Roads to Riches

Maybe they should have used the alternate title, "Rat in the Can," instead of "Strange Hearts." Of course, if you go looking for "Strange hearts" on cable, you will have better luck trying "Roads to Riches."

But, "Rat in the Can" is a good title to describe just how far Jack Waters (Robert Forster) has fallen in his luck. It's his million-dollar idea, and it's a winner if he can manage to go through with it. Forster (Jackie Brown) plays a lovable loser, who just can't get his act together. It is going to cost him the love of his life, Moira (Rose McGowan, who plays what I consider her best role to date as a stripper.) Smooth talking Texan Henry (Kip Pardue - Remember the Titans) is working his charm to drag her back home to keep her barefoot and pregnant.

"Friends" fans will find this slow, but it is a good romantic indie film.

I loved this film...I felt sorry about the rat in the can but still I loved it hehe. Rose McGowan's all grown up since Jawbreaker, which was so awful. This movie proves that even she can be emmotional, away from "Charmed" which she totally blowed. GREAT job to all the cast, exellent done guys!!

"Road to Riches" is a lightly romantic dramedy about a down-on-his-luck middle aged professional game show contestant (Forster) who harbors affection for a beautiful stripper (McGowan) and befriends a fresh-faced naive young interloper from Texas (Pardue) - a sort of poor man's Joe Buck (Midnight Cowboy) - until both men find themselves competing for the same woman. A B-flick at best, this little indie is rough around the edges showing signs of low budgetness and a lack of attention to detail with plot parts which don't dovetail well. However, when all is said and done, the film's good naturedness, poignant crescendo, and feel good conclusion make it a worthwhile watch for the couch potato in the mood for some casual small screen entertainment. (C+)

I loved this film. Rose M is all grown up and Forester couldn't be better. It moved me. i loved this movie. The fragile balance in life between what we mean and what we say are well explored. The consequnce of inaction is heartbreaking and can hurt us more than the things we do say. Well done.

Breathtakingly ridiculous dialog, wholly unlikely plot features, and characters who seem crafted specifically to mock any attempt to take them seriously didn't stop this amazing mess from being made (of what, though? One imagines there had to be some promising kernel that ended up flowering into this egregious waste of time.) and never cleaned up. Hence, it's clear that *anything* can find the financing to see celluloid (or HD), although the process by which this one got finished would have to be more interesting than the film itself. It's entirely possible that the film's off-kilter pacing and made-for-70s-TV sensibilities could eventually land it a cult gig, but of course there's always a lot of competition for those; perhaps a film-school tale-of-caution will be this three-titled train-wreck's legacy.