Two best friends grow up on the Isle of Wight and in Brighton in the 1970s and 1980s.Two best friends grow up on the Isle of Wight and in Brighton in the 1970s and 1980s.Two best friends grow up on the Isle of Wight and in Brighton in the 1970s and 1980s.
- Director
- Writers
- Stars
- Nominated for 1 BAFTA Award
- 3 nominations total
Russell Mabey
- Craig
- (as Russell Maybey)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Friendship is a curious thing, and it's a topic which hasn't been explored too recently at the cinema. Me Without You puts this right, following the relationship between Holly (Williams) and Marina (Friel) from the seventies through the present, watching as them grow up and exploring their feelings towards each other and each other's families.
Imagine a British answer to The Ice Storm or American Beauty, and you're about half-way there, as this contains performances of genuine passion and emotion which leads you to engage on a surprisingly deep level with the characters as it delves beneath the surface of friendship. There is a moment about an hour in with Holly where it was impossible not to feel her character's desperation. While mostly drama, there are many moments of subtle humour which are effective without disturbing the overall flow of the piece.
The direction, especially with some inspired lighting in the last half hour is more than adequate, and the soundtrack perfectly evokes the spirit of the era, as do the costumes which have obviously had great care taken over them.
More importantly, though, this is a film which will really make you think, make you question the nature of friendship and your friends - you'll want to recommend this film to them, but you probably won't for fear of losing them afterwards!
A delight, and not at all what you might expect from a British film starring an ex soap actress. The two leads put in fine performances, and the supporting cast more than pull their weight. It's fair to say that I felt some of the nudity and drug use were slightly gratuitous, but this is a criticism that could also be levelled at American Beauty to a certain extent. This isn't quite a five star film, but it's pretty close.
Imagine a British answer to The Ice Storm or American Beauty, and you're about half-way there, as this contains performances of genuine passion and emotion which leads you to engage on a surprisingly deep level with the characters as it delves beneath the surface of friendship. There is a moment about an hour in with Holly where it was impossible not to feel her character's desperation. While mostly drama, there are many moments of subtle humour which are effective without disturbing the overall flow of the piece.
The direction, especially with some inspired lighting in the last half hour is more than adequate, and the soundtrack perfectly evokes the spirit of the era, as do the costumes which have obviously had great care taken over them.
More importantly, though, this is a film which will really make you think, make you question the nature of friendship and your friends - you'll want to recommend this film to them, but you probably won't for fear of losing them afterwards!
A delight, and not at all what you might expect from a British film starring an ex soap actress. The two leads put in fine performances, and the supporting cast more than pull their weight. It's fair to say that I felt some of the nudity and drug use were slightly gratuitous, but this is a criticism that could also be levelled at American Beauty to a certain extent. This isn't quite a five star film, but it's pretty close.
I'm a middle-aged white man, not a teen chick, and yet I must confess to having felt that this was a fine bit of work from so many POVs- and an entertaining package for their efforts.
Yes, there were times when it was too clear that the actresses were improvising their lines for a scene- but I could forgive it! There were far more instances where the lines were so spontaneously delivered that their candor felt just right, honesty beyond reproach.
The young women were excellent in their craft and sincerity. The screenplay was very believable, intelligent and did not pander- even if it tried too hard to include too much turmoil. The dialogue was delicious.
The direction was tentative in its lack of assurance (some moments that the cast ought to have been reined in rather than indulged) but mostly, the direction shows solid instinct and craft.
Finally, the cinematography is very fine. The framing and tracking show the viewer a smoothly handsome progress of scene and plot - without any trendy or self-conscious technical digression. Thank you, my friend, for your refusal to drown us in camera-shake!
All in all, I feel this was a fine project lovingly rendered by a sincere and generously talented team. As for their slight lack of self-confidence, it leads me to expect greater pleasure from their next work. This lot will not be undone by complacent ennui!
