When the wind blows (1986) that was his greatest hit along with a Sci-Fi movie titled Battle beyond the stars produced by Roger Corman .
Other versions about this stunning story courtesy of several mysterious Christmas apparitions are the following ones : The rather obscure 1935 version with Sir Seymour Hicks , the 1951 British production with Alastair Sim, Jack Warner , adaptation released by MGM in 1938 with Reginald Owen , Gene Lockhart , and the 1970 musical, with Albert Finney , Frank Finlay . Under the title of 'A Christmas Carol' a cartoon rendition (1997) by Stan Phillips and voiced by Tim Curry and another (1991) by Jimmy T Murakami with Simon Callow . The made-for-TV productions: 1984 with George C. Scott , 1999 with Patrick Stewart , Richard E. Grant , Saskia Reeves , Laura Fraser , Joel Grey and the 2004 musical, with Kelsey Grammer . Finally , ¨Robert Zemeckis's Christmas Carol¨ in which Jim Carrey demonstrates once again his versatility on screen ; it is given the full ¨Motion Capture¨ deluxe treatment in a superior film directed by Robert Zemeckis with Jim Carrey , Robin Wright , Colin Firth , Dominic West , adding stunning special effects with a nice little touch , but it is Carrey's interaction with the 'ghosts' and various characters that really steal the show ; including top-drawer effects by means of ¨Motion Capture¨, a technique developed by Robert Zemeckis in previous films as Beowulf and Polar Express .
A strangely sloppy and inconsistent take on the Dickens classic that doesn't add much to the crowd of adaptations
Ebeneezer Scrooge (Simon Callow) is a cold hearted miser who makes no secret of his contempt for the holidays as he runs his moneylending services with no room for compassion or humanity. Scrooge is visited by the ghost of his deceased partner, Jacob Marley (Nicolas Cage) who is now condemned to wander the Earth in the shackles he forged in life and tells Scrooge that a similar fate awaits him with an even longer and heavier chain. Marley offers Scrooge a chance to avoid his fate by telling him three ghosts, the Ghosts of Christmas Past (Jane Horrocks), Present (Michael Gambon), and Future who show Scrooge his long forgotten past, its effects on those in the here and now, and what may happen if he continues on his course unaltered.
Christmas Carol: The Movie is a 2001 animated adaptation of the Charles Dickens novella A Christmas Carol directed by Jimmy Murakami who'd previously worked as a supervising animator on the iconic short The Snowman as well as directing When the Wind Blows. The film was released in the UK in 2001 where it underperformed making a mere $200,000 against an estimated 6 million Pound budget and with the exception of Norway the film went direct-to-video elsewhere including the United States where it would be released by MGM in 2003 with little fanfare. What critics who actually bothered to see the film were primarily negative in their reception and to this day the film remains one of the more forgotten and obscure adaptations of this material as there's really not much here that wasn't done better in either prior adaptations or ones that came afterwards.
While there is a certain appeal to some parts of the animation per the standards Murakami set for himself in The Snowman and When the Wind Blows, the animation itself feels like it's slightly sloggy with the characters' motions often feeling as though they're in motion through molasses. There's also some instances where the character designs fall into the uncanny valley with some attempts to make the humans more realistic looking resulting in some really unappealing aesthetics such as with the ghost of Christmas Past. In terms of the writing, the film does hit many of the major beats of the story, but issues with the pacing, placement of certain scenes, or added elements end up undermining the integrity of the narrative. The movie takes a really long time before it actually even gets to the arrival of the ghosts with the opening 30 minutes dedicated to establishing what Scrooge's lost love Belle played by Kate Winslet is doing with a hospital, antics involving two mute mice characters to whom Scrooge is uncharacteristically nice to, and there's no real buildup to the appearance of Jacob Marley whose appearance now comes before the collectors for the poor in a strange decision. Once we go through the three ghosts everything feels oddly compressed and rushed but also like we're going nowhere as there's a lengthy bit of animation done in the same style as The Snowman flight scene where Scrooge and the ghost of Christmas present sprinkle goodwill from the ghost's torch rather than actually looking at the present. But easily the biggest failure of the film lies at the end where the cathartic ending where Scrooge mends his ways feels trimmed down considerably and is lacking in the jovial spirit one typically associates with that ending.
