Freeze Me

While similar in plot to a revenge movie, this is actually a survival movie. I liked it for its intensity: it doesn't take long to get going, and keeps nonstop tension for the next hour or so. Although it reaches its emotional climax a full half-hour before the end, there's enough tension built up by then to carry it through. It concerns a young lady who's confronted by a gang of men who had raped her five years before. The second meeting is no accident, they've sought after her to victimize her some more. Rape is not a crime of sexual gratification, it's a crime of humiliating domination over another person. That said, Chihiro is just the kind of timid soul who can easily be dominated: she doesn't have the courage to do the sensible thing, instead simply hoping the whole thing will go away. It doesn't, of course, and she's forced into action out of self-preservation. It often reminds me of Miike's earlier film, "Audition". That is said to have a strong message about the treatment of women in Japanese society, and I see this as another side of the same coin: a woman who has had a disabling stigma of shame placed on her, and has to struggle to overcome it. While the ensuing violence is certainly justified, it is not glorified. There is no real victory in this movie. While the things she is subjected to are revolting, the camera is thankfully restrained. Most of the violence against her is offscreen, and even the original attack is shown only in fragments, as a series of flashbacks. There is a lot of nudity here, but I don't see it as exploitational. First of all, it's very much a sex-themed movie, so nudity is pretty much a given. Most of it occurs in the shower: she spends an awful lot of time trying to wash herself clean. The movie does offer plenty of messages, but they're not uplifting or inspiring ones at all: more indictments of double standards in the treatment of women. I thought this was a terrific movie, and one that sticks with you, marred only by some truly awful English-language dubbing (at least, in the version I saw). A movie like this depends on a strong lead actress to carry it, and the voice actress in the U.S. version is just really not any good at all.

Rape revenge flick is just so quirky I don't even know what I thought of it.

Half way through this I found myself wondering what genre it was. Was it a horror? No, because it wasn't gruesome or scary enough. Was it a drama? No, because there was nowhere near enough depth to the story. Was it a thriller? No, because there was hardly any sense of thrills or tension on display.

This stumbling block is always going to be a huge problem. If you cannot classify a story under a specific category, or indeed multiple ones, then it becomes very hard to understand what kind of mindset to watch it in. If it's a thriller then it gets your pulse racing and you instantly 'activate' the mental recesses to put you into that frame of mind so you'll get the most out of it. Likewise horror, and one prepares oneself to be scared or disgusted or whatever. It's like real life - you're not going to elicit any inappropriate emotion for a given situation. You want to panic when you're being chased by a lion, not when you're settling down for a relaxing evening with your wife/husband.

With this, I was simply baffled as to how to feel.

Chihiro is a young lady who appears to have it all; a good job, an impending marriage to a man she's deeply in love with, and a solid social circle of friends. Indeed, she's in absolute bliss.

However, when a man she seems to recognise shows up at her apartment block, she runs from him in a state of panic, and a flashback of a scene from a home movie where the man's eyes dominate the picture appears. Evidently, she knows this man, and is terrified of him. Running back to her apartment she tries to get away from him, but he sticks to her like glue and takes over her home.

Essentially, it's safe to say that he (Kojima) is someone from Chohiro's past who she hoped never to see again.

That would be a synopsis and sets the stall for the movie. Well, so you would think. The problem I have with this review is the movie has very little content. Basically rapist #1 shows up, gets killed by the vilified woman, then his buddy shows up and the same happens, then the last one. And to store the bodies of these perps? Chohiro buys industrial freezers.

And that's it.

Obviously, there's an ending here, but you can see it coming a mile off and the events leading up to it are also as inevitable.

The major flaw with this movie is there are simply no layers to it. It's uninteresting because it never makes anything happen.

There's just so little plot that it makes rating it impossible, plus the added fact that it even adopts comedy at one point shows how completely directionless it actually is.

It's shallow, vacuous, and devoid of meat. However, it *is* different, and is extremely quirky as a result, which I must give it credit for.

However, add some overwrought rape scenes to the mix and you finish this movie entirely confused as to what you made of it.