Yes, there were times when it was too clear that the actresses were improvising their lines for a scene- but I could forgive it! There were far more instances where the lines were so spontaneously delivered that their candor felt just right, honesty beyond reproach.
The young women were excellent in their craft and sincerity. The screenplay was very believable, intelligent and did not pander- even if it tried too hard to include too much turmoil. The dialogue was delicious.
The direction was tentative in its lack of assurance (some moments that the cast ought to have been reined in rather than indulged) but mostly, the direction shows solid instinct and craft.
Finally, the cinematography is very fine. The framing and tracking show the viewer a smoothly handsome progress of scene and plot - without any trendy or self-conscious technical digression. Thank you, my friend, for your refusal to drown us in camera-shake!
All in all, I feel this was a fine project lovingly rendered by a sincere and generously talented team. As for their slight lack of self-confidence, it leads me to expect greater pleasure from their next work. This lot will not be undone by complacent ennui!
This was a very good movie and definitely not just for females in their teens and 20's. I think all females (and even many males) can relate to this movie in one way or another. It's a very realistic movie about LIFE--- friendship, growing up, partying, sex, learning from mistakes, morals, family problems, falling in love, self-destruction, standing up for yourself, being with someone you don't love because it's expected of you, long term friendships and much more. It is definitely emotional at times, but very realistic. I live in the states and get irritated at the movies here being so idealistic--that's why i really enjoy the foreign made movies so much.
This is one of the best depictions of female adolescence, and the intensity of female "best friend"ships I've seen. Good attention to detail. Doesn't pull its punches on sex, drugs & rock'n'roll - neither glamourizing nor moralizing. It might take courage for parents to let their teenagers see it, but it's delusional to think kids don't know about these things. Good to see it handled intelligently.
I've always been a huge fan of British films and 'Me Without You' certainly didn't let me down. It doesn't only show vividly the agonies and struggles of growing up from a girl to a woman, it also presents the joys in a way that all can identify with.
I believe most can empathize with Marina, when she tore up the letter Nat wrote to Holly, or when she tries her very best just so that she can have Holly all to herself. Friel forces us to come face to face with the Marina in ourselves.
Williams deserves more credit for her stunning performance in the film. Undoubtedly, her quiet and reserved way of playing Holly has found itself into the hearts of many, especially with her desperate yearning for Nat.
To term this epic a 'chick flick' is certainly doing it and its actors great injustice. I walked away after watching it for the third time saying, 'God, I love this movie.' Kudos to the writer and director!
I believe most can empathize with Marina, when she tore up the letter Nat wrote to Holly, or when she tries her very best just so that she can have Holly all to herself. Friel forces us to come face to face with the Marina in ourselves.
Williams deserves more credit for her stunning performance in the film. Undoubtedly, her quiet and reserved way of playing Holly has found itself into the hearts of many, especially with her desperate yearning for Nat.
To term this epic a 'chick flick' is certainly doing it and its actors great injustice. I walked away after watching it for the third time saying, 'God, I love this movie.' Kudos to the writer and director!
Did you know
- TriviaWhile filming, Michelle Williams had to constantly fly back and forth between the UK and the North Carolina, USA to work on her television series Dawson's Creek (1998).
- GoofsIn 1982 fragment "Do you want me to want you to?" Holly said her favorite film of Tarkovsky was "Nostalghia" (1983) which hadn't been released yet by that time.
- ConnectionsReferences The Seventh Seal (1957)
- SoundtracksWhite Horses
Performed by Lucy Street
Recording Courtesy of Mercury Records Limited (London)
Licensed by kind permission from the Film & TV Licensing Division, part of the Universal Music Group
Written by Michael Carr and Ben Nisbet
Published by B Feldman & Co. Ltd. T / As Gerrard Music
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- 最愛她
- Filming locations
- 55 Downs Wood, Epsom, Surrey, England, UK(Holly's house)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $304,909
- Opening weekend US & Canada
- $12,816
- Jul 7, 2002
- Gross worldwide
- $369,226
- Runtime
- 1h 47m(107 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content