Christmas Carol: The Movie is a not particularly impressive take on this story and there's a reason most aren't even aware of its existence. Aside from the "wha?" factor of having Nicolas Cage voice Marley this version of A Christmas Carol isn't particularly well told or well-acted and the animation doesn't do much service to this material.
Christmas Carol: The Movie is a 2001 animated adaptation of the Charles Dickens novella A Christmas Carol directed by Jimmy Murakami who'd previously worked as a supervising animator on the iconic short The Snowman as well as directing When the Wind Blows. The film was released in the UK in 2001 where it underperformed making a mere $200,000 against an estimated 6 million Pound budget and with the exception of Norway the film went direct-to-video elsewhere including the United States where it would be released by MGM in 2003 with little fanfare. What critics who actually bothered to see the film were primarily negative in their reception and to this day the film remains one of the more forgotten and obscure adaptations of this material as there's really not much here that wasn't done better in either prior adaptations or ones that came afterwards.
While there is a certain appeal to some parts of the animation per the standards Murakami set for himself in The Snowman and When the Wind Blows, the animation itself feels like it's slightly sloggy with the characters' motions often feeling as though they're in motion through molasses. There's also some instances where the character designs fall into the uncanny valley with some attempts to make the humans more realistic looking resulting in some really unappealing aesthetics such as with the ghost of Christmas Past. In terms of the writing, the film does hit many of the major beats of the story, but issues with the pacing, placement of certain scenes, or added elements end up undermining the integrity of the narrative. The movie takes a really long time before it actually even gets to the arrival of the ghosts with the opening 30 minutes dedicated to establishing what Scrooge's lost love Belle played by Kate Winslet is doing with a hospital, antics involving two mute mice characters to whom Scrooge is uncharacteristically nice to, and there's no real buildup to the appearance of Jacob Marley whose appearance now comes before the collectors for the poor in a strange decision. Once we go through the three ghosts everything feels oddly compressed and rushed but also like we're going nowhere as there's a lengthy bit of animation done in the same style as The Snowman flight scene where Scrooge and the ghost of Christmas present sprinkle goodwill from the ghost's torch rather than actually looking at the present. But easily the biggest failure of the film lies at the end where the cathartic ending where Scrooge mends his ways feels trimmed down considerably and is lacking in the jovial spirit one typically associates with that ending.
Christmas Carol: The Movie is a not particularly impressive take on this story and there's a reason most aren't even aware of its existence. Aside from the "wha?" factor of having Nicolas Cage voice Marley this version of A Christmas Carol isn't particularly well told or well-acted and the animation doesn't do much service to this material.
Did you know
- TriviaMichael Gambon (Ghost of Christmas Present) also played Scrooge in the 2010 Doctor Who (2005) Christmas special A Christmas Carol (2010).
- GoofsScrooge collects a sheaf of papers regarding debts that he's taken over but when he meets up with Joe, his debt collector, instead of giving him the papers he gives him a book.
- Quotes
Ebenezer Scrooge: Cratchit, that slovenly, good for nothing... Even a tiny mouse is more tidy!
- Alternate versionsSome DVD versions omit the live action theatrical opening and ending featuring Simon Callow as Charles Dickens. The Region 1 DVD from MGM has both scenes as a supplement in the special features section.
- ConnectionsFeatured in Kate Winslet: What If (2001)
- SoundtracksWhat If I
Performed by Kate Winslet
Produced by Steve Mac
Engineered by Chris Laws and Matt Howe at Rokstone Studios, London
Assistant Daniel Pursey
Written by Steve Mac and Wayne Hector
Published by Rokstone Music/Universal Music/Universal Music
Except USA: Rokstone Music/Songs of Windswept/Universal Music
Used by kind permission of Universal Music Publishing Ltd
Rokstone Musice LTD/Universal Music Publishing Ltd 2001
2001 Illuminated Films (Christmas Carol) Ltd
- How long is Christmas Carol: The Movie?Powered by Alexa
Details
Box office
- Budget
- $12,000,000 (estimated)
- Gross worldwide
- $266,475
- Runtime
- 1h 17m(77 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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