Ali Zaoua: Prince of the Streets

A variation on Hector Babenco's great 'Pixote' this follows the theme of abandoned street kids, being played by real street kids.

But "Ali" is much less gritty and naturalistic in style, if not story. Beautiful widescreen photography, some playful animated moments, and a slightly less despairing feel (although it's still pretty dark).

A young street boy is killed, and his friends try to figure out how to and his street friends try to figure out how to get him 'buried like a prince', hoping to give his sad, lost life some meaning in death. All the while they have to fend off attacks from the local street gang, find the boy's mother and let her know about her son's sad demise, etc.

Very well acted for the most part, and has it's share of touching, heartbreaking moments. But it also feels manipulative and 'moviesh' at others. Certainly a good film, if not quite at the level of it's ancestors.

One of the most beautiful and moving movies I have ever watched! Magnificently directed and acted plus a superb plot. Should have been nominated and should have won an Academy Award. Believe me when I tell you few movies will leave you as shocked and sensitive as this one.

I recently saw this film at the Santa Barbara international film festival. I glanced over the brief summary, and the fact that it came from Morocco intrigued me. However, it started an hour after a movie I really wanted to see started. The movie I went to wasn't that great and I ended up sneaking out of that one and into Ali Zaoua. I'm now glad I did so because what I saw was one of the most brutally realistic and terrifying, yet beautiful and poetic, inspiring and redemptive movies I've ever seen.

This movie is not for the faint of heart. Since it takes place in the poverty of a third world country, in places where the homeless in America seem spoiled in comparison, this movie portrays the harsh realities these kids endure everyday to survive, whether from the world around them or each other, no matter what the cost. The actors seem casted right off the streets, bearing scars and other physical traces of the nightmares they live through. The fact that the characters are only small children forced to live lives that even an adult would have a difficult time with makes this movie even more powerful.

At times this movie seemed like a version of Lord of the Flies, but I can't go into that any more without potentially spoiling the movie (or Lord of the Flies for those who haven't seen the movie or read the book). All I will say, however, is that the movie doesn't center around what seems to be aspects from Lord of the Flies and has much more good points about it than bad ones, that the movie carries much further than these aspects.

I can't say enough about this movie. I've only seen it one time and now I can't seem to find it on video or DVD. I can only hope that it comes out on DVD and in widescreen format.

This movie brings back memories of growing up in morocco, although the movie puts you in the front seat of the realities in real life much of this goes ignored by the rest of the populace. The feeling is of numbness to the harsh realities that these vagabonds have to go through. Most of these kids never make it to adulthood and if they do they are seriously psychologically ill. After watching this movie you will undeniably feel resentment to society and blame yourself for being part of it. Overall I think the movie was well directed, the characters were AMAZING (I hope that they get some type of recognition) some of the scenes are beautifully shot. Vote 10+ from my part

This is an amazing film. It has to be up there with "City of God" and "Pixote" (Brazil), "At- The Horse" (Turkey), "Saalam Bombay" (India) and "Amores Perros" (Mexico) as well as the American documentary "Streetwise" as one of the best contemporary movies about poverty and the social repression and horrors it brings to its subjects. The film is engrossing, captivating, disturbing and harrowing on many levels. The film is also a remarkable fusion of Godard, gangster films and "Arabian Nights." A shocking thing happens to the film's title character at the outset of the film, and we are transported into a world that is both enchating and perilous as if we are traveling with Sinbad across the 7 seas. Alas, this is no fantasy and we are reminded of that all too suddenly and it is a power that haunts the viewer as the final credits roll. The film also reminds one of our great independent filmmakers, like Spike Lee and Jim Jarmusch in terms of applying simplicity to brilliant and stark primary and secondary characters thus allowing a documentary feel to float with the narrative. Alas, when one is from Morroco as this filmmaker is, it usually takes two or three major efforts like this before you are recognized as being a cinematic genius. One of the best African films I've seen, along with "Quartier Mozart" from Cameroon, and certainly worth one's time.