Spain, late 1940s. Julia leaves Madrid after falling into a deep depression when his lover, José Miguel, a prominent painter and opponent of the Fascist regime, is incarcerated.Spain, late 1940s. Julia leaves Madrid after falling into a deep depression when his lover, José Miguel, a prominent painter and opponent of the Fascist regime, is incarcerated.Spain, late 1940s. Julia leaves Madrid after falling into a deep depression when his lover, José Miguel, a prominent painter and opponent of the Fascist regime, is incarcerated.
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Featured reviews
I saw this film at the Portland international festival and I loved it (others did too -- it was selected for the final day's encore screenings). Very touching with wonderful performances, and it looks amazing. It was shot in black and white, and the exteriors in the Spanish countryside are gorgeous. The cinematographer won a Silver Bear for individual achievement at Berlin for his work on this film.
Veteran José Luis Garci has delivered a quiet little masterpiece here; a reminder of those beautifully photographed melodramas of the forties. The choice for black and white for the stunning photography was spot on and made it a joy to watch.
There is nothing extra special about this picture except that everything works so well. The actors are superb, the direction sound and with great feeling for the subject matter. This could so easily have become an excruciatingly sentimental tear jerker but it hasn't. It remains on the correct side of true emotion and the sometimes wry humour mirroring the hurt of the three women in the story - each in her own way coping with loss and memories - is a delight to watch.
Julia Gutiérrez Caba as the cigar smoking, wise cracking mother in law to the servant Julia is especially good. Her performance alone makes this worthwhile watching.
There is nothing extra special about this picture except that everything works so well. The actors are superb, the direction sound and with great feeling for the subject matter. This could so easily have become an excruciatingly sentimental tear jerker but it hasn't. It remains on the correct side of true emotion and the sometimes wry humour mirroring the hurt of the three women in the story - each in her own way coping with loss and memories - is a delight to watch.
Julia Gutiérrez Caba as the cigar smoking, wise cracking mother in law to the servant Julia is especially good. Her performance alone makes this worthwhile watching.
The writer/director of last years foreign film Oscar nominated THE GRANDFATHER, has done it again. Brilliant characters, marvelously acted, filled with the kind of humanity and insight so rarely seen in the cinema today. Lydia Bosch, and the music deserve special mention. This film will no doubt be nominated for this years Oscars in the foreign film category.
When I first saw this movie I thought It was really the perfect movie. I liked every thing of it, and in fact, it is still one of my favourites movies. Not only cinematography or music, but also actors and almost everything is wonderful. Somepeople may thing this is a boring picture, but I think it's been made with a lot of sensibility and madurity. In my opinion, watching "You're the one" is like looking at a nice picture of a good painter such as Velázquez, Goya or Van Gohg.
With 'You're the One' José Luis Garcionce attempts again to create a reminiscent mood piece. However, I felt that the film was lacking. The use of black and white does give it a very classic feel of a movie from the 1950s (which is clearly what the director intended if that wasn't so obvious from the numerous references) but I felt that it would have been much more effective in colour because of the landscape and surroundings that are so stunningly captured by Raúl Pérez Cubero's cinematography. The colour could have been used to add to the atmosphere. The characters are interesting but the spoken lines are clichés. The soundtrack is adequate and the performances are competent. Julia Gutiérrez Caba and Ana Fernández standout. I appreciate the subtlety and the fact that director Garcionce has steered clear of melodrama. The film itself failed to engage me as a whole. I wouldn't say that watching ''You're the One' but in the end there wasn't much that resonated.
Did you know
- Quotes
Don Matias: My God, why haven't you forsaken me?
- ConnectionsFeatures Gunga Din (1939)
Details
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- You're the One
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- Runtime
- 1h 51m(111 min)
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- Aspect ratio
- 2.35 : 1
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