I think more could have been done with the idea, and plenty more to make it plausible. Which is another flaw; to say you have to suspend your disbelief is an understatement. It's just absolutely incredible how daft much of this is. So many things happen which seem to abandon logic entirely, and they don't even succeed in entertaining given how utterly daft they are. You find yourself asking just why she is acting the way she is, why she is doing what she is doing.

Is it entertaining? Dunno. I suppose it killed (pardon the pun) a couple of hours but really, it was just so narrow.

Strange.

At the start of the millennium, exploitation movies were few and far between. Films such as I Spit On Your Grave, The Last House On The Left and The Virgin Spring had left the subgenre with little room to breathe. Unsurprising then, that Takashi Ishii briefly moved away from the exploitation genre that dominated his early works and directed Gonin, making him an international name. His films have always been largely preoccupied with revenge, and Freezer was to be no exception. Whereas Irreversible, released two years later, drew critical acclaim mainly for not glorifying the life that had been destroyed but to mourn it, Freezer was first to shift the focus from gory revenge and concentrate on the victim as she struggled to cope with the memories she thought she had buried deep inside her. Irreversible may be more celebrated, but Freezer also demands your attention. Without ever glorifying the horrific acts that fuel Chirhiro's bloody vengeance, Freezer is, for the most part, well-paced and surprisingly beautiful, with a compelling and intensely dramatic performance from its lead. DW

Five years after being raped in her small home town, Chihiro Yamazaki has made a new life for herself in Tokyo. She works in an office and is engaged to be married. Then one of her assailants turns up at her home and forces his way in. He says he spent a lot of time tracking her and that the other two will be arriving later. He also tells her that the original rape was filmed and that if she doesn't do has he demands copies will be given to people she knows. He soon takes over her life but then she fights back and he ends up in her freezer. It isn't long before the next of her attackers turns up looking for his friend... this time she doesn't wait so long before striking back. Now there is just one more rapist to worry about.

The rape revenge genre can be problematic to say the least; the initial crime must be shown in a way that makes the viewer totally sympathetic with the woman so we can accept it when gets her revenge... without that scene seeming exploitative. I thought this succeeded fairly well in that respect. There is quite a bit of nudity but, at least as far as Chihiro is concerned, it is most in in non-coercive situations. Having the film set mostly inside Chihiro's small apartment gives an impressive sense of claustrophobia. There are obviously some violent moments and while they are not excessively gory they are somewhat disturbing. Perhaps surprisingly there are a few comic moments... such as Chihiro worrying about her latest victim getting blood on the rug as she gave him a well-deserved battering. There are some slight plot holes; the fact that she never reported the original crime might be believable but it stretched credulity a bit to believe she wouldn't report when they started coming after her again... still it wouldn't have been much of a film if she'd done that. The cast is solid; most obviously Harumi Inoue who really impresses as Chihiro Yamazaki. Overall I'd say this won't be for everybody but it is well worth a watch if enjoy the genre or are a fan of gritty Japanese cinema.

These comments are based on watching the film in Japanese with English subtitles.

A thoroughly disturbing film, where the seemingly normality of a working woman's life is blown apart by the arrival of a man from her past. I liked the changes of direction that were made in the story. The beginning shows a perfectly normal group of workers, in a situation that seems perfectly plausible, indeed the acting here is so relaxed and natural. However, with the arrival of a man comes the first turn, and we see the dark secret that has been kept for so long, and this is where the disturbing feelings arrive with a violent crash. As the other members of a yakuza gang rape arrive, five years after the incident, they bring ever escalating levels of violence to the woman's life, and as the ties to her new normal life begin to break away, so do her ties to sanity. There comes the next turn, and her shocking actions. However, being shocking and disturbing does not a good film make, and I felt that it was this turn in direction that started a downward trip for the movie. Having started with a story that felt so real and human, this turn pulled in a totally different direction building a huge gulf between story and my beliefs and sympathies. I felt myself wishing that the story had remained in the vein of the first half, I am sure that it would have made a better film overall. Still, it's not a total loss.