Bangkok Dangerous

I Really enjoyed this one. The imagery is beautiful and imaginative, excellent editing and vibrant colors.

The cast was good, especially the guy playing Kong, the deaf assassin, he did a fantastic job, showing a full range of emotion without uttering a word. I really felt for the guy. In fact, I completely fail to see how the characters are flat and undeveloped like someone said. True, we don't get their life story, but i found my self really caring for them, they felt sort of real even though you didn't get to know that much about them.

That, and the girl playing Kong's love interest is so cute it'll make your eyes hurt...

About the action. Some people complain about this not being up to par with John Woo's action choreography, but who said an action flick, just because it's from Asia should have to be about making every shoot-out look like the Swan Lake? This is grittier, more unrehearsed, it's not about looking good firing that gun (even though I'm a big fan of that too).I thought that there was some really smart stuff, where brains won over brawn, watch out for the scene with laser sights at the end. I went "ahhh - Clever!"

This is not a perfect movie, it has flaws. I felt the ending to be a bit formulaic, and the whole "violence begets more violence" concept surely is nothing new plotwise, but still, it's not dumb and full of holes like so many other action movies. And it's sooo pretty to watch...

"Bangkok Dangerous" reworks many familiar themes - doublecrossed hit-man in love - in a mishmash of imitation John Woo and Takashi Miike, this time in Thailand. All that's missing are the white birds flapping around. Woo and Miike need not worry. The film school cinematography is highly irritating and the first half is slow and filled with labored flashbacks. The second half, however, succeeds in building suspense and interest, thanks to the affecting performance of the guy who plays the deaf and dumb hit-man. There is a scene towards the end that is remarkably original and powerful - you'll know it when you see it. Uneven but worth seeing, if only for the novelty factor - how many Thai films have you seen?

I thought it was actually a pretty superior 'hitman' film.

If you want full-on action in a style of early John Woo, then no, it is probably not perfect for you, but the directing is excellent, the character development is good, and the idea as original as any other.

I liked it, and liked the style particularly. It does borrow a lot from early Woo i guess, but it is borrowing and not stealing. There is enough originality of idea and of direction. The acting is pretty uniformly good as well. The critics in Toronto liked it too. (see awards and nominations)

Bangkok Dangerous I felt was a very stylish, well acted film with themes and, to an extent, a plot that ran along the same lines as alternative assassin flick Leon. Bangkok dangerous forms its protagionist with character interactions but mostly by delving into how he became the cold killer he is through a series of flashbacks which are not integral to the plot or even shown fluently but integral to our understanding of this troubled soul. The camera work in this film is its pro and con, at certain points style, fluidity and technique are all concentrated together to make some memorable scenes whereas occasionally certain shots has failed to impress and look slightly amateurish. The relationships in this film could also have had more focus on them because instead what we have is a series of different characters stories when we should have one large companionship struck by fate, betrayal and love. Warning for anybody watching this soon, the music ranges from OK to terrible and frequently fails to match the action.

In conclusion: Pretty good, if actions you're thing then this is you're thing but you'll probably cry you're guts out anyway. Its still quite moving. Plot - 5 Plot Development - 7 Acting - 8 Style - 7 Music - 3 Action - 10 Average - 6.66 Stars

A good film with a great visual style. Although I kept finding it hard to overcome the problems a deaf\mute assassin would encounter, it was something that was easily overlooked. Revenge, death and love, what more could a story ask for, and this one delivers it well. As with a lot of good Japanese movies, there is a heavy emphasis on visual style to convey a feeling, action or even thoughts of the characters onscreen, and this is done well here. Added to that is the use of audio to either cover the sound in a scene, or totally ignore it, showing the problems of the assassins' deafness, and yet at no point is this made obvious to the viewer, it's something you just notice. There's no Hollywood here either, and it's well appreciated. Watch this film, it's a good one.