Jack and the Beanstalk: The Real Story

When I saw the listing for this film I imagined that it would be another network fantasy movie crap fest. The casting of Sara and Modine caused me to tape it and give it a look. As expected the fantasy land odd folk are bland, rather it is the "real world" segments that are magical (and literate). Sara (as fantasy land emissary) and Modine are perfect together.

Corporate head Jack Robinson is about to discover that fairytales are very real in this revisionist take on `Jack and the Beanstalk'.

The film starts off well, with Jack (Matthew Modine) discovering that life isn't as straightforward as he thought. A nice atmosphere is created as a mysterious woman, Ondine (Mia Sara looking very cute), appears dropping dire hints as to his family's secret. Eventually Jack discovers the truth behind his wealth, and finds out that it is up to him to put things right.

The `real world' segments of this movie tend to work best, as Jack struggles to come to terms with his discovery that fairy tales are true, with the `fantasy land' segments - mainly due to some variable effects - actually detracting from the sense of wonder. While most of the performances are fine (though Modine occasionally seems to be playing Scott Bakula), the guy playing the original Jack is fairly dire.

What really makes the story work is the idea that fairy tales are history dressed up to be palatable to us (and of course not necessarily reliably related history), and the way that we might exploit magic if it were available to us.

Well worth a watch for fantasy/fairy tale fans, or if you liked the superior `The 10th Kingdom'.

This is a great movie so far! I've just seen the first night. I'm going to see Part 2 tomorrow night! It's so exciting! And...kind of...twisted? Could I put it? It just had so many...BLAH! There's no way to put it into words! It's an excellent fiction meets fantasy mini-series! In a few words...JUST WATCH IT! 10/10

This is the story of a giant legume which brought happiness to some and misfortune to many. It's also the story of a very productive goose that laid eggs of pure gold to the music of a magic harp. These prized possessions also have the power (or so it seems) of turning dusty landscapes into valleys of verdant pastures. The excavation of some giant bones at the beginning gave promise of a pretty exciting film, but I thought the pace was slow until we met the first Jack and his mother Mrs. Robinson outraged at her son's transaction - a half a dozen bean seeds for the family cow! Then we get some real action. Thanks to computerised photography, the ground trembles and a gigantic beanstalk races upwards piercing the clouds. Naturally Jack climbs up and at the top discovers a new land inhabited by very large people. Although we realise this is photographic trickery, the miniaturisation of the human figures is well done and the appeasing of the giant's appetite has to be seen to be believed. When Jack steals the harp and the goose and clambers down the beanstalk with the angry giant in close pursuit, tension rises. Jack just makes it. The giant falls to his death and Mrs Robinson makes sure with a mighty swing of her axe. Great fairy story stuff for the children! Centuries pass. Jack and his progeny die young for there is a mighty curse on them all. The second half of the story explains how the curse can be removed if the goose and harp can be taken back to the land of the giants. Modern day Jack undertakes the mission, but is caught, tried and found guilty in the giant's court. This part of the film is not very original. If you have seen"Planet of the Apes" you will remember a similar scene where aliens are condemned for their deeds. The film covers some interesting topics currently being discussed:

(1) The cloning of the goose to provide an endless supply of gold. (2) The importance of the greening of the environment and its beneficial effect on the population.The film is cast with some well-known actors and it is fun to identify them. We have plenty of time to do so.The film runs for 3 hours (not including advertisements). Vanessa Redgrave as the Matriarch links the scenes together with a profound and prophetic commentary. Whether you can affirm her story to be true will much depend on whether "you believe in the unbelievable". It's really up to you.

I liked this quite a bit, despite a bit of a slow pace and general lack of umpth in the direction and editing. The cast are mostly good, the characters are all given time to get involved in the mystery and their actions s c choices drive the story along. Some of the sets look pretty good, not all of them but it mostly works. The story unfolds slowly and I fo mean slowly giving you limited information so that the story only unfolds gradually. I think i did prefer the first half the best. A few little elements bothered me like a character in the 1600s shows up with obviously modern glasses but nobody thinks it odd, hes also strong enough to overpower a man much bigger and younger than him. The overall tone I found slightly downbeat though Jon Voight is in full comic panto mode which is such a weird contrast. Its in the second half the problems begin a bit the strange world above inhabitants with magic creatures but also geese and horses, where do the people get their clothing and weapons from? How do they know about Christmas pudding? Why are there all these random deities as giants. Why are he giants randomly so trusting and helpless? How would they survive like that? Several performances just aren't good either I'm afraid. It's does have a very well done 3 act structure though with a solid climax and a love story that's not too badly done.

Overall I didn't care all too much though about the characters which isn't great when its 3 hours long.