A grown-up woman who kept her childish instincts and behavior starts working as the nanny of an 8-year-old girl who actually acts like an adult. But everything ends right-side up.A grown-up woman who kept her childish instincts and behavior starts working as the nanny of an 8-year-old girl who actually acts like an adult. But everything ends right-side up.A grown-up woman who kept her childish instincts and behavior starts working as the nanny of an 8-year-old girl who actually acts like an adult. But everything ends right-side up.
- Awards
- 2 nominations total
Featured reviews
This just goes to show you that you shouldn't go into movies with preconceptions, because I went in expecting (hoping, even) to hate this movie, and did for a while, but somewhere along the way it started working on me, and by the end I was practically eating out of its hand.
Molly Gunn (Brittany Murphy) is the rich, immature, hard-partying daughter of a deceased rock star, but when she loses all her money and belongings, she has to take a job as the nanny to a rich little girl named Ray (Dakota Fanning). Ray is very young, but acts like an uptight 45 year-old woman, because she's been ignored by her cold, socialite mother (a "Melrose Place"-ish Heather Locklear).
Both of these characters, but especially little Ray, are entirely fantasy creations. I don't care how self-sufficient she's had to be, no single-digit kid is going to act like this all the time and speak this kind of dialogue.
What makes the movie work is the actors. Murphy is a very likeable actress and with her mixture of raspy sexuality and innocent flakiness, I can't think of anyone who would have been better playing this spoiled rock princess.
And as Ray, Dakota Fanning once again shows that she is one of the absolute best child actors out there. This is the third time in a row she's been the best part of the movie she's in (the other two being the irritating "I Am Sam" and the downright hideous "Trapped"). Once her character begins to lighten up in the second half of the film, her performance really takes off.
So the story is very predictable, the dialogue often weak, and I hated the character of Molly's on-again, off-again "rock star" boyfriend (who inexplicably makes it big with a horrifyingly bad song about Egyptian cotton), but the characters played by Murphy and Fanning are a pleasure to spend time with, and that's what sold it to me.
Molly Gunn (Brittany Murphy) is the rich, immature, hard-partying daughter of a deceased rock star, but when she loses all her money and belongings, she has to take a job as the nanny to a rich little girl named Ray (Dakota Fanning). Ray is very young, but acts like an uptight 45 year-old woman, because she's been ignored by her cold, socialite mother (a "Melrose Place"-ish Heather Locklear).
Both of these characters, but especially little Ray, are entirely fantasy creations. I don't care how self-sufficient she's had to be, no single-digit kid is going to act like this all the time and speak this kind of dialogue.
What makes the movie work is the actors. Murphy is a very likeable actress and with her mixture of raspy sexuality and innocent flakiness, I can't think of anyone who would have been better playing this spoiled rock princess.
And as Ray, Dakota Fanning once again shows that she is one of the absolute best child actors out there. This is the third time in a row she's been the best part of the movie she's in (the other two being the irritating "I Am Sam" and the downright hideous "Trapped"). Once her character begins to lighten up in the second half of the film, her performance really takes off.
So the story is very predictable, the dialogue often weak, and I hated the character of Molly's on-again, off-again "rock star" boyfriend (who inexplicably makes it big with a horrifyingly bad song about Egyptian cotton), but the characters played by Murphy and Fanning are a pleasure to spend time with, and that's what sold it to me.
Just rewatched this classic. Brittany Murphy was so pretty. I miss her so much.
Boaz Yakin's "Uptown Girls" doesn't have anything new to say, but it offers us the perfect excuse to spend a mindless hour and a half in the company of Dakota Fanning, one of the best child actresses to come out of Hollywood in quite a while. If the viewer is looking for a light comedy, this film will do the trick.
Molly Gunn, a spoiled young woman, finds out in the worst way she has been rendered destitute because of the man in charge of her trust fund has swindled it and ran away with all her money. She must face reality, so she takes the easy way out in trying for the job of being the little girl Ray's nanny. She is in for a rude awakening!
Molly finds out that Ray is a grown woman trapped in a little girl's body. Ray is wise beyond belief. She makes Molly's life a living hell until Molly realizes that the little girl is to be pitied because she hasn't known any happiness in her short little life.
The combination of Brittany Murphy and Dakota Fanning is what makes this film work. Both are fun to watch together. Both actresses show they have a strange chemistry that works on the screen. The supporting cast does its part, but of course, we can't take our eyes from Dakota Fanning.
Molly Gunn, a spoiled young woman, finds out in the worst way she has been rendered destitute because of the man in charge of her trust fund has swindled it and ran away with all her money. She must face reality, so she takes the easy way out in trying for the job of being the little girl Ray's nanny. She is in for a rude awakening!
Molly finds out that Ray is a grown woman trapped in a little girl's body. Ray is wise beyond belief. She makes Molly's life a living hell until Molly realizes that the little girl is to be pitied because she hasn't known any happiness in her short little life.
The combination of Brittany Murphy and Dakota Fanning is what makes this film work. Both are fun to watch together. Both actresses show they have a strange chemistry that works on the screen. The supporting cast does its part, but of course, we can't take our eyes from Dakota Fanning.
As other reviewers have suggested, "Uptown Girls" is a hard film to classify: it's not a "comedy," per se, because it isn't funny (and barely even seems to try), but it also isn't particularly dramatic (though there are dramatic elements). I'm reminded of a term I've heard critics use a number of times -- "charmer" -- but only now do I realize how necessary it is to their lexicon. This film's greatest ambition, it seems, is to make its audience smile - and, as far as that goes, it succeeds. I may not have laughed at all for the whole ninety minutes (though I probably did), and I wasn't very moved; but, oh boy, did I smile a lot. Very few movies accomplish even that, so I'm forced to give "Uptown Girls" a strong recommendation.
As I say over and over again, a film doesn't have to be a work of art (that few even understand) to be a film. The keyword here is entertainment. And I thought this film was entertaining, not be confused with a work of art, or anything with a higher meaning. I could lean back and just enjoy watching the two characters change.
I thought, when I saw what a low rating it had gotten here on IMDb, that it would really stink. But the story did appeal to me. I'm glad I watched it - I give it a 7/10, just because I enjoyed watching it. So my advice: watch it, but as usual, don't expect Oscar material.
I thought, when I saw what a low rating it had gotten here on IMDb, that it would really stink. But the story did appeal to me. I'm glad I watched it - I give it a 7/10, just because I enjoyed watching it. So my advice: watch it, but as usual, don't expect Oscar material.
Did you know
- TriviaThe denim dress Molly wears when picking Ray up from school for the first time is a vintage dress from the seventies that belonged to the costumer designer's sister Kate when she was twelve and had been hand-customized by a babysitter. The name "Kate" was bedazzled on the back of the dress, but Brittany Murphy opted to wear a backpack to cover it up rather than ruin the history of the dress by removing the name. The name can still be seen briefly a few scenes later.
- GoofsAt the very end of the movie, Neal the musician is playing his guitar and singing, while the girls are dancing on the stage. Then we see him at the side of the stage, clapping, although we still hear him playing and singing.
- ConnectionsFeatures Ready.. Set.. Zoom! (1955)
- SoundtracksCharmed Life
Written by Keith Brown and Steve Mandile
Performed by Leigh Nash of Sixpence None the Richer
Produced by Keith Brown and Steve Mandile
Leigh Nash appears courtesy of Squint Entertainment
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Pequeñas Grandes Amigas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $37,182,494
- Opening weekend US & Canada
- $11,277,367
- Aug 17, 2003
- Gross worldwide
- $44,617,342
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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